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Restaging the Past is the first edited collection devoted to the study of pageants in Britain, ranging from its Edwardian origins to the present day. The volume highlights pageants as a key aspect of community history during a period of great social and political change.
Pageants --- History --- Great Britain --- Social life and customs --- Amateur plays --- Performing arts --- Festivals --- Processions
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In this fascinating volume, acclaimed theatre historian Erika Fischer-Lichte reflects on the role and meaning accorded to the theme of sacrifice in Western cultures as mirrored in particular fusions of theatre and ritual. Theatre, Sacrifice, Ritual presents a radical re-definition of ritual theatre through analysis of performances as diverse as:Max Reinhardt's new people's theatrethe mass spectacles of post-revolutionary RussiaAmerican Zionist pageantsthe Olympic Games.In offering both a performative and a semiotic analysis of suc
Pageants. --- Theater. --- Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Performing arts --- Acting --- Actors --- Amateur plays --- Festivals --- Processions --- Pageants --- Theater
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Literature and society --- Pageants --- Historical drama, English --- Irish drama --- English drama --- Amateur plays --- Performing arts --- Festivals --- Processions --- Irish literature --- History --- History and criticism. --- Irish authors --- History and criticism
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Nowadays pageants often take the form of parades of effervescent young women competing for popular recognition in hyped up media events. However, these "beauty pageants" are a mere pastiche of the elaborate historical parades of the medieval period that took significant, social, religious, or civic events and their protagonists, as subjects. Pageants were historically characterized by resplendent costuming and elaborate processions that were often given to much pomp and ceremony. Pageantry ha...
Pageants --- Processions --- Civilization, Medieval. --- Theater --- Civilization, Medieval --- Medieval civilization --- Middle Ages --- Civilization --- Chivalry --- Renaissance --- Pomp --- Rites and ceremonies --- Festivals --- Amateur plays --- Performing arts --- History. --- Social aspects. --- History
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A captivating study of the plays, literature and writings about private and public theatrical spectacle during the Victorian Age. By the 1890's the British theatre had transformed itself into a world where spectacles and public shows were aimed at the widest audience possible. The theatre had become big business. This anthology brings together a variety of plays and prose which sets this phenomenon in perspective and traces the development of Victorian theatricals from private home events in the late-Georgian period to full-scale Gilbert and Sullivan operettas in the 1890's.
English drama --- Amateur theater --- Amateur plays --- Amateur theatricals --- Nonprofessional theater --- Women in amateur theatricals --- Amusements --- Theater --- Little theater movement --- History and criticism
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This book is the first major study of amateur theatre, offering new perspectives on its place in the cultural and social life of communities. Historically informed, it traces how amateur theatre has impacted national repertoires, contributed to diverse creative economies, and responded to changing patterns of labour. Based on extensive archival and ethnographic research, it traces the importance of amateur theatre to crafting places and the ways in which it sustains the creativity of amateur theatre over a lifetime. It asks: how does amateur theatre-making contribute to the twenty-first century amateur turn?
Amateur theater. --- Amateur plays --- Amateur theatricals --- Nonprofessional theater --- Women in amateur theatricals --- Amusements --- Theater --- Little theater movement --- History and criticism --- Theater. --- Theatre and Performance Studies. --- Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Performing arts --- Acting --- Actors
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Michael O'Connell shows that Reformation culture was preoccupied with idolatry and that the theatre was attacked as idolatrous. This anti-theatricalism targeted the traditional mystery plays.
Theater --- Bible plays --- English drama --- European drama --- Plays, Bible --- Amateur plays --- Children's plays --- Mysteries and miracle-plays --- Religious drama --- History --- Religious aspects. --- History and criticism. --- Moral and religious aspects --- Drama --- English literature --- anno 1500-1599 --- anno 1600-1699
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Processions --- Pageants --- Visits of state --- Heads of state --- Presidential visits --- Royal visits --- State visits --- Visitors, Foreign --- Amateur plays --- Performing arts --- Festivals --- Pomp --- Rites and ceremonies --- History --- Travel --- Elizabeth --- Elisabeth --- Travel. --- England --- Social life and customs --- Elizabeth I [Queen of England]
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During the Russian Revolution and Civil War, amateur theater groups sprang up in cities across the country. Workers, peasants, students, soldiers, and sailors provided entertainment ranging from improvisations to gymnastics and from propaganda sketches to the plays of Chekhov. In Revolutionary Acts, Lynn Mally reconstructs the history of the amateur stage in Soviet Russia from 1917 to the height of the Stalinist purges. Her book illustrates in fascinating detail how Soviet culture was transformed during the new regime's first two decades in power.Of all the arts, theater had a special appeal for mass audiences in Russia, and with the coming of the revolution it took on an important role in the dissemination of the new socialist culture. Mally's analysis of amateur theater as a space where performers, their audiences, and the political authorities came into contact enables her to explore whether this culture emerged spontaneously "from below" or was imposed by the revolutionary elite. She shows that by the late 1920s, Soviet leaders had come to distrust the initiatives of the lower classes, and the amateur theaters fell increasingly under the guidance of artistic professionals. Within a few years, state agencies intervened to homogenize repertoire and performance style, and with the institutionalization of Socialist Realist principles, only those works in a unified Soviet canon were presented.
Amateur theater --- History. --- Amateur plays --- Amateur theatricals --- Nonprofessional theater --- Women in amateur theatricals --- Amusements --- Theater --- Little theater movement --- History and criticism --- History --- Amateur theater - Soviet Union - History --- theatre --- socialist realism --- amateur theatre --- agitprop --- Russian revolution --- Soviet Union --- Leningrad Theatre of Working Class Youth
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Amateur theater. --- Theaters --- Amateur plays --- Amateur theatricals --- Nonprofessional theater --- Women in amateur theatricals --- Amusements --- Theater --- Little theater movement --- Art and theater --- Design, Theatrical --- Scenery (Stage) --- Scenography --- Setting (Stage) --- Stage guides --- Stage scenery --- Stage-setting --- Staging --- Theatrical scenery --- Theater in art --- Scene painting --- Stage-setting and scenery. --- History and criticism --- Models --- Sound effects --- Set designers
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