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L'idée esthétique résiste-t-elle à l'existence de formes hétérogènes ? L'attrait de l'hybride, dont témoignent des performances plastiques et théâtrales ou simplement des œuvres de littérature hantées par la peinture et la musique, nous contraint-il à résilier une pensée unitaire du principe d'art ? C'est autour des rapports entre art et pratiques d'œuvres, entre système esthétique et transactions artistiques que tournent les textes rassemblés ici, et les débats auxquels ils ont donné lieu. Hybride et cependant concerté, à l'image même d'un objet non unifiable, ce livre interroge les désaccords qui se sont noués, historiquement et philosophiquement, entre l'art et son concept.
7.01 --- Esthetica. Kunstfilosofie. Kunsttheorie. Algemene problemen inzake kunst --- 7.01 Esthetica. Kunstfilosofie. Kunsttheorie. Algemene problemen inzake kunst --- Arts & Humanities --- Literature (General) --- théâtre --- esthétique --- cinéma --- peinture --- musique --- littérature --- arts --- hybride
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Giovanni Pascoli (1855?1912) is one of Italy?s most canonical and beloved poets. In Beyond the Family Romance, Maria Truglio offers fresh insight into the uncanny qualities of Pascoli?s domestic verse. As suggested by the Freudian title, this study opens a dialogue between Pascoli?s literature and Freud?s theories, with a particular focus on each author?s interrogation of origins. Through close readings and historical contextualization, themes of regression, memory, and other manifestations of?origins? are analyzed, moving Pascoli?s poetry beyond the biographical strictures that have hitherto confined it. Truglio?s post-structuralist readings question the dichotomy between?safety within the home? and the?threatening outside world,? revealing the ambivalences with which images of the home are fraught in Pascoli?s poetry. In addition to the sustained comparison with Freud?s writing, Beyond the Family Romance explores parallels between Pascoli?s work and such writers as Tarchetti, Boito, Poe, and Invernizio. Rethinking the concept of the fanciullino (?little child?), Truglio shows that Pascoli?s poetry enacts a symbiosis between the logic of the rational modern adult and the mythic vision of the child.
7.01 "14/15" --- 850 "15" --- 850 "15" Italiaanse literatuur--?"15" --- Italiaanse literatuur--?"15" --- 7.01 "14/15" Esthetica. Kunstfilosofie. Kunsttheorie. Algemene problemen inzake kunst--?"14/15" --- Esthetica. Kunstfilosofie. Kunsttheorie. Algemene problemen inzake kunst--?"14/15" --- Painting, Italian --- Painting, Renaissance --- Painting --- Paintings, Renaissance --- Renaissance painting --- Italian painting --- Early works to 1800 --- Dolce, Lodovico, --- Psychology and literature. --- Pascoli, Giovanni, --- Freud, Sigmund, --- Criticism and interpretation.
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Philosophy of Art is a textbook for undergraduate students interested in the topic of philosophical aesthetics.It introduces the techniques of analytic philosophy as well as key topics such as the representational theory of art, formalism, neo-formalism, aesthetic theories of art, neo-Wittgensteinism, the Institutional Theory of Art. as well as historical approaches to the nature of art.Throughout, abstract philosophical theories are illustrated by examples of both traditional and contemporary art including frequent reference to the avant-garde in this way enriching the reader
Art --- Aesthetics. --- Beautiful, The --- Beauty --- Esthetics --- Taste (Aesthetics) --- Philosophy --- Criticism --- Literature --- Proportion --- Symmetry --- Aesthetics --- Art and philosophy --- Philosophy. --- Psychology --- Analysis, interpretation, appreciation --- 7.01 --- Esthetica. Kunstfilosofie. Kunsttheorie. Algemene problemen inzake kunst --- 7.01 Esthetica. Kunstfilosofie. Kunsttheorie. Algemene problemen inzake kunst --- Philosophy and psychology of culture --- Aesthetics of art --- Radio broadcasting Aesthetics --- Art - Philosophy
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Arts --- Thought and thinking. --- Mind --- Thinking --- Thoughts --- Educational psychology --- Philosophy --- Psychology --- Intellect --- Logic --- Perception --- Psycholinguistics --- Self --- Psychological aspects. --- Political aspects. --- 82:7 --- 82.0 --- 7.01 --- Thought and thinking --- 7.01 Esthetica. Kunstfilosofie. Kunsttheorie. Algemene problemen inzake kunst --- Esthetica. Kunstfilosofie. Kunsttheorie. Algemene problemen inzake kunst --- 82.0 Literatuurtheorie --- Literatuurtheorie --- 82:7 Literatuur en kunst --- Literatuur en kunst --- Psychological aspects --- Political aspects
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'Continental Crosscurrents' explores British attitudes to continental art during the 19th and early 20th centuries. Coleridge's wild enthusiasm for medieval art and Browning's distaste for Nazarene painting are explored.
Art, European --- Art criticism --- 7.01 "18" --- Art --- Arts --- Criticism --- Art, Modern --- 7.01 "18" Esthetica. Kunstfilosofie. Kunsttheorie. Algemene problemen inzake kunst--19e eeuw. Periode 1800-1899 --- Esthetica. Kunstfilosofie. Kunsttheorie. Algemene problemen inzake kunst--19e eeuw. Periode 1800-1899 --- History --- Analysis, interpretation, appreciation --- kunststromingen --- kunstkritiek --- Ruskin, John --- Hugo, Victor --- Browning, Robert --- Waterhouse, Alfred --- Gauguin, Paul --- Lawrence, D.H. --- 1810 - 1910 --- 19de eeuw --- 20ste eeuw --- Groot-Brittannië --- Europa --- kunststromingen. --- kunstkritiek. --- Ruskin, John. --- Hugo, Victor. --- Browning, Robert. --- Waterhouse, Alfred. --- Gauguin, Paul. --- 1810 - 1910. --- 19de eeuw. --- 20ste eeuw. --- Groot-Brittannië. --- Europa. --- Art, British --- Art, Romanesque --- European influences. --- Influence.
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This book explores the idea that art can enact small-scale resistances against the status quo in the social domain. These acts, which we call “little resistances,” determine the limited yet potentially powerful political impact of art. From different angles, seventeen authors consider the spaces where art events occur as “political spaces,” and explore how such spaces host events of disagreements in migratory culture. The newly coined word “migratory” refers to the sensate traces of the movements of migration that characterize contemporary culture. In other words, movement is not an exceptional occurrence in an otherwise stable world, but a normal, generalized process in a world that cannot be grasped in terms of any given notion of stability. Thus the book offers fresh reflections on art’s power to move people, in the double sense of that verb, and shows how it helps to illuminate migratory culture’s contributions to this process.
Art and popular culture. --- Culture in art. --- Popular culture and art --- Popular culture --- Art --- Political aspects --- Philosophy and psychology of culture --- migration [function] --- art theory --- 130.2 --- 7:32 --- 7.01 --- 325 --- 7.01 Esthetica. Kunstfilosofie. Kunsttheorie. Algemene problemen inzake kunst --- Esthetica. Kunstfilosofie. Kunsttheorie. Algemene problemen inzake kunst --- 130.2 Filosofie van de cultuur. Cultuurfilosofie. Cultuursystemen. Kultuurfilosofie --- Filosofie van de cultuur. Cultuurfilosofie. Cultuursystemen. Kultuurfilosofie --- 325 Landverhuizing. Kolonisatie. Immigratie. Emigratie --(politiek) --- Landverhuizing. Kolonisatie. Immigratie. Emigratie --(politiek) --- 7:32 Kunst. Ruimtelijke ordening. Architectuur. Sport en spel-:-Politiek. Staatskunde. Staatswetenschappen --(algemeen) --- Kunst. Ruimtelijke ordening. Architectuur. Sport en spel-:-Politiek. Staatskunde. Staatswetenschappen --(algemeen)
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Symmetry is a classic study of symmetry in mathematics, the sciences, nature, and art from one of the twentieth century's greatest mathematicians. Hermann Weyl explores the concept of symmetry beginning with the idea that it represents a harmony of proportions, and gradually departs to examine its more abstract varieties and manifestations-as bilateral, translatory, rotational, ornamental, and crystallographic. Weyl investigates the general abstract mathematical idea underlying all these special forms, using a wealth of illustrations as support. Symmetry is a work of seminal relevance that explores the great variety of applications and importance of symmetry.
Aesthetics. --- Proportion (Art) --- Beautiful, The --- Beauty --- Esthetics --- Taste (Aesthetics) --- Philosophy --- Art --- Criticism --- Literature --- Proportion --- Symmetry --- Psychology --- Balance (Art) --- Rhythm (Art) --- Anatomy, Artistic --- Composition (Art) --- Perspective --- Symmetry (Art) --- Rhythm --- 548.12 --- #WSCH:AAS2 --- 548.12 Theory of symmetry. Theory of original forms in general --- Theory of symmetry. Theory of original forms in general --- Symmetry. --- Proportion. --- Aesthetics --- Art and science. --- Science --- Order-disorder models. --- Proportions (art) --- Symétrie. --- Art et sciences. --- Sciences --- Ordre et désordre (physique) --- Esthétique --- Esthétique. --- Group theory. --- Groupes, Théorie des. --- Symmetry groups. --- Groupes de symétrie. --- 7.01 --- Esthetica. Kunstfilosofie. Kunsttheorie. Algemene problemen inzake kunst --- 7.01 Esthetica. Kunstfilosofie. Kunsttheorie. Algemene problemen inzake kunst --- Radio broadcasting Aesthetics --- Scale (Art)
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The concept of ‘designerly ways of knowing’ emerged in the late 1970s in association with the development of new approaches in design education. Professor Nigel Cross first clearly articulated this concept in a paper called ‘Designerly Ways of Knowing’ which was published in the journal Design Studies in 1982. Since then, the field of study has grown considerably, as both design education and design research have developed together into a new discipline of design. This book provides a unique insight into a field of study with important implications for design research, education and practice. Professor Nigel Cross is one of the most internationally-respected design researchers and this book is a revised and edited collection of key parts of his published work from the last quarter century. Designerly Ways of Knowing traces the development of a research interest in articulating and understanding the nature of design cognition, and the concept that designers (whether architects, engineers, product designers, etc.) have and use particular ‘designerly’ ways of knowing and thinking. There are chapters covering the following topics: the nature and nurture of design ability; creative cognition in design; the natural intelligence of design; design discipline versus design science; and, expertise in design. As a timeline of scholarship and research, and a resource for understanding how designers think and work, Designerly Ways of Knowing will be of interest to researchers, teachers and students of design; design practitioners and design managers.
Industrial design --- Creation (Literary, artistic, etc.) --- Creative ability in technology. --- Methodology. --- Technical creativity --- Technology --- Creative ability in art --- Creative ability in literature --- Art --- Imagination --- Inspiration --- Literature --- Creative ability --- Originality --- Design, Industrial --- Mechanical drawing --- New products --- Design --- Creative ability in technology --- 415.4 --- creativiteit --- ontwerpmethodiek --- ontwerpproces --- productdesign --- 7.01 --- 72.01 --- 745 --- 72.01 Architectuurtheorie. Bouwprincipes. Esthetica van de bouwkunst. Filosofie van de bouwkunst --- Architectuurtheorie. Bouwprincipes. Esthetica van de bouwkunst. Filosofie van de bouwkunst --- 7.01 Esthetica. Kunstfilosofie. Kunsttheorie. Algemene problemen inzake kunst --- Esthetica. Kunstfilosofie. Kunsttheorie. Algemene problemen inzake kunst --- 745 Sierkunsten. Kunstnijverheid --- Sierkunsten. Kunstnijverheid --- Methodology --- algemene psychologie, hogere geestelijke functies (oa. leren, kennen, denken, begaafdheid, fantasie, geheugen, leerpsychologie) --- Engineering design. --- Architectural design. --- Design and construction. --- Engineering Design. --- Industrial Design. --- Design, general. --- Structural design --- Design, Engineering --- Engineering --- Strains and stresses --- 72.01 Theory and philosophy of architecture. Principles of design, proportion, optical effect --- Theory and philosophy of architecture. Principles of design, proportion, optical effect --- Industrial design. --- Design.
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The history of modern art is often told through aesthetic breakthroughs that sync well with cultural and political change. From Courbet to Picasso, from Malevich to Warhol, it is accepted that art tracks the disruptions of industrialization, fascism, revolution, and war. Yet filtering the history of modern art only through catastrophic events cannot account for the subtle developments that lead to the profound confusion at the heart of contemporary art.In Industry and Intelligence, the artist Liam Gillick writes a nuanced genealogy to help us appreciate contemporary art's engagement with history even when it seems apathetic or blind to current events. Taking a broad view of artistic creation from 1820 to today, Gillick follows the response of artists to incremental developments in science, politics, and technology. The great innovations and dislocations of the nineteenth and twentieth centuries have their place in this timeline, but their traces are alternately amplified and diminished as Gillick moves through artistic reactions to liberalism, mass manufacturing, psychology, nuclear physics, automobiles, and a host of other advances. He intimately ties the origins of contemporary art to the social and technological adjustments of modern life, which artists struggled to incorporate truthfully into their works.
art history --- Art --- anno 2000-2009 --- anno 1900-1999 --- anno 1800-1899 --- anno 2010-2019 --- sociale geschiedenis --- kunsttheorie --- industrie --- hedendaagse kunst --- kunstgeschiedenis --- 1820 --- 19de eeuw --- 20ste eeuw --- 21ste eeuw --- 7.039 --- 7.01 --- 77.01 --- Hedendaagse kunststromingen. Post-moderne kunst --- Esthetica. Kunstfilosofie. Kunsttheorie. Algemene problemen inzake kunst --- Fotografie--Semiotiek van de fotografie. Theorie --- 7.01 Esthetica. Kunstfilosofie. Kunsttheorie. Algemene problemen inzake kunst --- 77.01 Fotografie--Semiotiek van de fotografie. Theorie --- Art and society --- Art, Modern --- Technologie et art --- Art et politique --- Sociologie de l'art --- Intelligence artificielle --- Art contemporain --- Art moderne --- Themes, motives --- 20e siècle --- 19e siècle --- Gillick, Liam --- Art and society. --- Art and sociology --- Society and art --- Sociology and art --- Modern art --- Nieuwe Ploeg (Group of artists) --- Themes, motives. --- Social aspects --- Art, Modern - Themes, motives --- sociale geschiedenis. --- kunsttheorie. --- industrie. --- hedendaagse kunst. --- kunstgeschiedenis. --- 1820. --- 19de eeuw. --- 20ste eeuw. --- 21ste eeuw.
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Offering an account of the German philosophical tradition of thinking about art and the self, this text looks at recent historical research and contemporary arguments in philosophy and theory in the humanities following the path of German philosophy from Kant through Hegel to Nietzsche.
Subjectiviteit --- Subjectivity --- Subjectivité --- Aesthetics, German. --- Aesthetics, German - 18th century. --- Aesthetics, Modern. --- Subjectivity. --- Aesthetics, German --- Aesthetics, Modern --- Aesthetics --- Philosophy --- Philosophy & Religion --- Subjectivism --- History --- 7.01 <43> "17/18" --- -Aesthetics, German --- -Subjectivity --- Modern aesthetics --- German aesthetics --- Esthetica. Kunstfilosofie. Kunsttheorie. Algemene problemen inzake kunst--Duitsland voor 1945 en na 1989--18e en 19e eeuw. Periode 1700-1899.--(eveneens voor boeken over recht periode 1789-1799) --- 7.01 <43> "17/18" Esthetica. Kunstfilosofie. Kunsttheorie. Algemene problemen inzake kunst--Duitsland voor 1945 en na 1989--18e en 19e eeuw. Periode 1700-1899.--(eveneens voor boeken over recht periode 1789-1799) --- Knowledge, Theory of --- Relativity --- Aesthetics [German ] --- 18th century --- 19th century --- Aesthetics [Modern ] --- philosophy --- germany --- aesthetics --- Friedrich Nietzsche --- Friedrich Schleiermacher --- Friedrich Wilhelm Joseph Schelling --- Georg Wilhelm Friedrich Hegel --- Immanuel Kant --- Johann Gottlieb Fichte --- Metaphysics --- Modernity --- Critique of Judgement. --- Critique of Practical Reason. --- Critique of Pure Reason. --- Friedrich Schleiermacher. --- German politico-philosophical manifesto. --- Romantic thought. --- STI. --- aesthetic theory. --- conceptions of language. --- hermeneutics. --- human subject. --- modern philosophy. --- music. --- post-Kantian history. --- post-structuralism. --- pragmatism.
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