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Retour sur Expo 67 avec des artistes et des chercheurs contemporains.
Art, Canadian --- Artists --- Expo (International Exhibitions Bureau)
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The grand exhibitions of the Victorian and Edwardian eras are the lens through which Peter Hoffenberg examines the economic, cultural, and social forces that helped define Britain and the British Empire. He focuses on major exhibitions in England, Australia, and India between the Great Exhibition of 1851 and the Festival of Empire sixty years later, taking special interest in the interactive nature of the exhibition experience, the long-term consequences for the participants and host societies, and the ways in which such popular gatherings revealed dissent as well as celebration.
Exhibitions --- Exhibits --- Expos (Exhibitions) --- Expositions --- Industrial arts --- Industrial exhibitions --- International exhibitions --- Technology --- World's fairs --- Sales promotion --- Fairs --- History.
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Exhibitions --- Exhibits --- Expos (Exhibitions) --- Expositions --- Industrial arts --- Industrial exhibitions --- International exhibitions --- Technology --- World's fairs --- Sales promotion --- Fairs --- History
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The novelist Paul Morand described the Exposition of 1900 in Paris: ... a new and ephemeral city hidden in the centre of the other, a whole quarter of Paris in fancy dress, a ball, where the buildings were the masqueraders. To our childish eyes it was a marvel, a coloured picture book, a save filled by strangers with treatures. Masked in this swirl of colour and noise was an event for the political, scholarly, literary, and financial elite of all nations, an occasion for demonstrating the many preoccupations of the intellectuals of the age. Like all the World's Fairs of the nineteenth century, this was an opportunity for the awarding of excellence: the awards or lack of them could make or break an artist, craftsman, or inventor who offered his skills for judgment by the international juries; it was the arena where careers were launched or ended, fortunes made or destroyed, reputations of great firms established or ruined. And in one major respect the Paris World's Fair would never be equalled: it was the last time that it was thought possible to include all of man's activity in one display. The author of this study believes that the World's Fair can teach us much about the past; being international and representative, they are summations of culture at particular points int he development of our civilization. They are kaleidoscopic pictures of the times. Professor Mandell uses the Paris Exposition as an approach to the traditional, political, and intellectual problems of France and the world at the turn of the century. This original approach offers fresh sources of information on such topics as the Dreyfus Affair, the clash between Art Nouveau and Victorian Baroque, French diplomacy (especially relations with Germany before 1914) and the various countries' progress in the field of science. Fully illustrated, this study will appeal to amateur and professional historians, to sociologists, economists and anyone interested in international relations, trade, and advertising.
Exhibitions --- Exhibits --- Expos (Exhibitions) --- Expositions --- Industrial arts --- Industrial exhibitions --- International exhibitions --- Technology --- World's fairs --- Sales promotion --- Fairs --- France --- City of Paris --- Paris
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"When the Reverend Henry Carmichael opened the Sydney Mechanics' School of Arts in 1833, he introduced a bold directive: for Australia to advance on the scale of nations, it needed to develop a science of its own. Prominent scientists in the colonies of New South Wales and Victoria answered this call by participating in popular exhibitions far and near, from London's Crystal Place in 1851 to Sydney, Melbourne, Adelaide, and Brisbane during the final decades of the nineteenth century"--
Exhibitions --- Science --- Natural science --- Natural sciences --- Science of science --- Sciences --- Exhibits --- Expos (Exhibitions) --- Expositions --- Industrial arts --- Industrial exhibitions --- International exhibitions --- Technology --- World's fairs --- Sales promotion --- Fairs --- History
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Museum Exhibition is the only textbook of its kind to consider exhibition development using both theory and practice in an integrated approach. This comprehensive study covers care of exhibits, writing accompanying text, using new technology, exhibition evaluation, administration and content for a wide range of collections. It provides a complete outline for all those concerned with providing displays in museums and other cultural heritage contexts.
Exhibitions. --- Museum techniques. --- Museology --- Museums --- Exhibits --- Expos (Exhibitions) --- Expositions --- Industrial arts --- Industrial exhibitions --- International exhibitions --- Technology --- World's fairs --- Sales promotion --- Fairs --- Technique --- Exhibitions --- Applied museology --- Museography --- Museum practices --- Museum studies
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In this accessible and attractive book, beautiful illustrations accompany an involving contextualization of life in Ireland's Cork City at the beginning of the 20th century. Focusing on the ""International Exhibition of Manufactures, Arts, Products and Industries,"" a monumental event which opened its doors in the summer of 1902 and which Cork City has not paid witness to before or since, local historians Daniel Breen and Tom Spalding provide an enlightening account of an Irish city during a time when civic and cultural life was celebrated in the spirit of the age, and not obscured by the divi
Exhibitions --- Exhibits --- Expos (Exhibitions) --- Expositions --- Industrial arts --- Industrial exhibitions --- International exhibitions --- Technology --- World's fairs --- Sales promotion --- Fairs --- Ireland --- History --- International Exhibition of Manufactures, Arts, Products and Industries --- Greater Cork International Exhibition
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During their active lives, scientific instruments generally inhabit the laboratory, observatory, classroom or the field. But instruments have also lived in a wider set of venues, as objects on display. As such, they acquire new levels of meaning; their cultural functions expand. This book offers selected studies of instruments on display in museums, national fairs, universal exhibitions, patent offices, book frontispieces, theatrical stages, movie sets, and on-line collections. The authors argue that these displays, as they have changed with time, reflect changing social attitudes towards the objects themselves and toward science and its heritage. By bringing display to the center of analysis, the collection offers a new and ambitious framework for the study of scientific instruments and the material culture of science. Contributors are: Amy Ackerberg-Hastings, Silke Ackermann, Marco Beretta, Laurence Bobis, Alison Boyle, Fausto Casi, Ileana Chinnici, Suzanne Débarbat, Richard Dunn, Inga Elmqvist-Söderlund, Ingrid Jendrzejewski, Peggy A. Kidwell, Richard Kremer, Mara Miniati, Richard A. Paselk, Donata Randazzo, Steven Turner.
Scientific apparatus and instruments. --- Exhibitions --- Exhibits --- Expos (Exhibitions) --- Expositions --- Industrial arts --- Industrial exhibitions --- International exhibitions --- Technology --- World's fairs --- Sales promotion --- Fairs --- Apparatus, Scientific --- Instruments, Scientific --- Science --- Scientific instruments --- Research --- Social aspects. --- Instruments --- Equipment and supplies
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"The exhibition was one of the great nineteenth-century projects for improving the world. Combining the Victorian virtues of communication, cooperation, and competition, it promised to advertise the choice products of civilization to a receptive public. The Inglorious Arts of Peace is the first comprehensive look at the history of these cultural extravaganzas in Canada." "Heaman examines the ways in which British North America was advertised at home and abroad in the pursuit of productivity, markets, capital, and immigrants, and evaluates the exhibitions' impact on private industry, the government, and Canadian identity. She also considers the participation of women and native peoples at local and international exhibits, showing how they transcended the limited spheres of representation imposed upon them. The Inglorious Arts of Peace will appeal to those interested in Canadian history and in the historical constructions of gender and race."--Jacket.
BUSINESS & ECONOMICS --- Marketing / Industrial --- Exhibitions --- Technology - General --- Engineering & Applied Sciences --- History --- Exhibits --- Expos (Exhibitions) --- Expositions --- Industrial arts --- Industrial exhibitions --- International exhibitions --- Technology --- World's fairs --- Sales promotion --- Fairs --- Histoire --- Canada. --- Canada (Province) --- Canadae --- Ceanada --- Chanada --- Chanadey --- Dominio del Canadá --- Dominion of Canada --- Jianada --- Kʻaenada --- Kaineḍā --- Kanada --- Ḳanadah --- Kanadaja --- Kanadas --- Ḳanade --- Kanado --- Kanakā --- Province of Canada --- Republica de Canadá --- Yn Chanadey
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The dynamics of the interplay between the visitor and the exhibition environment form complex circulation patterns. As an exhibition designer, developing an understanding of those dynamics is important for improving visitor satisfaction. However, an overwhelming number of variables may transform the exhibition design process into educated guesswork. Designing through trial and error is just not feasible. In addition, as a result of the nature of creating built environments, modifying decisions later in the design process results in significant costs. The designer has to rely on extensive exper
Exhibitions --- Traffic flow --- Traffic patterns --- Traffic flow patterns --- Traffic engineering --- Traffic volume --- Traffic surveys --- Highway capacity --- Traffic density --- Exhibits --- Expos (Exhibitions) --- Expositions --- Industrial arts --- Industrial exhibitions --- International exhibitions --- Technology --- World's fairs --- Sales promotion --- Fairs --- Design --- Computer simulation. --- Design&delete& --- Computer simulation --- E-books
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