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"Bharati Mukherjee was an important, bold, pioneering American writer. Born in Calcutta, India on July 27, 1940 to Sudhir Lal Mukherjee and Bina (nee Chatterjee), a Bengali Brahmin couple, the young Bharati--the middle of three daughters--enjoyed a privileged early life. Mukherjee's father was a biochemist who ran a successful pharmaceutical company and supported a wide network of some fifty relatives all based within the same house in Ballygunge, south Calcutta. A precociously intelligent child, Mukherjee was always highly literate, stimulated by her parents to read and study. Consuming books in a quiet corner was often a refuge from the claustrophobic demands of traditional Indian joint family living, and she began writing stories as a young child. Mukherjee was inspired by the storytelling of her paternal grandmother and her mother. Indeed, she consistently paid tribute to Bina, who proudly defended and encouraged Mukherjee and her two sisters, Mira and Ranu, against a patriarchal backdrop of ridicule from Bina's older, female in-laws for having borne Sudhir no sons." --
Immigrants in literature. --- Emigration and immigration in literature. --- East Indians --- East Indian Americans in literature. --- Mukherjee, Bharati --- Criticism and interpretation. --- India --- Canada --- In literature.
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This book describes what an “art of multiculturalism” could be and how in turn multiculturalism could be conceived as a form of art. It focuses on the early and middle work of Indian-born U.S. writer Bharati Mukherjee, in particular on her understanding of the “fusion” of literature and painting as a tool to inspire the creation of a “new global society” by empowering minorities through fostering and multiplying “differences in unity” and “unities in difference”. The book includes, in condensed ways, an explanation of Mukherjee’s use of ancient Indian painting techniques for postmodern writing; and it provides a short introduction to the relation between multiculturalism, postmodernity and “imaginal politics”. The book is written in an easy to read style accessible to all interested in the topic: high school and university students and teachers; those generally interested in the interface between literature, the arts and politics; and specialists in multicultural studies and global and international studies. The book is particularly suited to use in teaching. .
American literature --- Multiculturalism in literature. --- History and criticism. --- Mukherjee, Bharati --- Bharati Mukherjee --- Blaise, Bharati Mukherjee --- Criticism and interpretation. --- Political science. --- Postmodernism. --- Political Science. --- Sociology, general. --- Postmodern Philosophy. --- Post-modernism --- Postmodernism (Philosophy) --- Arts, Modern --- Avant-garde (Aesthetics) --- Modernism (Art) --- Philosophy, Modern --- Post-postmodernism --- Administration --- Civil government --- Commonwealth, The --- Government --- Political theory --- Political thought --- Politics --- Science, Political --- Social sciences --- State, The --- Sociology. --- Social theory
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American literature --- Asian American authors --- History and criticism --- Asian Americans --- Intellectual life --- Asian Americans in literature --- Eaton, Winnifred --- Criticism and interpretation --- Eaton, Edith --- Wing, Yung --- Wong, Jade Snow --- Verghese, Abraham --- Yau, John --- Hahn, Kimiko --- Liu, Timothy --- Keller, Nora Okja --- Yamanaka, Lois-Ann --- Lee, Chang-rae --- Mukherjee, Bharati --- Asian Americans in literature. --- Asians --- Ethnology --- History and criticism. --- Intellectual life.
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A recent explosion of publishing activity by a wide range of talented writers has placed Asian American literature in the limelight. As the field of Asian American literary studies gains increasing recognition, however, questions of misreading and appropriation inevitably arise. How is the growing body of Asian American works to be read? What holds them together to constitute a tradition? What distinguishes this tradition from the "mainstream" canon and other "minority" literatures? In the first comprehensive book on Asian American literature since Elaine Kim's ground-breaking 1982 volume, Sau-ling Wong addresses these issues and explores their implications for the multiculturalist agenda. Wong does so by establishing the "intertextuality" of Asian American literature through the study of four motifs--food and eating, the Doppelg,nger figure, mobility, and play--in their multiple sociohistorical contexts. Occurring across ethnic subgroup, gender, class, generational, and historical boundaries, these motifs resonate with each other in distinctly Asian American patterns that universalistic theories cannot uncover. Two rhetorical figures from Maxine Hong Kingston's The Woman Warrior, "Necessity" and "Extravagance," further unify this original, wide-ranging investigation. Authors studied include Carlos Bulosan, Frank Chin, Ashley Sheun Dunn, David Henry Hwang, Lonny Kaneko, Maxine Hong Kingston, Joy Kogawa, David Wong Louie, Darrell Lum, Wing Tek Lum, Toshio Mori, Bharati Mukherjee, Fae Myenne Ng, Bienvenido Santos, Monica Sone, Amy Tan, Yoshiko Uchida, Shawn Wong, Hisaye Yamamoto, and Wakako Yamauchi.
Américains aziatiques dans la littérature --- Asian Americans in literature --- Aziatische Amerikanen in de literatuur --- Ethnic relations in literature --- Etnische relaties in de literatuur --- Relations ethniques dans la littérature --- American literature -. --- American literature -- Asian American authors -- History and criticism. --- Asian Americans - Intellectual life. --- Asian Americans -- Intellectual life. --- Asian Americans in literature. --- Ethnic relations in literature. --- American literature --- Asian Americans --- American Literature --- English --- Languages & Literatures --- History and criticism --- Asian American authors --- Intellectual life --- History and criticism. --- Intellectual life. --- Asians --- Ethnology --- English literature --- Agrarians (Group of writers) --- Asian American authors&delete& --- Kingston, Maxine Hong --- Criticism and interpretation --- Kogawa, Joy Nozomi --- Yamamoto, Hisaye --- Hwang, David Henry --- Chin, Frank Chew --- Mukherjee, Bharati --- Tan, Amy --- Wong, Jade Snow --- Wong, Shawn
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