Listing 1 - 7 of 7 |
Sort by
|
Choose an application
Despite the vigorous study of modern American fiction, today's readers are only familiar with a partial shelf of a vast library. Gordon Hutner describes the distorted, canonized history of the twentieth-century American novel as a record of modern classics insufficiently appreciated in their day but recuperated by scholars in order to shape the grand tradition of Hemingway, Fitzgerald, and Faulkner. In presenting literary history this way, Hutner argues, scholars have forgotten a rich treasury of realist novels that recount the story of the American middle-class's confrontation with modernity. Reading these novels now offers an extraordinary opportunity to witness debates about what kind of nation America would become and what place its newly dominant middle class would have--and, Hutner suggests, should also lead us to wonder how our own contemporary novels will be remembered.
Littérature réaliste --- Neorealism (Literature) --- Neorealisme (Literatuur) --- Néoréalisme (Littérature) --- Realism (Literary movement) --- Realism in literature --- Realisme (Letterkundige beweging) --- Realisme (Literaire beweging) --- Realisme in de literatuur --- Realistische literatuur --- Réalisme (Mouvement littéraire) --- Réalisme dans la littérature --- Fiction --- American literature --- anno 1930-1939 --- anno 1940-1949 --- anno 1950-1959 --- anno 1920-1929 --- American fiction --- 20th century --- History and criticism --- Literature and society --- United States --- History --- Realism in literature. --- Magic realism (Literature) --- Mimesis in literature --- History and criticism.
Choose an application
The elegy flared into existence, commanded the cultural stage for several decades, then went extinct. This book accounts for the swift rise and sudden decline of a genre whose life span was incredibly brief relative to its impact. Examining every major poet from Catullus to Ovid, Subjecting Verses presents the first comprehensive history of Latin erotic elegy since Georg Luck's. Paul Allen Miller harmoniously weds close readings of the poetry with insights from theoreticians as diverse as Jameson, Foucault, Lacan, and Zizek. In welcome contrast to previous, thematic studies of elegy--efforts that have become bogged down in determining whether particular themes and poets were pro- or anti-Augustan--Miller offers a new, "symptomatic" history. He asks two obvious but rarely posed questions: what historical conditions were necessary to produce elegy, and what provoked its decline? Ultimately, he argues that elegiac poetry arose from a fundamental split in the nature of subjectivity that occurred in the late first century--a split symptomatic of the historical changes taking place at the time. Subjecting Verses is a major interpretive feat whose influence will reach across classics and literary studies. Linking the rise of elegy with changes in how Romans imagined themselves within a rapidly changing society, it offers a new model of literary theory that neither reduces the poems to a reflection of their context nor examines them in a vacuum.
Littérature réaliste --- Neorealism (Literature) --- Neorealisme (Literatuur) --- Néoréalisme (Littérature) --- Realism (Literary movement) --- Realism in literature --- Realisme (Letterkundige beweging) --- Realisme (Literaire beweging) --- Realisme in de literatuur --- Realistische literatuur --- Réalisme (Mouvement littéraire) --- Réalisme dans la littérature --- Seksualiteit in de literatuur --- Sex in literature --- Sexe dans la littérature --- Elegiac poetry, Latin --- Erotic poetry, Latin --- Realism in literature. --- Sex in literature. --- Poésie élégiaque latine --- Poésie érotique latine --- Sexualité dans la littérature --- History and criticism. --- Histoire et critique --- Poésie élégiaque latine --- Poésie érotique latine --- Réalisme dans la littérature --- Sexualité dans la littérature --- Magic realism (Literature) --- Mimesis in literature --- History and criticism --- Elegiac poetry [Latin ] --- Erotic poetry [Latin ]
Choose an application
Mediating Nation: Late American Realism, Globalization, and the Progressive State
Literature and transnationalism --- Literatuur en transnationalisme --- Littérature et transnationalisme --- Littérature réaliste --- Multiculturalism in literature --- Multiculturalisme dans la littérature --- Multiculturele samenleving in de literatuur --- Neorealism (Literature) --- Neorealisme (Literatuur) --- Néoréalisme (Littérature) --- Progressive movement in literature --- Progressivism in literature --- Realism (Literary movement) --- Realism in literature --- Realisme (Letterkundige beweging) --- Realisme (Literaire beweging) --- Realisme in de literatuur --- Realistische literatuur --- Réalisme (Mouvement littéraire) --- Réalisme dans la littérature --- American literature --- 20th century --- History and criticism --- Modernism (Literature) --- United States --- Literature and transnationalism. --- Multiculturalism in literature. --- Progressivism in literature. --- Realism in literature. --- Transnationalism and literature --- Transnationalism --- Magic realism (Literature) --- Mimesis in literature --- History and criticism.
Choose an application
Mimetic Disillusion reevaluates the history of modern U.S. drama, showing that at mid-century it turned in the direction of a poststructuralist ""disillusionment with mimesis"" or mimicry. This volume focuses on two major writers of the 1930's and 1940's--Eugene O'Neill and Tennessee Williams--one whose writing career was just ending and the other whose career was just beginning. In new readings of their major works from this period, Long Day's Journey into Night, The Iceman Cometh, The Glass Menagerie, and A Streetcar Named Desire, Fleche
Williams, Tennessee --- O'Neill, Eugene --- Littérature réaliste --- Neorealism (Literature) --- Neorealisme (Literatuur) --- Néoréalisme (Littérature) --- Realism (Literary movement) --- Realism in literature --- Realisme (Letterkundige beweging) --- Realisme (Literaire beweging) --- Realisme in de literatuur --- Realistische literatuur --- Réalisme (Mouvement littéraire) --- Réalisme dans la littérature --- American drama --- Realism in literature. --- Théâtre américain --- History and criticism. --- Histoire et critique --- O'Neill, Eugene, --- Williams, Tennessee, --- Criticism and interpretation. --- History and criticism --- 20th century --- O'Neill, Eugene Gladstone --- Criticism and interpretation --- Magic realism (Literature) --- Mimesis in literature --- Ao-ni-erh, --- О'Нил, Юджин Гладстон, --- O'Nil, I︠U︡dzhin Gladston, --- O'Neill, Eugene Gladstone, --- O'Neill, Eugene G. --- O'Nil, Judžin, --- Ūnīl, Yūjīn, --- Onil, Yujin, --- O'nil, Yug'in, --- O'Nēl, Eugenios, --- אוניל --- או׳ניל, יוג׳ין --- או׳ניל, יוג׳ין, --- O'Neill, Gioutzin, --- اونيل، يوجين --- Williams, Thomas Lanier
Choose an application
Between the Civil War and the First World War, realism was the most prominent form of American fiction. Realist writers of the period include some of America's greatest, such as Henry James, Edith Wharton and Mark Twain, but also many lesser-known writers whose work still speaks to us today, for instance Charles Chesnutt, Zitkala-Ša and Sarah Orne Jewett. Emphasizing realism's historical context, this introduction traces the genre's relationship with powerful, often violent, social conflicts involving race, gender, class and national origin. It also examines how the realist style was created; the necessarily ambiguous relationship between realism produced on the page and reality outside the book; and the different, often contradictory, forms 'realism' took in literary works by different authors. The most accessible yet sophisticated account of American literary realism currently available, this volume will be of great value to students, teachers and readers of the American novel.
Fiction --- Thematology --- American literature --- anno 1800-1999 --- American national characteristics in literature --- Amerikaans volkskarakter in de literatuur --- Caractéristiques nationales américaines dans la littérature --- Littérature réaliste --- National characteristics [American ] in literature --- Neorealism (Literature) --- Neorealisme (Literatuur) --- Néoréalisme (Littérature) --- Realism (Literary movement) --- Realism in literature --- Realisme (Letterkundige beweging) --- Realisme (Literaire beweging) --- Realisme in de literatuur --- Realistische literatuur --- Réalisme (Mouvement littéraire) --- Réalisme dans la littérature --- Volkskarakter [Amerikaans ] in de literatuur --- American fiction --- Literature and society --- Realism in literature. --- Popular literature --- National characteristics, American, in literature. --- History and criticism. --- History --- National characteristics, American, in literature --- Magic realism (Literature) --- Mimesis in literature --- History and criticism --- 19th century --- 20th century --- United States --- Arts and Humanities --- Literature --- Littérature et société --- Réalité --- États-Unis --- 20e siècle --- Dans la littérature
Choose an application
Fiction --- anno 1800-1899 --- Conscience de soi dans la littérature --- Letterkunde --- Littérature --- Littérature réaliste --- Neorealism (Literature) --- Neorealisme (Literatuur) --- Néoréalisme (Littérature) --- Realism (Literary movement) --- Realism in literature --- Realisme (Letterkundige beweging) --- Realisme (Literaire beweging) --- Realisme in de literatuur --- Realistische literatuur --- Réalisme (Mouvement littéraire) --- Réalisme dans la littérature --- Self-consciousness in literature --- Zelfbewustzijn in de literatuur --- 82.015.61 --- 82.091 --- European fiction --- -Realism in literature --- Magic realism (Literature) --- Mimesis in literature --- European literature --- Literaire stromingen: naturalisme; realisme --- Vergelijkende literatuurstudie --- History and criticism --- Theses --- Realism in literature. --- Self-consciousness (Awareness) in literature. --- History and criticism. --- 19de eeuw --- 20ste eeuw --- 825.4 --- Ironie --- Literatuur --- Proza --- Realisme --- Roman --- Zelfbewustzijn --- 82.091 Vergelijkende literatuurstudie --- 82.015.61 Literaire stromingen: naturalisme; realisme --- Self-consciousness (Awareness) in literature --- 19th century
Choose an application
Realist Vision explores the claim to represent the world "as it is." Peter Brooks takes a new look at the realist tradition and its intense interest in the visual. Discussing major English and French novels and paintings from the nineteenth and twentieth centuries, Brooks provides a lively and perceptive view of the realist project. Centering each chapter on a single novel or group of paintings, Brooks examines the "invention" of realism beginning with Balzac and Dickens, its apogee in the work of such as Flaubert, Eliot, and Zola, and its continuing force in James and modernists such as Woolf. He considers also the painting of Courbet, Manet, Caillebotte, Tissot, and Lucian Freud, and such recent phenomena as "photorealism" and "reality TV."
English fiction --- French fiction --- Art and literature. --- Realism in literature. --- Comparative literature --- Roman anglais --- Roman français --- Art et littérature --- Réalisme dans la littérature --- Littérature comparée --- History and criticism. --- English and French --- French and English --- Histoire et critique --- Anglaise et française --- Française et anglaise --- Littérature réaliste --- Neorealisme (Literatuur) --- Néoréalisme (Littérature) --- Realism (Literary movement) --- Realisme (Letterkundige beweging) --- Realisme (Literaire beweging) --- Realisme in de literatuur --- Realistische literatuur --- Réalisme (Mouvement littéraire) --- Réalisme dans la littérature --- Literaire stromingen: naturalisme; realisme --- English and French. --- French and English. --- 82.015.61 Literaire stromingen: naturalisme; realisme --- 82.091 --- 82-31 --- 82.015.61 --- 82-31 Roman --- Roman --- 82.091 Vergelijkende literatuurstudie --- Vergelijkende literatuurstudie --- Realism in literature --- Neorealism (Literature) --- Magic realism (Literature) --- Mimesis in literature --- History and criticism --- Fiction --- French literature --- English literature --- anno 1800-1899 --- Literature, Comparative --- 19th century --- Literature [Comparative ]
Listing 1 - 7 of 7 |
Sort by
|