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Book
Alien-invasion films : imperialism, race and gender in the American security state, 1950-2020
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ISBN: 3031117956 3031117948 Year: 2022 Publisher: Cham, Switzerland : Palgrave Macmillan,

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Book
Empire and film
Authors: ---
ISBN: 1838711554 1349924989 183871555X 9781838715557 9781844574216 9781844574223 1844574229 1844574210 Year: 2019 Publisher: London

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At its height in 1919, the British Empire claimed 58 countries, 400 million subjects, and 14 million square miles of ground. Empire and Film brings together leading international scholars to examine the integral role cinema played in the control, organisation, and governance of this diverse geopolitical space. The essays reveal the complex interplay between the political and economic control essential to imperialism and the emergence and development of cinema in the late nineteenth and first half of the twentieth century. Contributors address how the production, distribution and exhibition of film were utilised by state and industrial and philanthropic institutions to shape the subject positions of coloniser and colonised; to demarcate between 'civilised' and 'primitive' and codify difference; and to foster a political economy of imperialism that was predicated on distinctions between core and periphery. The generic forms of colonial cinema were, consequently, varied: travelogues mapped colonial spaces; actuality films represented spectacles of royal authority and imperial conquest and conflict; home movies rendered colonial self-representation; state-financed newsreels and documentaries fostered political and economic control and the 'education' of British and colonial subjects; philanthropic and industrial organisations sponsored films to expand Western models of capitalism; British and American film companies made films of imperial adventure. These films circulated widely in Britain and the empire, and were sustained through the establishment of imperial networks of distribution and exhibition, including in particular innovative mobile exhibition circuits and non-theatrical spaces like schools, museums and civic centres. Empire and Film is a significant revision to the historical and conceptual frameworks of British cinema history, and is a major contribution to the history of cinema as a global form that emerged amid, and in dialogue with, the global flows of imperialism. The book is produced in conjunction with a major website housing freely available digitised archival films and materials relating to British colonial cinema, www.colonialfilm.org.uk, and a companion volume entitled Film and the End of Empire.


Book
"Quit India"
Author:
ISBN: 1443832472 9781443832472 9781443832038 1443832030 1443877409 9781443877404 Year: 2011 Publisher: Newcastle upon Tyne, UK Cambridge Scholars Pub.

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A Look on the changing image of The Indian Patriot's war for India's Independence and its reflection, which were shown, during The Cold War Period, on the screens of Commercial British Films and TV. By using a variety of Primary and Secondary sources, as


Book
Empire films and the crisis of colonialism, 1946-1959
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ISBN: 9781421416427 1421416425 9781421416410 1421416417 Year: 2015 Publisher: Baltimore Johns Hopkins University Press

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Book
Framing empire : postcolonial adaptations of Victorian literature in Hollywood
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ISBN: 9781474429962 1474429963 1474429947 9781474429948 9781474429979 1474429971 1474453562 9781474453561 Year: 2018 Publisher: Edinburgh : Edinburgh University Press,

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Examines how postcolonial filmmakers negotiate national identities in Hollywood-supported Victorian literature adaptations. This book examines postcolonial filmmakers adapting Victorian literature in Hollywood to contend with both the legacy of British imperialism and the influence of globalized media entities. Since decolonization, postcolonial writers and filmmakers have re-appropriated and adapted texts of the Victorian era as a way to 'write back' to the imperial centre. At the same time, the rise of international co-productions and multinational media corporations have called into question the effectiveness of postcolonial rewritings of canonical texts as a resistance strategy. With case studies of films like Gunga Din, Dracula 2000, The Portrait of a Lady, Vanity Fair and Slumdog Millionaire, this book argues that many postcolonial filmmakers have extended resistance beyond revisionary adaptation, opting to interrogate Hollywood's genre conventions and production methods to address how globalization has affected and continues to influence their homelands.


Book
Hollywood's Africa after 1994
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ISBN: 0821444336 9780821444337 9780821420157 0821420151 Year: 2012 Publisher: Athens : Ohio University Press,

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Hollywood's Africa after 1994 investigates Hollywood's colonial film legacy in the post apartheid era, and contemplates what has changed in the West's representations of Africa. How do we read twenty-first-century projections of human rights issues-child soldiers, genocide, the exploitation of the poor by multinational corporations, dictatorial rule, truth and reconciliation-within the contexts of celebrity humanitarianism, "new" military humanitarianism, and Western support for regime change in Africa and beyond? A number of films after 1994, such as Black Hawk Down, Hotel Rwand


Book
Film and the end of empire
Authors: ---
ISBN: 1838710272 1838715703 9781838715700 9781844574230 9781844574247 1844574245 1844574237 Year: 2019 Publisher: London

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In these two volumes of original essays, scholars from around the world address the history of British colonial cinema stretching from the emergence of cinema at the height of imperialism, to moments of decolonization andthe ending of formal imperialism in the post-Second World War.


Book
Cinema in an Age of Terror : North Africa, Victimization, and Colonial History
Author:
ISBN: 0803230192 9786612749308 1282749307 9780803230194 661274930X 9781282749306 9780803228092 0803228090 Year: 2010 Publisher: Lincoln : Baltimore, Md. : University of Nebraska Press, Project MUSE,


Book
Parameters of Disavowal. : Colonial Representation in South Korean Cinema
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ISBN: 0520968107 0520295307 9780520968103 Year: 2018 Publisher: Oakland University of California Press

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The colonial experience of the early twentieth century shaped Korea's culture and identity, leaving a troubling past that was subtly reconstructed in South Korean postcolonial cinema. Relating postcolonial discourses to a reading of Manchurian action films, kisaeng and gangster films, and revenge horror films, Parameters of Disavowal shows how filmmakers reworked, recontextualized, and erased ideas and symbols of colonial power. In particular, Jinsoo An examines how South Korean films privileged certain sites, such as the kisaeng house and the Manchurian frontier, generating unique meanings that challenged the domination of the colonial power, and how horror films indirectly explored both the continuing trauma of colonial violence and lingering emotional ties to the colonial order. Espousing the ideology of nationalism while responding to a new Cold War order that positioned Japan and South Korea as political and economic allies, postcolonial cinema formulated distinctive ways of seeing and imagining the colonial past.

Captive bodies : postcolonial subjectivity in cinema
Author:
ISBN: 0585086702 9780585086705 0791441555 0791441563 9780791441558 9780791441565 1438403062 9781438403069 Year: 1999 Publisher: Albany : State University of New York Press,

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