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robots --- CAD CAM --- Artificial intelligence. Robotics. Simulation. Graphics --- interfaces --- CAD (computer aided design) --- computer-aided design --- Computer graphics --- Computergrafiek --- Infographie --- Computer graphics. --- Infographie. --- computer-aided design [process]

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CAD CAM --- computer-aided design --- informatica --- Computer. Automation --- CAD (computer aided design) --- Computers --- Electronique --- Elektronica --- Ordinateurs --- Integrated circuits --- Very large scale integration --- Congresses --- Congresses. --- Integrated circuits - Very large scale integration - Congresses --- Circuits intégrés à très grande échelle. --- Very large scale integration. --- computer-aided design [process]

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Almost a generation ago, the early software for computer aided design and manufacturing (CAD/CAM) spawned a style of smooth and curving lines and surfaces that gave visible form to the first digital age, and left an indelible mark on contemporary architecture. But today's digitally intelligent architecture no longer looks that way. In The Second Digital Turn, Mario Carpo explains that this is because the design professions are now coming to terms with a new kind of digital tools they have adopted -- no longer tools for making but tools for thinking. In the early 1990s the design professions were the first to intuit and interpret the new technical logic of the digital age: digital mass-customization (the use of digital tools to mass-produce variations at no extra cost) has already changed the way we produce and consume almost everything, and the same technology applied to commerce at large is now heralding a new society without scale -- a flat marginal cost society where bigger markets will not make anything cheaper. But today, the unprecedented power of computation also favors a new kind of science where prediction can be based on sheer information retrieval, and form finding by simulation and optimization can replace deduction from mathematical formulas. Designers have been toying with machine thinking and machine learning for some time, and the apparently unfathomable complexity of the physical shapes they are now creating already expresses a new form of artificial intelligence, outside the tradition of modern science and alien to the organic logic of our mind.

Architecture and technology --- Architecture --- Architecture et technologie. --- Architecture. --- Technologie de l'information. --- Information technology --- Computer-aided design --- Conception assistée par ordinateur --- Informatique. --- Architecture and technology. --- Information technology. --- Computer-aided design. --- computer-aided design --- Artificial intelligence. Robotics. Simulation. Graphics --- architecture [discipline] --- Architecture et technologie --- Technologie de l'information --- Architecture, Western (Western countries) --- Building design --- Buildings --- Construction --- Western architecture (Western countries) --- Art --- Building --- Technology and architecture --- Technology --- Design and construction --- Conception assistée par ordinateur. --- Architecture, Primitive --- Architecture - Information technology --- Architecture - Computer-aided design --- Conception assistée par ordinateur --- Informatique --- computer-aided design [process]

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The Logic of Architecture is the first comprehensive, systematic, and modern treatment of the logical foundations of design thinking. It provides a detailed discussion of languages of architectural form, their specification by means of formal grammars, their interpretation, and their role in structuring design thinking. Supplemented by more than 200 original illustrations, The Logic of Architecture reexamines central issues of design theory in the light of recent advances in artificial intelligence, cognitive science, and the theory of computation. The richness of this approach permits sympathetic and constructive analysis of positions developed by a wide range of theorists and philosophers from Socrates to the present. Mitchell first considers how buildings may be described in words and shows how such descriptions may be formalized by the notation of first order predicate calculus. This leads to the idea of a critical language for speaking about the qualities of buildings. Turning to the question of representation by drawings and scale models, Mitchell then develops the notion of design worlds that provide graphic tokens which can be manipulated according to certain grammatical rules. In particular, he shows how domains of graphic compositions possible in a design world may be specified by formal shape grammars. Design worlds and critical languages are connected by showing how such languages may be interpreted in design worlds. Design processes are then viewed as computations in a design world with the objective of satisfying predicates of form and function stated in a critical language. William J. Mitchell is G. Ware and Edythe M. Travelstead Professor of Architecture at Harvard University and a founder of the Computer Aided Design Group in Los Angeles. Among the books he has authored or coauthored are The Poetics of Gardens, The Art of Computer Graphics Programming, and Computer Aided Architectural Design.

architectuur --- Computer. Automation --- CAD (computer aided design) --- Architecture --- architectural theory --- computer-aided design --- architectuurtheorie --- architecture [discipline] --- Architectural design --- Architecturale vormgeving --- Architectuur -- Design --- Architectuur -- Vormgeving --- Computer-aided design --- Computergestuurd ontwerpen --- Conception architecturale --- Conception assistée par ordinateur --- Création architecturale --- Design [Architectural ] --- Design architectural --- Design in de architectuur --- Ontwerpen [Computergestuurd ] --- Optics [Psychological ] --- Perceptie [Visuele ] --- Perception [Visual ] --- Perception visuelle --- Stylisme architectural --- Vision--Psychological aspects --- Visual perception --- Visuele perceptie --- Visuele waarneming --- Vormgeving in de architectuur --- Waarneming [Visuele ] --- Architectural design. --- Computer-aided design. --- Visual perception. --- Computer aided design --- Visual Perception. --- Informatique appliquée --- Représentation de l'architecture --- Perception de l'architecture --- Intelligence artificielle --- Grammaire generative --- Architectuurtheorie ; architectuurbeschouwing --- Architectuurtheorie ; analyse ; compositie --- Computer Aided Design ; CAD --- Architectuur ; stadia ; ontwerp en constructie --- 72.01 --- Architectuur ; theorie, filosofie, esthetica --- Conception assistée par ordinateur --- Optics, Psychological --- Vision --- Perception --- Visual discrimination --- CAD (Computer-aided design) --- Computer-assisted design --- Computer-aided engineering --- Design --- Structural design --- Psychological aspects --- 72.012/013 --- Vorm (architectuur) --- Computer aided architectural design --- computer-aided design [process]

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Derrière la mutation technologique qui impose une transformation des usages et des pratiques, c'est un changement d'ordre culturel imposant ses modes de pensée et son esthétique auquel il va falloir se confronter. L'informatique n'est plus seulement un outil de communication, ou un nouvel instrument de représentation, mais organise bien l'ensemble du domaine de la production industrielle. L'exposition définit une rupture quicorrespond au changement des logiques de conception et de production de l'architecture.

architectuurtekeningen --- CAD (computer aided design) --- architectural drawings [visual works] --- Artificial intelligence. Robotics. Simulation. Graphics --- Architecture --- hedendaagse architectuur --- computer-aided design --- Visionary architecture --- Architecture, Modern --- Avant-garde (Aesthetics) --- Architecture visionnaire --- Avant-garde (Esthétique) --- Exhibitions. --- Designs and plans --- History --- Expositions --- Dessins et plans --- Histoire --- Asymptote --- dECOi Architects --- DR_O --- Greg Lynn FORM --- Kovac Architecture --- KOL/MAC Studio --- NOX --- Objectile --- oosterhuis.nl --- R&SIE --- Servo --- UN studio --- 72.012/013 --- 51 --- Architectuur ; non standard ; ontwerpen ; 1995-2007 --- Tentoonstellingscatalogi ; Parijs ; Centre Georges Pompidou --- Architectuur ; ontwerpanalyse ; vormanalyse ; 20ste eeuw --- Asymptote Architecture --- DECOi --- DR_D ; Dagmar Richter Studio --- Greg Lynn/FORM --- Kolatan/Mac Donald Studio ; KOL/MAC --- Objectile (B. Cache & P. Beaucé) --- Oosterhuis.nl --- R&Sie ; Roche, François & Stéphanie Lavaux --- UN Studio --- Architectuur ; stedenbouw ; digitale ontwerpen --- 72.039 --- (069) --- 72:681.3 --- Ontwerp (architectuur) --- Wiskunde --- Architectuurontwerp --- Architectonisch ontwerp --- Architectuurgeschiedenis ; 2000 - 2050 --- (Musea. Collecties) --- Architectuur en computerwetenschappen --- Avant-garde (Esthétique) --- Modern [style or period] --- architecture [object genre] --- Architecture organique --- Avant-garde --- Utopie --- Informatique --- Création --- Le Corbusier --- Duchamp, Marcel --- Ray, Man --- Buckminster Fuller, Richard --- Le Corbusier, --- Futuristic architecture --- Utopian architecture --- Fantastic architecture --- Modern architecture --- Le Corbusier, Charles-Edouard Jeanneret, --- Fuller, Richard Buckminster, --- Le Corbusier, Charles-Edouard Jeanneret, 1887-1965 --- Fuller, Richard Buckminster, 1895-1983 --- computer-aided design [process] --- Architecture informatique expositions architecture innovations expositions utopies architecturales expositions design architectural expositions 1990-....