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Painting --- Dalí, Salvador --- Kunst: Dali

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Artists --- Dalí, Salvador, --- Dalí, Salvator, --- Dalí Domènech, Salvador, --- Domènech, Salvador Dalí, --- Dalm y Domenech, Salvador, --- Дали, Салвадор, --- Дали, Сальвадор,

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Artists --- Dalí, Salvador, --- Dalí, Salvator, --- Dalí Domènech, Salvador, --- Domènech, Salvador Dalí, --- Dalm y Domenech, Salvador, --- Дали, Салвадор, --- Дали, Сальвадор, --- Criticism and interpretation.

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kunst --- moderne kunst --- kunst 20e eeuw --- kunstgeschiedenis --- 7.037 --- 20e eeuw --- 705.8 --- Beuys, Joseph --- Christo --- Dali, Salvador --- Duchamp, Marcel --- Jodi --- Kandinsky, Wassily --- Kosuth, Joseph --- Kunst --- Picasso, Pablo --- Rietveld, Gerrit --- Schilderkunst --- Scholte, Rob --- Warhol, Andy --- kunstgeschiedenis - constructivisme, dadaïsme, fauvisme, futurisme, kubisme, surrealisme, moderne kunst (overgang expres. naar abstr. kunst) --- Kunstgeschiedenis 20e eeuw --- Art --- anno 1900-1999 --- Kandinsky, Vasili Vassileevich --- Dalí, Salvador --- Paesmans, Dirk --- 881 --- kunst voor kinderen --- jeugdliteratuur non fictie --- littérature jeunesse non-fiction

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The concept of intertextuality has proven of inestimable value in recent attempts to understand the nature of literature and its relation to other systems of cultural meaning. In The Memory of Tiresias, Mikhail Iamposlki presents the first sustained attempt to develop a theory of cinematic intertextuality.Building on the insights of semiotics and contemporary film theory, Iampolski defines cinema as a chain of transparent, mimetic fragments intermixed with "ations he calls "textual anomalies." These challenge the normalization of meaning and seek to open reading out onto the unlimited field of cultural history, which is understood in texts as a semiotically active extract, already inscribed.Quotations obstruct mimesis and are consequently transformed in the process of semiosis, an operation that Iampolski defines as reading in an aura of enigma. In a series of brilliant analyses of films by D.W. Griffith, Sergei Eisenstein, and Luis Buñuel, he presents different strategies of intertextual reading in their work. His book suggests the continuing centrality of semiotic analysis and is certain to interest film historians and theorists, as well as readers in cultural and literary studies.

Literary semiotics --- Film --- Motion pictures. --- Intertextuality. --- Motion pictures --- Intertextuality --- Music, Dance, Drama & Film --- 82:791.43 --- film --- filmtheorie --- intertekstualiteit --- semiotiek --- Griffith David Wark --- Eisenstein Sergei --- Bunuel Luis --- Cendrars Blaise --- Léger Fernand --- Dali Salvador --- Tynianov Iurii --- 791.41 --- 82:791.43 Literatuur en film --- Literatuur en film --- Cinéma --- Théorie du cinéma --- Intertextualité --- Récit filmique --- Esthétique --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Criticism --- Semiotics --- Influence (Literary, artistic, etc.) --- History and criticism --- Intertextualité. --- Théorie du cinéma. --- Récit filmique. --- Esthétique.