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Book
What America read : taste, class, and the novel, 1920-1960
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ISBN: 9780807832271 0807832278 0807872121 146960521X 0807887757 9780807887752 9781469605210 Year: 2009 Publisher: Chapel Hill : University of North Carolina Press,

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Despite the vigorous study of modern American fiction, today's readers are only familiar with a partial shelf of a vast library. Gordon Hutner describes the distorted, canonized history of the twentieth-century American novel as a record of modern classics insufficiently appreciated in their day but recuperated by scholars in order to shape the grand tradition of Hemingway, Fitzgerald, and Faulkner. In presenting literary history this way, Hutner argues, scholars have forgotten a rich treasury of realist novels that recount the story of the American middle-class's confrontation with modernity. Reading these novels now offers an extraordinary opportunity to witness debates about what kind of nation America would become and what place its newly dominant middle class would have--and, Hutner suggests, should also lead us to wonder how our own contemporary novels will be remembered.

Subjecting verses
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ISBN: 0691096740 9786612087806 1282087800 1400825938 9781400825936 9780691096742 Year: 2004 Publisher: Princeton, N.J. Princeton University Press

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The elegy flared into existence, commanded the cultural stage for several decades, then went extinct. This book accounts for the swift rise and sudden decline of a genre whose life span was incredibly brief relative to its impact. Examining every major poet from Catullus to Ovid, Subjecting Verses presents the first comprehensive history of Latin erotic elegy since Georg Luck's. Paul Allen Miller harmoniously weds close readings of the poetry with insights from theoreticians as diverse as Jameson, Foucault, Lacan, and Zizek. In welcome contrast to previous, thematic studies of elegy--efforts that have become bogged down in determining whether particular themes and poets were pro- or anti-Augustan--Miller offers a new, "symptomatic" history. He asks two obvious but rarely posed questions: what historical conditions were necessary to produce elegy, and what provoked its decline? Ultimately, he argues that elegiac poetry arose from a fundamental split in the nature of subjectivity that occurred in the late first century--a split symptomatic of the historical changes taking place at the time. Subjecting Verses is a major interpretive feat whose influence will reach across classics and literary studies. Linking the rise of elegy with changes in how Romans imagined themselves within a rapidly changing society, it offers a new model of literary theory that neither reduces the poems to a reflection of their context nor examines them in a vacuum.


Book
The Mediating Nation : Late American Realism, Globalization, and the Progressive State
Author:
ISBN: 9781469618456 9781469618463 146961846X 9781469618470 1469618478 1469618451 Year: 2014 Publisher: Chapel Hill : Baltimore, Md. : The University of North Carolina Press, Project MUSE,

Mimetic disillusion : Eugene O'Neill, Tennessee Williams, and U.S. dramatic realism
Author:
ISBN: 0817308385 0817381856 Year: 1997 Publisher: Tuscaloosa : University of Alabama Press,

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Mimetic Disillusion reevaluates the history of modern U.S. drama, showing that at mid-century it turned in the direction of a poststructuralist ""disillusionment with mimesis"" or mimicry. This volume focuses on two major writers of the 1930's and 1940's--Eugene O'Neill and Tennessee Williams--one whose writing career was just ending and the other whose career was just beginning. In new readings of their major works from this period, Long Day's Journey into Night, The Iceman Cometh, The Glass Menagerie, and A Streetcar Named Desire, Fleche


Multi
The Cambridge introduction to American literary realism
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ISBN: 9780521897693 0521897696 9780521050104 0521050103 9781139021678 9781139160957 1139160958 9781139158909 1139158902 1139021672 1283340984 9781283340984 9781139157148 1139157140 1107226317 113915253X 9786613340986 113915995X 1139155393 9781107226319 6613340987 9781139155397 Year: 2011 Volume: *4 Publisher: Cambridge : Cambridge University Press,

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Abstract

Between the Civil War and the First World War, realism was the most prominent form of American fiction. Realist writers of the period include some of America's greatest, such as Henry James, Edith Wharton and Mark Twain, but also many lesser-known writers whose work still speaks to us today, for instance Charles Chesnutt, Zitkala-Ša and Sarah Orne Jewett. Emphasizing realism's historical context, this introduction traces the genre's relationship with powerful, often violent, social conflicts involving race, gender, class and national origin. It also examines how the realist style was created; the necessarily ambiguous relationship between realism produced on the page and reality outside the book; and the different, often contradictory, forms 'realism' took in literary works by different authors. The most accessible yet sophisticated account of American literary realism currently available, this volume will be of great value to students, teachers and readers of the American novel.


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Literatuur en reflexiviteit : een realistisch perspectief
Author:
ISBN: 9053501487 Year: 1992 Publisher: Leuven - Kessel-Lo : Garant,

Realist vision
Authors: ---
ISBN: 9780300138962 0300106807 9786611729769 1281729760 0300127855 Year: 2005

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Realist Vision explores the claim to represent the world "as it is." Peter Brooks takes a new look at the realist tradition and its intense interest in the visual. Discussing major English and French novels and paintings from the nineteenth and twentieth centuries, Brooks provides a lively and perceptive view of the realist project. Centering each chapter on a single novel or group of paintings, Brooks examines the "invention" of realism beginning with Balzac and Dickens, its apogee in the work of such as Flaubert, Eliot, and Zola, and its continuing force in James and modernists such as Woolf. He considers also the painting of Courbet, Manet, Caillebotte, Tissot, and Lucian Freud, and such recent phenomena as "photorealism" and "reality TV."

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