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A Look on the changing image of The Indian Patriot's war for India's Independence and its reflection, which were shown, during The Cold War Period, on the screens of Commercial British Films and TV. By using a variety of Primary and Secondary sources, as

Imperialism in motion pictures. --- Patriotism --- Loyalty --- Allegiance --- Motion pictures --- Imperialism in motion pictures --- #SBIB:309H1328 --- #SBIB:309H1326 --- #SBIB:309H520 --- Films met een ideologische en spiegelfunctie --- Films met een amusementsfunctie en/of esthetische functie: genres en richtingen --- Audiovisuele communicatie: algemene werken

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"Critical wisdom has it that we said a long goodbye to film noir in the 1950s. Robert Miklitsch begs to differ. Pursuing leads down the back streets and alleyways of cultural history, The Red and the Black proposes that the received rise-and-fall narrative about the genre radically undervalues the formal and thematic complexity of '50s noir and the dynamic segue it effected between the spectacular expressionism of '40s noir and early, modernist neo-noir. Mixing scholarship with a fan's devotion to the crooked roads of critique, Miklitsch autopsies marquee films like D.O.A., Niagara, and Kiss Me Deadly plus a number of lesser-known classics. Throughout, he addresses the social and technological factors that dealt deuce after deuce to the genre--its celebrated style threatened by new media and technologies such as TV and 3-D, color and widescreen, its born losers replaced like zombies by All-American heroes, the nation rocked by the red menace and nightmares of nuclear annihilation. But against all odds, the author argues, inventive filmmakers continued to make formally daring and socially compelling pictures that remain surprisingly, startlingly alive. Cutting-edge and entertaining, The Red and the Black reconsiders a lost period in the history of American movies"--

HISTORY / Social History. --- PERFORMING ARTS / Film & Video / Direction & Production. --- PERFORMING ARTS / Film & Video / History & Criticism. --- Film noir --- History and criticism. --- #SBIB:309H1326 --- History and criticism --- Films met een amusementsfunctie en/of esthetische functie: genres en richtingen

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De filmjournalistiek is morsdood. Oppervlakkigheid en willekeur hebben een meer ernstige en gefundeerde kijk op cinema weggevaagd. En dus is een boek dat dieper graaft naar de verborgen structuur en betekenis van narratieve films opportuun. We nemen de cinefiel, de filmstudent, de scenarist en al wie meer wil weten over de opbouw van een mooi filmverhaal mee op een unieke speurtocht. Die tocht wordt almaar complexer en onthullender. De kunstenaars wiens werken we tijdens deze cinefiele gold rush trachten te doorgronden zijn de allerbeste verhalenvertellers: David Lean, David Mamet, Alfonso Cuarón, Tony Gilroy, Christopher Nolan, David Lynch en andere grote filmmakers. We beginnen met films met een zeer lineaire en mathematische structuur ( ‘Jaws’, ‘The Untouchables’) en evolueren naar narratief complexere werken met een nonlineaire structuur (‘Mullholland Dr.’,‘Memento’).

film [performing arts] --- Film --- film --- Motion picture plays --- History and criticism --- Narration (Rhetoric) --- Motion pictures --- Criticism and interpretation --- Films --- #SBIB:309H1326 --- #SBIB:309H520 --- 798.2 --- narratieve film --- Filmanalyse --- #KVHA:Media --- #KVHA:Film --- Films met een amusementsfunctie en/of esthetische functie: genres en richtingen --- Audiovisuele communicatie: algemene werken --- film, inleiding, hand- en leerboeken --- film [discipline]

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Global Animation Theory offers detailed and diverse insights into the methodologies of contemporary animation studies, as well as the topics relevant for today's study of animation. The contact between practical and theoretical approaches to animation at Animafest Scanner, is closely connected to host of this event, the World Festival of Animated Film Animafest Zagreb. It has given way to academic writing that is very open to practical aspects of animation, with several contributors being established not only as animation scholars, but also as artists. This anthology presents, alongside an introduction by the editors and a preface by well known animation scholar Giannalberto Bendazzi, 15 selected essays from the first three Animafest Scanner editions. They explore various significant aspects of animation studies, some of them still unknown to the English speaking communities.

Animated films --- Animation (Cinematography) --- Animated films . --- Films d'animation. --- Animation (cinéma) --- Cinematography --- Animated television programs --- Animated cartoons (Motion pictures) --- Animated videos --- Cartoons, Animated (Motion pictures) --- Motion picture cartoons --- Moving-picture cartoons --- Caricatures and cartoons --- Motion pictures --- Abstract films --- Animation cels --- Technique --- #SBIB:309H1326 --- #SBIB:309H1300 --- Films met een amusementsfunctie en/of esthetische functie: genres en richtingen --- Filmwezen: algemene werken --- Animation (cinéma)

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An overview of the place of parody in film history. It defines the genre, differentiating it from satire, and demonstrates how a well-executed spoof provides an educational blueprint of its target genre. Films discussed include ""Destry Rides Again"" (1939) and ""Scream"" (1996).

Parody films --- #SBIB:033.AANKOOP --- #SBIB:309H1326 --- Film genre parodies --- Film parodies --- Genre parodies (Motion pictures) --- Genre parody films --- Motion picture parodies --- Movie parodies --- Send-up films --- Spoof films --- Spoofs (Motion pictures) --- Takeoff films --- Comedy films --- Parodies --- History and criticism --- Films met een amusementsfunctie en/of esthetische functie: genres en richtingen --- History and criticism.