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At its height in 1919, the British Empire claimed 58 countries, 400 million subjects, and 14 million square miles of ground. Empire and Film brings together leading international scholars to examine the integral role cinema played in the control, organisation, and governance of this diverse geopolitical space. The essays reveal the complex interplay between the political and economic control essential to imperialism and the emergence and development of cinema in the late nineteenth and first half of the twentieth century. Contributors address how the production, distribution and exhibition of film were utilised by state and industrial and philanthropic institutions to shape the subject positions of coloniser and colonised; to demarcate between 'civilised' and 'primitive' and codify difference; and to foster a political economy of imperialism that was predicated on distinctions between core and periphery. The generic forms of colonial cinema were, consequently, varied: travelogues mapped colonial spaces; actuality films represented spectacles of royal authority and imperial conquest and conflict; home movies rendered colonial self-representation; state-financed newsreels and documentaries fostered political and economic control and the 'education' of British and colonial subjects; philanthropic and industrial organisations sponsored films to expand Western models of capitalism; British and American film companies made films of imperial adventure. These films circulated widely in Britain and the empire, and were sustained through the establishment of imperial networks of distribution and exhibition, including in particular innovative mobile exhibition circuits and non-theatrical spaces like schools, museums and civic centres. Empire and Film is a significant revision to the historical and conceptual frameworks of British cinema history, and is a major contribution to the history of cinema as a global form that emerged amid, and in dialogue with, the global flows of imperialism. The book is produced in conjunction with a major website housing freely available digitised archival films and materials relating to British colonial cinema, www.colonialfilm.org.uk, and a companion volume entitled Film and the End of Empire.
Motion pictures --- Imperialism in motion pictures. --- Film & Media. --- History. --- British Film Institute. --- Great Britain.
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A Look on the changing image of The Indian Patriot's war for India's Independence and its reflection, which were shown, during The Cold War Period, on the screens of Commercial British Films and TV. By using a variety of Primary and Secondary sources, as
Imperialism in motion pictures. --- Patriotism --- Loyalty --- Allegiance --- Motion pictures --- Imperialism in motion pictures --- #SBIB:309H1328 --- #SBIB:309H1326 --- #SBIB:309H520 --- Films met een ideologische en spiegelfunctie --- Films met een amusementsfunctie en/of esthetische functie: genres en richtingen --- Audiovisuele communicatie: algemene werken
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Motion pictures --- Imperialism in motion pictures. --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Political aspects. --- History --- History and criticism
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Examines how postcolonial filmmakers negotiate national identities in Hollywood-supported Victorian literature adaptations. This book examines postcolonial filmmakers adapting Victorian literature in Hollywood to contend with both the legacy of British imperialism and the influence of globalized media entities. Since decolonization, postcolonial writers and filmmakers have re-appropriated and adapted texts of the Victorian era as a way to 'write back' to the imperial centre. At the same time, the rise of international co-productions and multinational media corporations have called into question the effectiveness of postcolonial rewritings of canonical texts as a resistance strategy. With case studies of films like Gunga Din, Dracula 2000, The Portrait of a Lady, Vanity Fair and Slumdog Millionaire, this book argues that many postcolonial filmmakers have extended resistance beyond revisionary adaptation, opting to interrogate Hollywood's genre conventions and production methods to address how globalization has affected and continues to influence their homelands.
English literature --- Imperialism in motion pictures. --- Postcolonialism. --- Postcolonialism in motion pictures. --- Motion pictures --- Post-colonialism --- Postcolonial theory --- Political science --- Decolonization --- Film adaptations. --- History and criticism. --- 1800-1899
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Hollywood's Africa after 1994 investigates Hollywood's colonial film legacy in the post apartheid era, and contemplates what has changed in the West's representations of Africa. How do we read twenty-first-century projections of human rights issues-child soldiers, genocide, the exploitation of the poor by multinational corporations, dictatorial rule, truth and reconciliation-within the contexts of celebrity humanitarianism, "new" military humanitarianism, and Western support for regime change in Africa and beyond? A number of films after 1994, such as Black Hawk Down, Hotel Rwand
Motion pictures --- Culture conflict in motion pictures. --- Imperialism in motion pictures. --- Human rights in motion pictures. --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- History --- History and criticism --- Africa --- In motion pictures.
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In these two volumes of original essays, scholars from around the world address the history of British colonial cinema stretching from the emergence of cinema at the height of imperialism, to moments of decolonization andthe ending of formal imperialism in the post-Second World War.
Documentary films --- Historical films --- Motion pictures --- World War, 1939-1945 --- Motion pictures in propaganda --- Imperialism in motion pictures. --- Film & Media. --- Political aspects --- History --- Colonies --- Motion pictures and the war. --- Great Britain. --- British Film Institute. --- History. --- 1900-1999
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East and West in motion pictures. --- Postcolonialism in motion pictures. --- Imperialism in motion pictures. --- Motion pictures --- History --- Political aspects. --- France --- Algeria --- Africa, North --- In motion pictures. --- Motion pictures and the revolution.
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The colonial experience of the early twentieth century shaped Korea's culture and identity, leaving a troubling past that was subtly reconstructed in South Korean postcolonial cinema. Relating postcolonial discourses to a reading of Manchurian action films, kisaeng and gangster films, and revenge horror films, Parameters of Disavowal shows how filmmakers reworked, recontextualized, and erased ideas and symbols of colonial power. In particular, Jinsoo An examines how South Korean films privileged certain sites, such as the kisaeng house and the Manchurian frontier, generating unique meanings that challenged the domination of the colonial power, and how horror films indirectly explored both the continuing trauma of colonial violence and lingering emotional ties to the colonial order. Espousing the ideology of nationalism while responding to a new Cold War order that positioned Japan and South Korea as political and economic allies, postcolonial cinema formulated distinctive ways of seeing and imagining the colonial past.
Films, cinema --- History --- Asian history --- Media studies --- Motion pictures --- Imperialism in motion pictures --- Nationalism in motion pictures --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- History and criticism --- 1900s. --- 20th century. --- academic. --- anticolonial. --- cinema. --- cold war. --- colonial. --- cultural identity. --- early 20th century. --- geopolitics. --- imperialism. --- korea. --- korean cinema. --- korean history. --- korean. --- luminos. --- national history. --- nationalism. --- natural history. --- politics. --- postcolonial cinema. --- postcolonial film. --- postcolonial. --- scholarly. --- south korea. --- south korean history. --- wartime. --- wwi. --- wwii. --- Nationalism in motion pictures. --- Imperialism in motion pictures. --- Motion pictures. --- Korea (South)
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Captivity in motion pictures. --- Imperialism in motion pictures. --- Racism in motion pictures. --- Sexism in motion pictures. --- Motion pictures --- Motion picture industry --- Film industry (Motion pictures) --- Moving-picture industry --- Cultural industries --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Political aspects. --- Political aspects --- History and criticism
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