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An exhaustive monograph on the eminent architect, emblematic of Milanese, and also Italian, 20th-century architectural and figurative culture. Celebrated in the 1930s, controversial and forgotten during the postwar period, and finally rediscovered today, Piero Portaluppi was an undisputed protagonist of 20th-century Italian architecture. An eclectic protagonist who steered clear of specific styles and schools, a master of hydroelectric architecture, and a great town planner whose projects changed the face of Milan. Produced in collaboration with the Fondazione Piero Portaluppi, this new exhaustive monograph comprises a large photo album with new colour images of Portaluppi’s architectural projects and interiors, taken by the well-known photographer Ciro Frank Schiappa; three previously unpublished essays, illustrated with vintage photos by Antonio Paoletti; views and models of Portaluppi’s projects; items documenting his personal interests (cartoons, diagrams, sundials, postcards, newspaper cuttings). The volume also features an interview with Portaluppi’s nephew, architect Piero Castellini, by the famous film director Luca Guadagnino; an unpublished essay by architect Paolo Portoghesi; a biography of Piero Portaluppi by Jacopo Ghilardotti; a list of works and a bibliography compiled by Ferruccio Lupi, conservator at Fondazione Piero Portaluppi. This monograph, produced in collaboration with Fondazione Portaluppi, features a new photographic campaign and previously unpublished essays.
Architecture --- Portaluppi, Pierro, --- Eclecticism in architecture --- Portaluppi, Piero, 1888-1967 --- Architecture -- Italie
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Architectural drawing --- Grotesque in architecture --- Eclecticism in architecture --- Lequeu, Jean-Jacques, - 1757-ca. 1825 --- France
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Eclecticism in architecture --- Architecture --- Habitat --- Werkbund (der) --- Histoire de l'architecture --- Arts and crafts --- Art nouveau --- Architecture "beaux-arts" --- History --- 20e siècle --- France --- Europe --- Autriche --- Allemagne --- Beaux-Arts architecture --- Beaux-Arts design --- Europe, 1900-1914 --- -Eclecticism in architecture --- Europe, 1900-1914. --- architecture [discipline] --- anno 1900-1999 --- Architectural design --- Architecture, Modern --- Eclectisme --- Eclecticism in architecture - Europe --- Architecture - Europe - History - 20th century
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Alban Chambon, fantaisie et architecture au tournant du XXe siècle. Il y a bien des façons d'être architecte et de faire de l'architecture... D'abord ouvrier, puis artiste industriel, formé dans les entreprises de décoration parisiennes dans les années 1860, Alban Chambon (1847-1928) devint maître d'oeuvre au talent reconnu, couvert de commandes de théâtres, de casinos, d'hôtels à Bruxelles, Londres, Amsterdam, Vienne, Paris et Ostende quelques années plus tard. À Paris, le théâtre du Ranelagh, unique élément subsistant d'une vaste propriété et à Bruxelles, les salons, aujourd'hui classés, de l'hôtel Métropole témoignent toujours de son talent foisonnant. Ce livre retrace l'ascension et la chute de cet homme qui n'était pas né ni instruit pour inventer en son temps une nouvelle architecture, et qui pourtant l'a fait. Étrangement certes. Mais avec brio. À la marge. En s'imposant comme architecte du spectacle léger et de la féerie, du music-hall. En créant son univers comme un espace de fantaisie. Avec la malice d'un Jules Verne, d'un Georges Méliès ou d'un Max Linder.
Architecture --- Architecture, French --- History --- Histoire --- Chambon, Alban, --- Architecture de spectacle --- Eclectisme --- Théâtre --- Eclecticism in architecture --- Decoration and ornament, Architectural --- Chambon, Alban --- Criticism and interpretation --- 19e siècle --- Belgique --- France --- architecture [discipline] --- Eclecticism in architecture - Belgium --- Decoration and ornament, Architectural - Belgium --- Chambon, Alban, - 1847-1928 - Criticism and interpretation --- architects --- Chambon, Alban, - 1847-1928 --- Chambon, alban (1847-1928)
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Eclecticism in architecture --- Art nouveau (Architecture) --- Gaudi, Antoni, --- Gaudi, Antoni --- architectuur --- art nouveau --- Gaudí, Antoni --- Güell (familie) --- Eclecticism in architecture - Spain - Catalonia - Catalogs --- Art nouveau (Architecture) - Spain - Catalonia - Catalogs --- Gaudi, Antoni, - 1852-1926 - Catalogs --- architectuur. --- art nouveau. --- Gaudí, Antoni. --- Güell (familie). --- Gaudi, Antoni, - 1852-1926
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Architecture and Anarchism documents and illustrates 60 projects, past and present, that key into a libertarian ethos and desire for diverse self-organised ways of building. They are what this book calls an ‘anarchist’ architecture, that is, forms of design and building that embrace the core values of traditional anarchist political theory since its divergence from the mainstream of socialist politics in the 19th century. These are autonomy, voluntary association, mutual aid, and self-organisation through direct democracy. As the book shows, there are a vast range of architectural projects that can been seen to reflect some or all of these values, whether they are acknowledged as specifically anarchist or otherwise. Anarchist values are evident in projects that grow out of romantic notions of escape – from isolated cabins to intentional communities. Yet, in contrast, they also manifest in direct action – occupations or protests that produce micro-countercommunities. Artists also produce anarchist architecture – intimations of much freer forms of building cut loose from the demands of moneyed clients; so do architects and planners who want to involve users in a process normally restricted to an elite few. Others also imagine new social realities through speculative proposals. Finally, building without authority is, for some, a necessity – the thousands of migrants denied their right to become citizens, even as they have to live somewhere; or the unhoused of otherwise affluent cities forced to build improvised homes for themselves. The result is to signifi cantly broaden existing ideas about what might constitute anarchism in architecture and also to argue strongly for its nurturing in the built environment. Understood in this way, anarchism off ers a powerful way of reconceptualising architecture as an emancipatory, inclusive, ecological and egalitarian practice.
Architecture and society --- Anarchism --- Architecture et société --- Anarchisme --- Anarchism and art --- Libertarianism --- Architecture, Domestic --- Building --- Curiosities and wonders --- Eclecticism in architecture --- Architecture sans architectes --- Habitat non réglementé --- Habitat provisoire --- Utopie architecturale --- Design and construction --- Anarchism and art - Pictorial works --- Architecture, Domestic - Design and construction - Pictorial works --- Building - Pictorial works --- Curiosities and wonders - Pictorial works --- Eclecticism in architecture - Pictorial works
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Publié pour la première fois en 1978 aux Etats-Unis, Collage City est désormais un classique de la théorie urbaine. Réévaluation critique des théories contemporaines de l'urbanisme et du rôle de l'architecte-urbaniste dans un contexte urbain, cet ouvrage s'adresse aussi bien à des historiens, des spécialistes du droit public, des socio-psychologues et des politiciens qu'à des architectes. Dans un débat convaincant de grande envergure, les auteurs défendent la notion de ville-collision et le concept de l'architecte-bricoleur pour contrer directement les hypothèses qui sous-tendent le réaménagement à grande échelle des centres urbains.
Architecture visionnaire --- Fonctionnalisme (Architecture) --- Eclectisme en architecture --- Éclectisme (architecture) --- Fonctionnalisme (architecture) --- Utopies architecturales --- Villes --- Urbanisme --- Architecture --- Espace (architecture) --- Philosophie --- City planning --- Visionary architecture --- Functionalism (Architecture) --- Eclecticism in architecture. --- Architecture, Modern --- Philosophy --- Utopies architecturales. --- Philosophie. --- Éclectisme (architecture)
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Une typologie de l'immeuble, une histoire des styles et des mentalités, étaient nécessaires. C'est cette grande fresque que s'est attaché à reconstituer l'auteur: en historien mais aussi en promeneur et ce avec une iconographie inédite, composée de gravures, de photographies anciennes.
Eclecticism in architecture --- Decoration and ornament, Architectural --- Façades --- Architecture --- Urban renewal --- History --- Paris (France) --- Buildings, structures, etc. --- Histoire de l'architecture --- Histoire de l'urbanisme --- Histoire de la construction --- 19e siècle
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