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Wie findet Lernen im Kontext von Projektorganisationen statt? Und wie kann sich vor diesem Hintergrund eine Projektorganisation entwickeln? Am Beispiel von zwei Musikevents wird gezeigt, wie jenseits von Change Management und Personalpolitik Kompetenzentwicklung als Voraussetzung von Organisationsentwicklung stattfinden kann. How does learning happen in the context of project organisations? And how can the organisation of a project develop against this backdrop? The example of two music events shows how competence development can take place beyond change management and personnel policy as a prerequisite for organisational development.
Education --- Organizational learning. --- Music festivals --- Management. --- Musical festivals --- Performing arts festivals --- Learning organizations --- Learning --- Communities of practice --- Knowledge management --- Betriebliches Lernen --- Corporate Learning --- Density Description --- Dichte Beschreibung --- Festivals
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Ethnology. Cultural anthropology --- Film --- Film festivals. --- Film and video festivals --- Motion picture festivals --- Moving-picture festivals --- Video and film festivals --- Performing arts festivals
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In April 1966, thousands of artists, musicians, performers and writers from across Africa and its diaspora gathered in the Senegalese capital, Dakar, to take part in the First World Festival of Negro Arts (Premier Festival Mondial des arts nègres). The international forum provided by the Dakar Festival showcased a wide array of arts and was attended by such celebrated luminaries as Duke Ellington, Josephine Baker, Aimé Césaire, André Malraux and Wole Soyinka. Described by Senegalese President Léopold Sédar Senghor, as 'the elaboration of a new humanism which this time will include all of humanity on the whole of our planet earth', the festival constituted a highly symbolic moment in the era of decolonization and the push for civil rights for black people in the United States. In essence, the festival sought to perform an emerging Pan-African culture, that is, to give concrete cultural expression to the ties that would bind the newly liberated African 'homeland' to black people in the diaspora. This volume is the first sustained attempt to provide not only an overview of the festival itself but also of its multiple legacies, which will help us better to understand the 'festivalization' of Africa that has occurred in recent decades with most African countries now hosting a number of festivals as part of a national tourism and cultural development strategy.
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Film festivals around the world are in the business of making experiences for audiences, elites, industry, professionals, and even future cultural workers. Cinema and the Festivalization of Capitalism explains why these non-profit organizations work as they do: by attracting people who work for free, while appealing to businesses and policymakers as a cheap means to illuminate the creative city and draw attention to film art. Ann Vogel’s unprecedented systematic sociological analysis thus provides firm evidence for the ‘festival effect’, which situates the festival as a key intermediary in cinema value chains, yet also demonstrates the impact of such event culture on cultural workers’ lives. By probing the various resources and institutional pillars ensuring that the festivalization of capitalism is here to stay, Vogel urges us to think critically about publicly displayed benevolence in the context of cinema—and beyond.
Film festivals --- Film festivals. --- Economic aspects. --- Social aspects. --- Film and video festivals --- Motion picture festivals --- Moving-picture festivals --- Video and film festivals --- Performing arts festivals
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Film festivals. --- Film festivals --- Music, Dance, Drama & Film --- Film --- Film and video festivals --- Motion picture festivals --- Moving-picture festivals --- Video and film festivals --- Performing arts festivals --- motion pictures --- film
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This book has an original focus and is structured in two parts: the first discusses broad issues affecting music festivals globally, especially in the context of rural revitalisation. The second part looks in more detail at a range of types of festivals commonly found throughout North America, Europe and Australasia, such as country music, jazz, opera and alternative music festivals. The authors draw on in-depth research undertaken over the past five years in a range of Australian places and makes clear conclusions on their significance for rural and regional change
Music festivals --- Music --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Musical festivals --- Performing arts festivals --- Social aspects
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Arts and society. --- Art festivals. --- Popular culture --- Study and teaching. --- Cultural studies --- Arts festivals --- Festivals --- Arts --- Arts and sociology --- Society and the arts --- Sociology and the arts --- Social aspects
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Almost every day of the year a film festival takes place somewhere in the world--from sub-Saharan Africa to the Land of the Midnight Sun. Sundance to Sarajevo is a tour of the world's film festivals by an insider whose familiarity with the personalities, places, and culture surrounding the cinema makes him uniquely suited to his role. Kenneth Turan, film critic for the Los Angeles Times, writes about the most unusual as well as the most important film festivals, and the cities in which they occur, with an eye toward the larger picture. His lively narrative emphasizes the cultural, political, and sociological aspects of each event as well as the human stories that influence the various and telling ways the film world and the real world intersect. Of the festivals profiled in detail, Cannes and Sundance are obvious choices as the biggest, brashest, and most influential of the bunch. The others were selected for their ability to open a window onto a wider, more diverse world and cinema's place in it. Sometimes, as with Sarajevo and Havana, film is a vehicle for understanding the international political community's most vexing dilemmas. Sometimes, as with Burkina Faso's FESPACO and Pordenone's Giornate del Cinema Muto, it's a chance to examine the very nature of the cinematic experience. But always the stories in this book show us that film means more and touches deeper chords than anyone might have expected. No other book explores so many different festivals in such detail or provides a context beyond the merely cinematic.
Film festivals. --- Performing arts festivals. --- Performing arts --- Art festivals --- Film and video festivals --- Motion picture festivals --- Moving-picture festivals --- Video and film festivals --- Performing arts festivals --- Festivals --- academic. --- actors. --- award winning films. --- cannes. --- cinema studies. --- cinematic. --- cultural studies. --- culture. --- directors. --- film critic. --- film criticism. --- film festival. --- film history. --- film studies. --- history of film. --- influential. --- international. --- land of the midnight sun. --- political. --- sahara desert. --- sarajevo. --- scholarly. --- social studies. --- sociology. --- sub saharan africa. --- sundance.
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This is the first book whose subject is the music, sounds and silences of Antarctica. From 2011 until 2014, Australia marked its long-standing connection with Antarctica by celebrating the centenary of the Australasian Antarctic Expedition. The icy continent, with its extremes of climate and environment and unique soundscapes, offers great potential for creative achievements in the world of music and sound. This book demonstrates the intellectual and creative engagement of artists, musicians, scientists and writers. Consciousness of sounds -- in particular, musical ones -- has not been at the forefront of our aims in polar endeavours, but listening to and appreciating them has been as important there as elsewhere.
Antarctica -- Discovery and exploration -- Congresses. --- Antarctica -- Songs and music -- Congresses. --- Music festivals -- Australia -- Canberra (A.C.T.). --- Music Literature --- Music --- Music, Dance, Drama & Film --- Music festivals --- Antarctica --- Discovery and exploration --- Songs and music --- Musical festivals --- Antarctic regions --- Performing arts festivals --- Polar regions --- Australasian Antarctic Expedition --- Centennial celebrations, etc.
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Contemporary music, like other arts, is dealing with the rise of »curators« laying claim to everything from festivals to playlists - but what are they and what do they do anyway? Drawing from backgrounds ranging from curatorial studies to festival studies and musicology, Brandon Farnsworth lays out a theory for understanding curatorial practices in contemporary music, and how they could be a solution to the field's diminishing social relevance. The volume focuses on two case studies, the Munich Biennale for New Music Theatre, and the Maerzmusik Festival at the Berliner Festspiele, putting them in a transdisciplinary history of curatorial practice, and showing what music curatorial practice can be.
BUSINESS & ECONOMICS / Management. --- Music festivals. --- Musical festivals --- Performing arts festivals --- Berliner Festspiele. --- Cultural Management. --- Munich Biennale For New Music Theatre. --- Music Management. --- Music. --- Musicology. --- Münchner Biennale Für Neues Musiktheater. --- Neue Musik. --- New Music. --- Contemporary Classical Music; New Music; Neue Musik; Berliner Festspiele; Münchner Biennale Für Neues Musiktheater; Munich Biennale For New Music Theatre; Cultural Management; Music; Music Management; Musicology
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