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History from below : the 'Vocabulary of Elisabethville' by André Yav : text, translations, and interpretive essay
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ISBN: 155619160X 9027252270 9786613328267 1283328267 9027278253 9789027278258 9789027252272 9781556191602 Year: 1990 Volume: 7 Publisher: Amsterdam ; Philadelphia : J. Benjamins Pub. Co.,

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Johannes Fabian with assistance from Kalundi Mango (Administrator, National Museum of Zaire) and with linguistic notes by Walter Schicho (University of Vienna).An extraordinary linguistic and sociopolitical document, this is a history of colonization written by the colonized, about the colonized, and for the colonized. The original text, a history of what is now Lubumbashi in the Shaba region of Zaire, is reproduced in exact facsimile in Part 1. The period covered is from the beginning of Belgian colonization to 1965.


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Terug naar Kongo
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ISBN: 9029026901 9063033664 9789063033668 9789029026901 Year: 1988 Publisher: Amsterdam Meulenhoff

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Description by a Belgian journalist on a trip to Zaire, the former Belgian Congo and how the country has changed since the colonial time.


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Migration and Christian identity in Congo (DRC)
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ISSN: 01699814 ISBN: 1282602535 9786612602535 9047443047 9789047443049 9004164642 9789004164642 9789004164642 9789004245013 9004245014 Year: 2008 Volume: 35 Publisher: Leiden ; Boston : Brill,

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Christianity and migration have greatly influenced society and culture of sub-Saharan Africa, yet their mutual impact is rarely studied. Through oral history research in north eastern Congo (DRC), this book studies the migration of Anglicans and the subsequent reconfiguring of their Christian identity. It engages with issues of religious contextualisation, revivalism and the rise of Pentecostalism. It examines shifting ethnic, national, gender and generational expressions, the influence of tradition, contemporanity, local needs and international networks to reveal mobile group identities developing through migration. Borrowing the metaphor of 'home' from those interviewed, the book suggests in what ways religious affiliation aids a process of belonging. The result is an original exploration of important themes in an often neglected region of Africa.


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Dipenda !
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ISBN: 902604903X Year: 1990 Volume: vol 37e reeks, nr 7 Publisher: Malle De Sikkel

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1


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Weg van de dood
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ISBN: 907166581X Year: 2001 Publisher: Brussel 11.11.11 - uitgeverij

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Schokkend, verbijsterend, aangrijpend... Wie het relaas van Marie Beatrice Umutesi probeert samen te vatten, neemt vanzelf zijn toevlucht tot dergelijke termen. Umutesi vluchtte, als Hutu en als NGO-medewerkster, in juli 1994 weg uit Rwanda. Ze was, samen met miljoenen andere mensen, op de vlucht voor het oprukkende leger van het RPF. Drie maanden lang woedde reeds de genocide, waarbij vooral Tutsi vermoord werden. Dit boek brengt het verhaal van de vluchtelingen in het toenmalige Zaire, meedogenloos voortgedreven door rebellen van Kabila en medestanders van het RPF. Het is een vergeten kant van het Rwandese drama. De vluchtelingen werden internationaal immers afgeschilderd als een grote bende massamoordenaars die niet meer terug durfden naar hun land van herkomst, uit angst voor represailles. Dat soort mensen was er inderdaad ook wel, maar de meeste vluchtelingen waren bange, onschuldige mannen, vrouwen en kinderen. Dit boek is opgedragen aan alle slachtoffers van de Rwanda-crisis, zowel Rwandezen als Congolezen. De sociologe Umutesi plaatst de gruwelijke gebeurtenissen in een breder kader en zoekt de wortels van het conflict. Ze legt de onzin van de etnische rivaliteit bloot. Tegelijk is haar boek een aanklacht tegen de onmacht en de nalatigheid van de internationale gemeenschap ten overstaan van zoveel menselijke ellende. (Bron: covertekst)


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Tekens 5.1 : tekenschrift : een doe-boekje bij Tekens 5.1
Authors: --- ---
ISBN: 9903188609 9789045520889 900217733X 9789045520896 9002177712 9789045506975 Year: 2001 Publisher: Antwerpen Standaard Educatieve Uitgeverij


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Congo style : from Belgian art nouveau to African independence
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ISBN: 0472903888 047205631X 0472076310 Year: 2023 Publisher: University of Michigan Press

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Congo Style presents a postcolonial approach to discussing the visual culture of two now-notorious regimes: King Leopold II's Congo Colony and the state sites of Mobutu Sese Seko's totalitarian Zaïre. Readers are brought into the living remains of sites once made up of ambitious modernist architecture and art in Kinshasa, Democratic Republic of the Congo. From the total artworks of Art Nouveau to the aggrandizing sites of post-independence Kinshasa, Congo Style investigates the experiential qualities of man-made environments intended to entertain, delight, seduce and impress. In her study of visual culture, Ruth Sacks sets out to reinstate the compelling wonder of nationalist architecture from Kinshasa's post-independence era, such as the Tower of the Exchange (1974), Gécamines Tower (1977), and the artworks and exhibitions that accompanied them. While exploring post-independence nation-building, this book examines how the underlying ideology of Belgian Art Nouveau, a celebrated movement in Belgium, led to the dominating early colonial settler buildings of the ABC Hotels (circa 1908-13). Congo Style combines Sacks's practice as a visual artist and her academic scholarship to provide an original study of early colonial and independence-era modernist sites in their African context.


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Authentically African : arts and the transnational politics of Congolese culture
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ISBN: 9780821421901 0821421905 9780821421918 0821421913 9780821445457 0821445456 Year: 2015 Volume: *2 Publisher: Athens, Ohio : Ohio University Press,

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Together, the Royal Museum for Central Africa in Tervuren, Belgium, and the Institut des Musées Nationaux du Zaire (IMNZ) in the Congo have defined and marketed Congolese art and culture. In Authentically African, Sarah Van Beurden traces the relationship between the possession, definition, and display of art and the construction of cultural authenticity and political legitimacy from the late colonial until the postcolonial era. Her study of the interconnected histories of these two institutions is the first history of an art museum in Africa, and the only work of its kind in English.Drawing on Flemish-language sources other scholars have been unable to access, Van Beurden illuminates the politics of museum collections, showing how the IMNZ became a showpiece in Mobutu’s effort to revive “authentic” African culture. She reconstructs debates between Belgian and Congolese museum professionals, revealing how the dynamics of decolonization played out in the fields of the museum and international heritage conservation. Finally, she casts light on the art market, showing how the traveling displays put on by the IMNZ helped intensify collectors’ interest and generate an international market for Congolese art.The book contributes to the fields of history, art history, museum studies, and anthropology and challenges existing narratives of Congo’s decolonization. It tells a new history of decolonization as a struggle over cultural categories, the possession of cultural heritage, and the right to define and represent cultural identities.


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Wereldwijzer 2000 2 : oefeningen - begeleiding - correctiesleutel
Authors: ---
ISBN: 9030623713 9030623276 9030623101 9030621486 903062261X Year: 1996 Publisher: Lier Van In

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Over aardrijkskundige vragen en bronnen - Zoveel mensen, zoveel zorgen (bevolking en bevolkingsproblemen) - Sleutelen aan europa - Bodemschatten - Is elders ook anders? (Zaïre, Turkije, Indië)

Language and colonial power : the appropriation of Swahili in the former Belgian Congo 1880-1938
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ISBN: 1282356070 9786612356070 0520911865 0585081468 9780520911864 9780585081465 9781282356078 0520076257 Year: 1991 Publisher: Berkeley, CA : University of California Press,

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In this study, inquiry will be directed to the past, and it will, for many reasons, have to reach into a past which is rather remote from present-day Shaba Swahili. The author's principal concern remains with a contemporary situation, namely the role of Swahili in the context of work, industrial, artisanal, and artistic. When it was first formulated, the aim of my project was to describe what might be called the workers' culture of Shaba, through analyses of communicative (sociolinguistic) and cognitive (ethnosemantic) aspects of language use.

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