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Rembrandt Harmenszoon van Rijn, --- Rembrandt Harmenszoon van Rijn --- Rāmbirānt, --- Rembrandt Garmens van Reĭn, --- Rembrandt van Reĭn, --- Lun-po-lang, --- Rembrandt, --- Van Rijn, Rembrandt Harmenszoon, --- Rijn, Rembrandt Harmenszoon van, --- Rembrandt Harmensz van Rijn, --- Reimbrandt, --- Rembrandt van Rijn, --- רמברנדט --- רמברנדט הרמנסזון ואן־ריין, --- رامبرانت --- Rembrandt van Rijn --- Rembrandt --- Rembrandt Garmens van Reĭn --- Rembrandt van Reĭ --- Lun-po-lan --- Van Rijn, Rembrandt Harmenszoon --- Rijn, Rembrandt Harmenszoon van --- Rembrandt Harmensz van Rin, --- Reimbrand --- Rembrandt Harmenszoon van Rijn, - 1606-1669

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Rembrandt --- Rembrandt Harmenszoon van Rijn, --- Exhibitions --- Criticism and interpretation --- Rembrandt Harmenszoon van Rijn --- -Criticism and interpretation --- technical art history --- painting techniques --- Rāmbirānt, --- Rembrandt Garmens van Reĭn, --- Rembrandt van Reĭn, --- Lun-po-lang, --- Rembrandt, --- Van Rijn, Rembrandt Harmenszoon, --- Rijn, Rembrandt Harmenszoon van, --- Rembrandt Harmensz van Rijn, --- Reimbrandt, --- Rembrandt van Rijn, --- רמברנדט --- רמברנדט הרמנסזון ואן־ריין, --- رامبرانت --- Criticism and interpretation. --- Exhibitions. --- Art --- CDL --- 75.071 REMBRANDT --- Rembrandt van Rijn --- Rembrandt Garmens van Reĭn --- Rembrandt van Reĭ --- Lun-po-lan --- Van Rijn, Rembrandt Harmenszoon --- Rijn, Rembrandt Harmenszoon van --- Rembrandt Harmensz van Rin, --- Reimbrand --- Rembrandt Harmenszoon van Rijn, - 1606-1669 - Criticism and interpretation --- Rembrandt Harmenszoon van Rijn, - 1606-1669 - Exhibitions --- Rembrandt Harmenszoon van Rijn, - 1606-1669

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Volume IV of A Corpus of Rembrandt Paintings deals uniquely with the self-portraits of Rembrandt. In a clearly written explanatory style the head of the Rembrandt Research Project and Editor of this Volume, Ernst van de Wetering, discusses the full body of work of paintings and etchings portraying Rembrandt. He sets the different parameters for accepting or rejecting a Rembrandt self-portrait as such, whilst also discussing the exact working environment of Rembrandt and his apprentices. This workshop setting created a surroundings where apprentices could be involved in working on Rembrandt paintings making it more difficult to determine the hand of the master. Van de Wetering, who is one of the Rembrandt experts of our day and age, goes down to great detail to explain how the different self-portraits are made and what techniques Rembrandt uses, also giving an overview of which paintings are to be attributed to the Dutch Master and which not. In the additional catalogue the self-portraits are examined in detail. In clear and accessible explanatory text the different paintings are discussed, larded with immaculate images of each painting. Details are shown where possible, as well as the results of modern day technical imaging like X-radiography. This work of art history and art research should be part of every serious art historical institute, university or museum. Nowhere in the art history have all Rembrandt’s self portraits been discussed in such detailed and comparative manner by an authority such as Ernst van de Wetering. This is a standard work for decades to come.

Humanities / Arts / Design. --- Arts. --- History. --- Fine Arts. --- Humanities. --- Histoire --- Arts --- Sciences humaines --- Painting -- Autoradiography. --- Painting, Dutch. --- Rembrandt Harmenszoon van Rijn, 1606-1669. --- Visual Arts --- Art, Architecture & Applied Arts --- Painting --- Art --- Rembrandt Harmenszoon van Rijn, --- Rāmbirānt, --- Rembrandt Garmens van Reĭn, --- Rembrandt van Reĭn, --- Lun-po-lang, --- Rembrandt, --- Van Rijn, Rembrandt Harmenszoon, --- Rijn, Rembrandt Harmenszoon van, --- Rembrandt Harmensz van Rijn, --- Reimbrandt, --- Rembrandt van Rijn, --- רמברנדט --- רמברנדט הרמנסזון ואן־ריין, --- رامبرانت --- painting and painting techniques --- Culture --- Fine arts. --- Cultural and Media Studies. --- History, general. --- Study and teaching. --- Rembrandt --- painting [image-making] --- istoria --- easel paintings [paintings by form] --- Rembrandt Harmenszoon van Rijn --- Catalogs --- Annals --- Auxiliary sciences of history --- Arts, Fine --- Arts, Occidental --- Arts, Western --- Fine arts --- Humanities --- Rembrandt van Rijn --- Rembrandt Garmens van Reĭn --- Rembrandt van Reĭ --- Lun-po-lan --- Van Rijn, Rembrandt Harmenszoon --- Rijn, Rembrandt Harmenszoon van --- Rembrandt Harmensz van Rin, --- Reimbrand --- Arts, Primitive --- Rembrandt Harmenszoon van Rijn, - 1606-1669 --- istoria [critical concept]

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Painting, Dutch --- Attribution --- Historiography --- Rembrandt Harmenszoon van Rijn, --- Criticism and interpretation --- Dutch painting --- Attribution of Dutch painting --- Expertising --- Rāmbirānt, --- Rembrandt Garmens van Reĭn, --- Rembrandt van Reĭn, --- Lun-po-lang, --- Rembrandt, --- Van Rijn, Rembrandt Harmenszoon, --- Rijn, Rembrandt Harmenszoon van, --- Rembrandt Harmensz van Rijn, --- Reimbrandt, --- Rembrandt van Rijn, --- רמברנדט --- רמברנדט הרמנסזון ואן־ריין, --- رامبرانت --- Criticism and interpretation. --- Rembrandt Harmenszoon van Rijn --- Painting [Dutch ] --- Rembrandt van Rijn --- Rembrandt --- Rembrandt Garmens van Reĭn --- Rembrandt van Reĭ --- Lun-po-lan --- Van Rijn, Rembrandt Harmenszoon --- Rijn, Rembrandt Harmenszoon van --- Rembrandt Harmensz van Rin, --- Reimbrand --- Painting, Dutch - Attribution --- Painting, Dutch - Historiography --- Rembrandt Harmenszoon van Rijn, - 1606-1669 - Criticism and interpretation --- Rembrandt Harmenszoon van Rijn, - 1606-1669 --- History as a science --- Valentiner, Wilhelm --- Bredius, Abraham --- Hofstede de Groot, Cornelis --- Bode, von, Wilhelm

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Though Rembrandt's study of the Bible has long been recognized, his interest in secular literature has been relatively neglected. In this volume, Amy Golahny uses a 1656 inventory to reconstruct Rembrandt's library, discovering anew how his reading of history contributed to his creative process. In the end, Golahny places Rembrandt in the learned vernacular culture of seventeenth-century Holland, painting a picture of a pragmatic reader whose attention to historical texts strengthened his rivalry with Rubens for visual drama and narrative erudition.

History in art. --- Art and history. --- History and art --- History --- History in art --- Historical art --- Art and history --- Rembrandt Harmenszoon van Rijn, --- Rāmbirānt, --- Rembrandt Garmens van Reĭn, --- Rembrandt van Rijn --- Rembrandt van Reĭn, --- Lun-po-lang, --- Rembrandt, --- Van Rijn, Rembrandt Harmenszoon, --- Rijn, Rembrandt Harmenszoon van, --- Rembrandt Harmensz van Rijn, --- Reimbrandt, --- Rembrandt van Rijn, --- רמברנדט --- רמברנדט הרמנסזון ואן־ריין, --- رامبرانت --- Library. --- Knowledge and learning. --- 027.1 <492> --- 027.1 <492> Particuliere bibliotheken. Familiebibliotheken. Personenbibliotheken--Nederland --- Particuliere bibliotheken. Familiebibliotheken. Personenbibliotheken--Nederland --- Books and reading. --- Graphics industry --- Rembrandt --- Library --- Knowledge and learning --- Books and reading --- Rembrandt Harmenszoon van Rijn --- Rembrandt Garmens van Reĭn --- Rembrandt van Reĭ --- Lun-po-lan --- Van Rijn, Rembrandt Harmenszoon --- Rijn, Rembrandt Harmenszoon van --- Rembrandt Harmensz van Rin, --- Reimbrand --- bookstocks --- artist library --- Rembrandt Harmenszoon van Rijn, - 1606-1669 - Library --- Rembrandt Harmenszoon van Rijn, - 1606-1669 - Knowledge and learning --- Rembrandt Harmenszoon van Rijn, - 1606-1669 - Books and reading --- Rembrandt Harmenszoon van Rijn, - 1606-1669