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Since the mid-1990s, a number of films from international filmmakers have experimented with increasingly complicated narrative strategies-including such hits as Run, Lola, Run, 21 Grams, and Memento. This book sets those films and others in context with earlier works that tried new narrative approaches, including Stage Fright and Hiroshima, Mon Amour, to show how they reveal the limitations of most of our usual tools for analysing film. In light of that, Steffen Hven argues for the deployment of an 'embodied' reconfiguration of the cinematic experience, one that allows us to rethink such core constituents of narrative understanding as cognition, emotion, and affect.

Motion pictures --- History. --- History and criticism --- Film-philosophy, cognitive film science, embodied cognition, narratology, 'complex narratives'. --- Motion pictures - History

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This handbook provides a systematic overview of the present state of international research in narratology and is now available in a second, completely revised and expanded edition.Detailed individual studies by internationally renowned narratologists elucidate central terms of narratology, present a critical account of the major research positions and their historical development and indicate directions for future research.

Fiction --- Literary rhetorics --- Analyse du discours narratif --- Narration --- Analyse du discours narratif. --- Narration. --- Discourse analysis, Narrative --- Narration (Rhetoric) --- Discourse analysis, Narrative. --- Narrative (Rhetoric) --- Narrative writing --- Rhetoric --- Narratees (Rhetoric) --- Narrative discourse analysis --- Literary Theory. --- Narratology.

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Sull'ultimo e più complesso dei romanzi greci, le Etiopiche di Eliodoro, mancava ancora uno studio che facesse il punto, almeno in parte, sulla ricca messe di contributi che ormai si sono accumulati sull'argomento. Partendo da una disamina degli studi narratologici, fino a coinvolgere i più recenti studi di narratologia cognitiva e delle emozioni, con la presente ricerca si è cercato di dare un nuovo volto a un romanzo sorprendentemente complesso. Sulla base dell'interpretazione del testo e del vaglio di un'ampia letteratura, lo studio offre riflessioni sulle caratteristiche del romanzo, alcune delle quali finora trascurate, come le narrazioni concentriche (o racconti nei racconti), il valore dell'ekphrasis dell'ametista al centro dell'opera, il valore delle emozioni nel romanzo e il ruolo del lettore nella performance di lettura. Di fatto questa ricerca finisce per riconsiderare e mettere in discussione alcune interpretazioni consolidate sul romanzo greco in generale, ad esempio sulla composizione del pubbblico e sulla sua ricezione.

E-books --- Heliodorus, --- Aethiopica (Heliodorus, of Emesa). --- Héliodore d'Émèse (02..?-03..?). --- Héliodore d'Émèse --- Traductions italiennes. --- Critique et interprétation. --- Erzähltechnik --- Heliodorus --- (Produktform)Electronic book text --- Altertum und Narratologie --- Altgriechischer Roman --- Altphilologie --- Ancient Greek Novel --- Ancient Narrative --- Antiker Roman --- Cognitive Narratology and Ancient Novel --- Eliodoro --- Eliodoro di Emesa --- Erzähltechnik des Heliodors --- Ethiopian Story --- Ethiopikà --- Ethiopische Geschichte --- Heliodor --- Heliodor aus Emesa --- Heliodors Roman --- Heliodorus from Emesa --- Heliodorus' Narrative Techniques --- Heliodorus' Novel --- Kognitive Narratologie und antiker Roman --- Le Etiopiche --- Narratologia cognitiva e romanzo antico --- Narratologia e Antichità classica --- Narratologia e romanzo antico --- Narratologie und antiker Roman --- Narratology and Ancient Novel --- Narratology and Classics --- Romanzo antico --- Romanzo di Eliodoro --- Romanzo greco antico --- Tecniche narrative di Eliodoro --- (VLB-WN)9567 --- Erzählstil --- Erzählstrategie --- Erzählstruktur --- Epik --- Epische Technik --- Narrative Struktur --- Erzählweise --- Narrativ --- Literarische Technik --- Technik --- 02 --- -(Produktform)Electronic book text

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Gegenstand des Buches ist der in den Kulturwissenschaften ebenso verbreitete wie umstrittene Begriff des implied author, der seit seiner Einführung vor einem halben Jahrhundert Anlass für literaturtheoretische Kontroversen gewesen ist. Die ersten Kapitel der Studie untersuchen die Geschichte des Begriffs: die Prägung des Konzepts in Wayne C. Booths Rhetoric of Fiction, die vielstimmige Diskussion in Narratologie, Interpretationstheorie und Interpretationspraxis, und die bekanntesten Konkurrenzkonzepte wie Umberto Ecos Modell-Autor oder Wolfgang Isers impliziten Leser. Das Schlusskapitel widmet sich der Frage, wie mit dem implied author in Zukunft umgegangen werden sollte; im Vordergund steht dabei die Analyse und Evaluation von Vorschlägen der Klärung bzw. Ersetzung des Konzepts im Rahmen intentionalistischer Interpretationstheorien.

Implied author (Rhetoric) --- Implied author (Rhetoric). --- Literary rhetorics --- 82-3 --- 82-3 Proza. Fictie. Narratologie --- Proza. Fictie. Narratologie --- Rhetoric --- 82-3 Fiction. Prose narrative --- Fiction. Prose narrative --- Analyse du discours narratif --- Literary theory. --- narration technique. --- narration. --- narratology. --- narrator (in literature). --- Implicite (linguistique)

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Stories do not actually exist in the (fictional or factual) world but are constituted, structured and endowed with meaning through the process of mediation, i.e. they are represented and transmitted through systems of verbal, visual or audio-visual signs. The terms usually proposed to describe aspects of mediation, especially perspective, point of view, and focalization, have yet to bring clarity to this field, which is of central importance, not only for narratology but also for literary and media studies. One crucial problem about mediation concerns the dimensions of its modeling effect, particularly the precise status and constellation of the mediating agents, i.e. author, narrator or presenter and characters. The question is how are the structure and the meaning of the story conditioned by these different positions in relation to the mediated happenings perceived from outside and/or inside the storyworld? In this volume, fourteen articles by international scholars from seven different countries address these problems anew from various angles, reviewing the sub-categorization of mediation and re-specifying its dimensions both in literary texts and other media such as drama and theater, film, and computer games.

82-3 --- 82-3 Proza. Fictie. Narratologie --- Proza. Fictie. Narratologie --- Point of view (Literature) --- Mediation --- Narration (Rhetoric) --- Mediation. --- Narration (Rhetoric). --- Point of view (Literature). --- Fiction --- Literary rhetorics --- Literary semiotics --- Narrative (Rhetoric) --- Narrative writing --- Good offices (Mediation) --- Law and legislation --- Persona (Literature) --- Rhetoric --- Discourse analysis, Narrative --- Narratees (Rhetoric) --- Conflict management --- Dispute resolution (Law) --- Technique --- 82-3 Fiction. Prose narrative --- Fiction. Prose narrative --- Focalization. --- Narratology. --- Perspective. --- Point of View.