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Art --- art [fine art] --- Fabre, Jan --- Belgium --- Drawing --- Dessins (genres) --- Tekenen --- Fabre, Jan, --- Exhibitions --- Photographie --- kunst --- twintigste eeuw --- België --- tekenkunst --- Fabre Jan --- fotografie --- portretfotografie --- portret --- 741.071 FABRE --- -Exhibitions --- Exhibitions. --- 706.8 --- Beeldende kunst --- performance --- theater --- 20e eeuw (twintigste eeuw) --- kunstgeschiedenis, België, 20e eeuw --- Fabre, Jan, - 1958- - Exhibitions --- art [discipline] --- Fabre, Jan, - 1958 --- -Fabre, Jan,

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An exceptional collection of roughly five thousand, particularly twentieth century, collages and assemblages lies at the heart of the private collection. A separate exhibition space has been specially designed to permanently display part of the collection. Not all of the works are on view, the exhibition is a subject to change four times a year. The collection, which was developed around the art of mainly Belgian artists, encompasses collages from the early 1920s (Avant-Garde and Dada era) by Paul Joostens, Georges Herbiet, Henri Van Straten, Michel Seuphor, Marcel-Louis Baugniet and Jean-Jacques Gailliard. Collages created by surrealists such as E.L.T. Mesens, Marcel Mariën, Gilbert Senecaut, Louis Scutenaire, Jane Graverol, Rachel Baes, Robert Willems and Roger Van De Wouwer also form a part of the collection. 00A wide range of works by artists from the heydays of collage art (1950s through 1970s) has been included into the collection: Georges Collignon, Engelbert Van Anderlecht, Robert Geenens, Max Servais, Annie Debie, Louis Van Lint, Christian Dotremont, the Coll?Art movement (founded by Marcel-Louis Baugniet and Jean Milo). The collection also includes a series of works by authors, poets and art critics dating back to the same era: literary creations by Louis-Paul Boon, Hugo Claus, Freddy De Vree, Paul De Vree and Patrick Conrad.

assemblages [object groupings] --- private collections --- Art --- collages [visual works] --- Belgium --- Collage --- Assemblage (Art) --- Art, Modern --- 706.8 --- kunst --- collages --- fotocollages --- assemblages --- 21e eeuw (eenentwintigste eeuw) --- Dadaism --- Found objects (Art) --- Collages --- Handicraft --- Montage --- kunstgeschiedenis, België, 20e eeuw --- Verbeke Foundation (Kemzeke, Belgium) --- Art, Modern. --- Assemblage (Art). --- Collage. --- 1900-2099. --- assemblages [archaeological artifacts] --- assemblages [sculpture] --- private collections [object groupings]

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Wie uit de parkeergarage van onder het Leuvense Mgr. Ladeuzeplein in het daglicht komt, staat oog in oog met een glimmende paal, een naald van roestvrij staal, een iele tegenhanger van de bakstenen toren van de universiteitsbibliotheek in de achtergrond. De naald is gigantisch uitvergroot en er bovenop zit een kever gespietst A Beetle On A Needle. Dit is de totem van Jan Fabre. Het kunstwerk is een geschenk aan de stad vanwege de universiteit ter gelegenheid van haar 575ste verjaardag in het jaar 2000. Het werd onthuld in oktober 2004 door rector en burgemeester. Deze publicatie gaat dieper in op de beeldtaal van Jan Fabre, waarin de kever een van vele terugkerende motieven is.

sculpting --- Sculpture --- public art --- art [fine art] --- public spaces --- Iconography --- Art --- Fabre, Jan --- Belgium --- Louvain --- Art contemporain --- Beeldhouwkunst --- Hedendaagse kunst --- Leuven --- 7.071 FABRE, JAN --- 378.4 <493 KUL> --- 949.32 LEUVEN --- Academic collection --- Creatieve en vertolkende bezigheden in verband met kunst. Activiteiten van beroepsartiesten--FABRE, JAN --- Universiteiten: Katholieke Universiteit Leuven--KUL --- Geschiedenis van België: hertogdom Brabant; provincie Brabant--(reg./lok.)--LEUVEN --- 378.4 <493 KUL> Universiteiten: Katholieke Universiteit Leuven--KUL --- 949.32 LEUVEN Geschiedenis van België: hertogdom Brabant; provincie Brabant--(reg./lok.)--LEUVEN --- 706.8 --- Geschiedenis van België: hertogdom Brabant--provincie Brabant--(reg./lok.)--LEUVEN --- Acqui 2006 --- art [discipline] --- kever

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"Although trained as a painter and draughtsman, David Claerbout (1969) has been taking Belgium and the world by storm with his videos. He works, in his own words, hard but slowly, and he likes to test the endurance of his audience. His films may be as long as 13 hours, he undermines the classic cinema, and teaches us to look in a new way that he calls 'observing'. Claerbout composes his films in his own studio, where he turns thousands of stills and scans into slowly moving films. He expect his public notto be in a hurry and to be prepared to take the time to experience his images. In this first catalogue of his oeuvre, his film and video projects are subjected to serious analysis on the basis of production photos, design sketches and pictures of installations. This offers an exciting point of entry into the method, artistic programme and aesthetic development of the artist." -- provided by the publisher

Claerbout, David --- Claerbout, David, --- Claerbout, David. --- Videokunst ; film ; 2000-2012 ; David Claerbout --- Claerbout, David °1969 (°Kortrijk, België) --- Tentoonstellingscatalogi ; Brussel ; Wiels --- Claerbout David --- 7.071 CLAERBOUT --- 778.5 --- 778.5.07 --- Belgische kunstenaars --- kunst --- fotografie --- videokunst --- België --- film --- tekenkunst --- eenentwintigste eeuw --- 778.5 Filmfotografie. Filmkunst --- Filmfotografie. Filmkunst --- Videokunstenaars, laserkunstenaars, computerkunstenaars, klank en beeld kunstenaars --- Exhibitions --- Video art --- Video art. --- Belgium. --- 706.8 --- 706.9 --- 705.81 --- video --- 20e eeuw (twintigste eeuw) --- 21e eeuw (eenentwintigste eeuw) --- kunstgeschiedenis, België, 20e eeuw --- kunstgeschiedenis, België, 21e eeuw --- kunstgeschiedenis, videokunst --- Claerbout, David, - 1969 --- -778.5 --- -Claerbout, David

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François, Michel °1956 (°Sint-Truiden, België) --- Fotografie videokunst installaties Michel François --- Mixed media --- Belgische kunstenaars --- Biënnale van Venetië (48ste 1999) België --- 7.07 --- 7.038 --- beeldende kunst --- fotografie --- België --- twintigste eeuw --- François Michel --- 7.071(493) --- kunst --- installaties --- Biënnale van Venetië --- 7.071 FRANCOIS --- 709.493 --- 709.04 --- 709.05 --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Kunstgeschiedenis 1950 - 2000 --- Belgische kunstenaars vanaf 2e helft 19e eeuw --- Arts Europe Belgium --- Arts 20th century (1900 - 1999) --- Arts Contemporary (2000- ) --- Exhibitions --- video art --- François, Michel --- François, Michel, --- Manifestation artistique --- Francois, Michel --- François, Michel, --- Venise --- Photography --- Film --- installations [visual works] --- art [fine art] --- photography [process] --- Art --- anno 1900-1999 --- Belgium --- Photography, Artistic --- Biënnale van Venetië (48ste ; 1999) ; België --- Fotografie ; videokunst ; installaties ; Michel François --- Kunstgeschiedenis ; 1950 - 2000 --- Exposition --- Photographie --- Art contemporain --- Artiste --- 20e siècle --- Photographie artistique --- Expositions --- 700.4 --- 706.8 --- Janssens, Ann Veronica --- Photography, Artistic - Exhibitions --- François, Michel, - 1956- - Exhibitions --- François, Michel, - 1956 --- -Venise