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Examining how people alter or customize various dimensions of their temporal experience, this volume discovers how we resist external sources of temporal constraint or structure. These ethnographic studies are international in scope and look at many different countries and continents. They come to the overall conclusion that people construct their own circumstances with the intention to modify their experience of time

Time perception --- Chronometry, Mental --- Duration, Intuition of --- Intuition of duration --- Mental chronometry --- Time --- Time, Cognition of --- Time estimation --- Orientation (Psychology) --- Perception --- Time Perception --- Zeit --- Zeitwahrnehmung --- Internationaler Vergleich

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Having asked, What, then, is time? Augustine admitted, I know well enough what it is, provided that nobody asks me; but if I am asked what it is and try to explain, I am baffled. We all have a sense of time, but the description and explanation of it remain remarkably elusive. Through a series of detailed descriptions, Husserl attempted to clarify this sense of time. This book traces the development of his account of our temporal self-awareness, starting with his early 1905-1909 lectures on time consciousness and proceeding through the 1917-18 Bernau Manuscripts, the Analyses of Passive Syntheses of the 1920s and ending with the C, B and E manuscripts on time and instincts of the 1930s. Although it covers all the stages of Husserls account of temporality, the book is nonetheless systematic in its approach. It is organized about a number of basic topics in the theory of time and presents and critically appraises Husserls positions on the issues pertaining to each.

Time perception --- Husserl, Edmund, --- Chronometry, Mental --- Duration, Intuition of --- Intuition of duration --- Mental chronometry --- Time --- Time, Cognition of --- Time estimation --- Orientation (Psychology) --- Perception --- Husserl, Edmund --- Husserl, Edmond --- Husserl, Edmund, - 1859-1938

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Philosophical anthropology --- Metaphysics --- Fenomenologie --- Phenomenology --- Phénoménologie --- Temps --- Tijd --- Time --- Time perception --- Phenomenology. --- Perception du temps --- Temps (Philosophie) --- Philosophy. --- Philosophy --- Philosophie --- Academic collection --- #GGSB: Filosofie (20e eeuw) --- #GGSB: Fenomenologie --- Chronometry, Mental --- Duration, Intuition of --- Intuition of duration --- Mental chronometry --- Time, Cognition of --- Time estimation --- Orientation (Psychology) --- Perception --- Philosophy, Modern --- Time perception. --- Phénoménologie --- Filosofie (20e eeuw)

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Time --- Time perception --- Congresses --- -Time perception --- -#GROL:SEMI-101<08> Gren 21 --- Chronometry, Mental --- Duration, Intuition of --- Intuition of duration --- Mental chronometry --- Time, Cognition of --- Time estimation --- Orientation (Psychology) --- Perception --- Hours (Time) --- Geodetic astronomy --- Nautical astronomy --- Horology --- #GROL:SEMI-101<08> Gren 21 --- Time - Congresses --- Time perception - Congresses

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Although studies of specific time concepts, expressed in Renaissance philosophy and literature, have not been lacking, few art-historians have endeavored to meet the challenge in the visual arts. This book presents a multifaceted picture of the dynamic concepts of time and temporality in medieval and Renaissance art, adopted in speculative, ecclesiastical, socio-political, propagandist, moralistic, and poetic contexts. It has been assumed that time was conceived in a different way by those living in the Renaissance as compared to their medieval predecessors. Changing perceptions of time, an increasingly secular approach, the sense of self-determination rooted in the practical use and control of time, and the perception of time as a threat to human existence and achievements are demonstrated through artistic media. Chapters dealing with time in classical and medieval philosophy and art are followed by studies that focus on innovative aspects of Renaissance iconography.

Time in art. --- Time --- Time perception --- Art, Medieval --- Art, Renaissance --- Chronometry, Mental --- Duration, Intuition of --- Intuition of duration --- Mental chronometry --- Time, Cognition of --- Time estimation --- Orientation (Psychology) --- Perception --- Hours (Time) --- Geodetic astronomy --- Nautical astronomy --- Horology --- Renaissance art --- Social aspects --- History. --- Themes, motives. --- Subjects