Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Art --- Aesthetics --- Esthétique --- Philosophy --- Philosophie --- Philosophie. --- 700.6 --- kunstfilosofie --- beeldende kunst, filosofie, esthetiek en kritiek der beeldende kunst --- Art - Philosophie.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

The Aesthetic Brain takes the reader on a wide-ranging journey through the world of beauty, pleasure, and art. Chatterjee uses neuroscience to probe how an aesthetic sense is etched in our minds and evolutionary psychology to explain why aesthetic concerns feature centrally in our lives. Along the way, Chatterjee addresses fundamental questions: What is beauty? Is beauty universal? How is beauty related to pleasure? What is art? Should art be beautiful? Do we have an instinct for art? Chatterjee starts by probing the reasons that we find people, places, and even numbers beautiful. At the root of beauty, he finds, is pleasure. He then examines our pleasures by dissecting why we want and why we like food, sex, and money and how these rewards relate to aesthetic encounters. His ruminations on beauty and pleasure prepare him and the reader to face art. He wanders through the problems of defining art, understanding contemporary art, and interpreting ancient art. He explores why art, something that seems so useless, also feels fundamental to our humanity. Replete with facts, anecdotes, and analogies, this empirical guide to aesthetics offers scientific answers without deflating the wonders of beauty and art.

Aesthetics --- Genetic psychology. --- Brain --- Psychology. --- Esthetics. --- Pleasure. --- 700.6 --- 415.2 --- esthetica --- Factors, Psychological --- Psychological Factors --- Psychological Side Effects --- Psychologists --- Psychosocial Factors --- Side Effects, Psychological --- Factor, Psychological --- Factor, Psychosocial --- Factors, Psychosocial --- Psychological Factor --- Psychological Side Effect --- Psychologist --- Psychosocial Factor --- Side Effect, Psychological --- Human genetics --- Psychology --- Psychological aspects. --- Evolution. --- physiology. --- beeldende kunst, filosofie, esthetiek en kritiek der beeldende kunst --- algemene psychologie, zintuiglijke indrukken en waarnemingen --- MAD-faculty 15 --- kunst en psychologie

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

C’est un poncif de dire qu’une image donne à voir. Elle donne ici, aussi, à boire. Et c’est précisément ce dont il est question dans Les Iconophages. Une histoire de l’ingestion des images, passionnante étude dédiée à un champ de l’histoire de l’art ignoré : l’incorporation de représentations, qu’elles soient comestibles ou non. (…) Convoquant histoire médicale, des religions, des sensations mais aussi anthropologie, sémiologie ou philosophie, Jérémie Koering, opte pour une approche polysensorielle de l’image, l’exfiltrant du seul registre de l’optique. Au fil des sources et des exemples, il compose non pas un simple catalogue d’une forme aberrante de consommation « mais bien l’histoire d’une conjonction entre un acte (l’ingestion) et un objet (l’image) qui transforme la nature même de la représentation. » Diane Lisarelli, LIBERATION

kunst --- voedsel --- voeding --- 7.041 --- 7.04 --- 7.03 --- iconologie --- kunsttheorie --- iconofagie --- iconografie --- 700.6 --- Plastische opvoeding --- kunstbeschouwing --- Beeldende kunst --- beeldende kunst, filosofie, esthetiek en kritiek der beeldende kunst --- Art --- Illustrations, images, etc. --- Thèmes, motifs. --- Consommation. --- Christian art and symbolism --- Food habits --- Sacred meals --- Idols and images --- Themes, motives --- Social aspects --- History of civilization --- images [object genre] --- eating --- drinking --- eating [physical and mental activities] --- eetcultuur --- consumptie (kunst)

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Misschien moeten we ons afvragen wat er gebeurt als we de politieke implicaties van multiculturalisme omarmen in plaats van ze uit de weg te gaan. Dit hoeft niet ten koste te gaan van creativiteit en artistieke autonomie, maar het vereist wel een kritische kijk op de relatie tussen cultuur, geschiedenis en macht. (Paul Gilroy)Dit essay doet een poging. Het is een vrijwillige intoxicatie met begrippen als globalisering, identiteit, cultuurrelativisme, hybriditeit, enz. Aan de culturele en artistieke sector worden dwingende vragen gesteld: Zijn de kunstinstellingen te wit? Moet de artistieke canon worden herzien? Welke uitsluitingsmechanismen zijn er in de culturele sector werkzaam? In hoeverre wordt de houding ten opzichte van de andere kunstenaars nog bepaald door een koloniaal paradigma? Is artistieke kwaliteit een enkelvoud of een meervoud? Gedaan met de pleinvrees! De samenleving is multicultureel of is niet! Intoxicate yourself!Uitgave i.s.m de Vlaamse Gemeenschap, Vlaams Theater Instituut, CultuurNet Vlaanderen en Kunst en democratieBron : https://www.epo.be/nl/cultuur-cultuurkritiek/2372-Interculturele-intoxicaties-9789064454080.html

culturele diversiteit --- Philosophy and psychology of culture --- interculturaliteit --- kunstparticipatie --- kunstopvoeding --- cultuurfilosofie --- Art --- Culture --- Cultuur --- Art and society --- Multiculturalism --- Art criticism --- Culture and globalization --- Art et société --- Multiculturalisme --- Critique d'art --- Culture et mondialisation --- Multiculturele samenleving ; kunst --- Cultuur en maatschappij --- S2006174.JPG --- globalisering --- interculturele communicatie --- multiculturele samenleving --- kunst --- cultuur --- 694 --- 600 Cultuur --- 668.6 Multiculturele samenleving --- #VCV monografie 2006 --- 700.6 --- 905.2 --- 327 --- 007 --- 325 --- 7 --- 008 --- Esthetica en filosofie --- beeldende kunst, filosofie, esthetiek en kritiek der beeldende kunst --- cultuurfilosofie, -psychologie en -sociologie --- Art et société --- Multiculturele samenleving --- Kunst --- Globalisering --- Cultuurrelativisme --- Identiteit --- Cultuurparticipatie --- Allochtonen --- Allochtoon --- Afrika --- Azië --- Nederland --- China --- Toerisme --- Autisme --- Kind --- Samenleving --- Technologie --- Wetenschap --- Historische kritiek --- Vietnam --- Zuid-Afrika --- Kust --- Autochtoon --- Maatschappij --- Geschiedenis --- Voorlichting --- Literatuur --- Persoon met een migratieachtergrond

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

You Are Here: Art After the Internet is the first major publication to critically explore both the effects and affects that the internet has had on contemporary artistic practices. Responding to an era that has increasingly chosen to dub itself as “post-internet,” this collective text explores the relationship of the internet to art practices from the early millennium to the present day. The book positions itself as a provocation on the current state of cultural production, relying on first-person accounts from artists, writers and curators as the primary source material. The book raises urgent questions about how we negotiate the formal, aesthetic and conceptual relationship of art and its effects after the ubiquitous rise of the internet.

Kholeif, Omar --- Art and the Internet --- Art, Modern --- Technology and the arts --- Art --- 705.9 --- 700.6 --- Abbas, Basel --- Abou-Rahme, Ruanne --- Al-Maria, Sophia --- Ashby, Sam --- Bailey, Jeremy --- Bailey, Stephanie --- Balsom, Erika --- Blas, Zach --- Bridle, James --- Chan, Jennifer --- Coburn, Tyler --- Connor, Michael --- Court, Model --- Darling, Jesse --- Droitcour, Brian --- Dullaart, Constant --- Halter, Ed --- McHugh, Gene --- Pietrouiusti, Lucia --- Rafman, Jon --- Richards, James --- Senova, Basak --- Shovlin, Jamie --- Troemel, Brad --- essays --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Arts and technology --- Contemporary art --- Modernism (Art) --- Internet and art --- Internet --- Technological innovations --- kunst; algemeen ; beeldende kunst; algemeen ; 21e eeuw --- beeldende kunst, filosofie, esthetiek en kritiek der beeldende kunst --- new media art --- art theory --- technology --- virtual reality --- computer art [visual works] --- anno 2000-2099 --- 21e siècle --- Technologie --- Innovation --- technology [general associated concept] --- Art, Primitive --- internetkunst --- kunst en technologie