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Avantgarde Suomessa on ensimmäinen suomalaista avantgardetaidetta laajasti käsittelevä teos. Se selvittää, miten avantgarden yhteiskunnalliset, poliittiset ja taiteelliset pyrkimykset näkyvät suomalaisessa kirjallisuudessa, kuvataiteessa, arkkitehtuurissa, muodissa ja musiikissa. Suomalaiset taiteilijat ovat olleet osa avantgarden kansainvälisiä verkostoja 1900-luvun alusta asti. Kirjan läpäisevänä teemana on taiteen kansainvälisyyden ja kansallisuuden ristiveto. Teos auttaa ymmärtämään nykytaiteen yhteyden varhaiseen avantgardeen ja osoittaa suomalaisten naistoimijoiden, kuten Ellen Thesleffin, Hagar Olssonin ja Armi Ratian, merkityksen avantgardelle. Samalla artikkelikokoelma luo kriittisen katsauksen historiaan ja tarkastelee kritiikin ja taiteen portinvartijoiden roolia avantgarden esiin pääsemissä ja katveeseen joutumisessa.
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Band 4 der Gesamtausgabe Kurt Schwitters. Alle Texte bietet erstmals eine vollständige Edition der von Kurt Schwitters herausgegebenen, multimedialen Künstlerzeitschrift Merz. Sie ermöglicht durch eine umfassende editorische Aufbereitung und eine vielschichtige Kommentierung mit komplexer Verweisstruktur einen neuen Zugang zu der kunstformenübergreifenden Reihe Merz. Dafür wurden die Inhalte sowie strukturelle und gestalterische Besonderheiten der Reihe interdisziplinär erforscht. Eine genaue wissenschaftliche Analyse der einzelnen Hefte, die relevante, bisher noch unerforschte Materialien einbezieht, liefert Erkenntnisse zur Entwicklung und zu künstlerischen Strategien des Gesamtwerks von Schwitters sowie zur Verortung von Merz in der internationalen Avantgarde der 1920er bis 1930er Jahre. Die kritische Transkription ermöglicht insbesondere im Falle der als Text-Bild-Collagen komponierten Seiten eine erhöhte Lesbarkeit. Die Materialität der Reihe Merz kann und will das Buch nicht dokumentarisch abbilden. Die Leserinnen und Lesern sollen vielmehr in die Lage versetzt werden, durch die editorische Aufbereitung des Materials dessen Spezifik zu erfassen. Aus diesem Grund wendet sich die Edition an Experten und Interessierte gleichermaßen, bietet sie doch sowohl Spezial- als auch Überblickswissen.
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It has often been argued that the arrival of the early-20th-century avant-gardes and modernisms coincided with an in-depth exploration of the materiality of art and writing. The European historical avant-gardes and modernisms excelled in their attempts to establish the specificity of media and art forms as well as in experimenting with the hybridity of the materials of their multiple disciplines. This third volume of the series European Avant-Garde and Modernism Studies sheds light on the full range and import of this aspect in avant-garde and modernist aesthetics across all art forms and throughout the 19th and 20th centuries.
Avant-garde (esthétique) --- Art --- Avant-garde (Aesthetics) --- Modernism (Aesthetics) --- Aesthetics --- Modernism (Art) --- Avant-garde. --- materiality. --- modernism.
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An engaging inside view of experimental music
Avant-garde (Music) --- Experimental music --- Musical avant-garde --- Avant-garde (Aesthetics) --- Lucier, Alvin.
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"In recent decades, experimental music has flourished outside of European and American concert halls. The principles of indeterminacy, improvisation, nonmusical sound, and noise, pioneered in concert and on paper by the likes of Henry Cowell, John Cage, and Ornette Coleman, can now be found in a variety of new locations: activist films, rock recordings, and public radio broadcasts, not to mention in avant-garde movements around the world. The contributors to Tomorrow Is the Question explore these previously unexamined corners of experimental music history, considering topics such as Sonic Youth, Julius Eastman, the Downtown New York pop avant-garde of the 1970s, Fluxus composer Benjamin Patterson, Tokyo's Music group (aka Group Ongaku), the Balinese avant-garde, the Leicester school of British experimentalists, Cuba's Grupo de Experimentación Sonora del ICAIC, Pauline Oliveros's score for the feminist documentary Maquilapolis, NPR's 1980s RadioVisions, and the philosophy of experimental musical aesthetics. Taken together, this menagerie of people, places, and things makes up an experimentalism that is always partial, compromised, and invented in its local and particular formations--in other words, these individual cases suggest that experimentalism has been a far more variegated set of practices and discourses than previously recognized. Asking new questions leads to researching new materials, individuals, and contexts and, eventually, to the new critical paradigms that are necessary to interpret these new materials. Tomorrow Is the Question, gathering contributions from historical musicology, enthnomusicology, history, philosophy, and cultural studies, generates future research directions in experimental music studies by way of a productive inquiry that sustains and elaborates critical conversations"--
Music --- History and criticism. --- Avant-garde (Music) --- Experimental music --- Musical avant-garde --- Avant-garde (Aesthetics) --- History and criticism
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The German-Jewish émigré composer Stefan Wolpe was a vital figure in the history of modernism, with affiliations ranging from the Bauhaus, Berlin agitprop and the kibbutz movement to bebop, Abstract Expressionism and Black Mountain College. This is the first full-length study of this often overlooked composer, launched from the standpoint of the mass migrations that have defined recent times. Drawing on over 2000 pages of unpublished documents, Cohen explores how avant-garde communities across three continents adapted to situations of extreme cultural and physical dislocation. A conjurer of unexpected cultural connections, Wolpe serves as an entry-point to the utopian art worlds of Weimar-era Germany, pacifist movements in 1930s Palestine and vibrant art and music scenes in early Cold War America. The book takes advantage of Wolpe's role as a mediator, bringing together perspectives from music scholarship, art history, comparative literature, postcolonial studies and recent theories of cosmopolitanism and diaspora.
Avant-garde (Music) --- Musicians --- History --- Wolpe, Stefan. --- Experimental music --- Musical avant-garde --- Avant-garde (Aesthetics) --- Volpe, Stefan --- Wolpe, S.
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In this interpretive narrative of the life and work of Christian Wolff, Michael Hicks and Christian Asplund trace the influences and sensibilities of a contemporary composer's atypical career path and restless imagination.
Avant-garde (Music) --- Composers --- Experimental music --- Musical avant-garde --- Avant-garde (Aesthetics) --- History --- Wolff, Christian, --- Wolff, Ch. --- Wolff, Christian G.,
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Brilliant lectures by the most influential experimental music composers of our time.
Music --- History and criticism. --- Avant-garde (Music) --- Experimental music --- Musical avant-garde --- Avant-garde (Aesthetics) --- History and criticism
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This title provides an examination of the cultural relations of the American and Soviet avant-gardes in a period of major transformation. From the formation of the USSR in 1922 until its recognition by the American government, American avant-garde artists, writers and designers watched the 'Red Dawn' with fascination, enthusiastically reporting on its post-revolutionary cultural developments in articles and books, and brought these works to an American audience in ground-breaking exhibitions. Americans also emulated and adapted aspects of Soviet culture, as in the case of the New Playwrights Theatre, a group that mixed Russian avant-garde theatrical techniques with jazz, vaudeville and slapstick comedy in plays about strikes and racial injustice.
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