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Film --- Netherlands --- Theses --- 798.43 --- filmgeschiedenis --- Nederland --- 798.3 --- film, geschiedenis der filmkunst, overige landen --- film, esthetiek en kritiek
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Flaptekst: Volharden is de 'autobiografie' van de bekende Franse filmcriticus Serge Daney. De tekst is gebaseerd op gesprekken met Serge Toubiana, die vlak voor Daneys voortijdige dood in 1992 werden afgerond. Daney begon in 1964 voor de beroemde Cahiers du cinéma over film te schrijven en richtte vanaf de jaren tachtig zijn aandacht tevens op televisie, reclame en nieuwe media. Volharden is een diepgaande analyse van Daneys engagement met de cinema, maar hij liet voor het eerst ook zijn persoonlijke levensverhaal doorklinken in het theoretische discours en gaf het daarmee zijn werkelijke draagwijdte. Het resultaat is een cinebiografie.
Daney, Serge --- film --- filmtheorie --- filmkritiek --- Frankrijk --- Cahiers du Cinéma --- twintigste eeuw --- Daney Serge --- 791.41 --- 798.3 --- biografieën --- film, esthetiek en kritiek
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"'Daney vertegenwoordigt voor mij het einde van de kritiek zoals ik die begrijp, en die ik laat beginnen bij Diderot, van D naar D, van Diderot naar Daney', stelde Jean-Luc Godard in een gesprek met Youssef Ishaghpour. In 1964 schreef Serge Daney voor de Cahiers du cinéma zijn eerste artikel over film en vanaf de jaren tachtig richtte hij zich tevens op televisie, reclame en nieuwe media. Zijn teksten hebben grote invloed gehad op filmmakers, critici en filosofen, en nauwelijks aan betekenis ingeboet als het gaat om de lessen van een rijke cinefiele cultuur voor de hedendaagse beeldcultuur. Het beeld als verzet tegen de eindeloze informatiestroom, als ruimte voor verbeelding en reflectie: een ruimte om in te bewegen. Voor het eerst is een selectie van Daneys teksten in Nederlandse vertaling gebundeld. Deze worden omlijst door teksten van tijd- en reisgenoten: Jacques Rivette, Gilles Deleuze, Jean-Luc Godard en Olivier Assayas. Met een uitgebreide inleiding van Pieter Van Bogaert."--
Film --- Daney, Serge --- film --- filmtheorie --- filmkritiek --- media --- nieuwe media --- televisie --- twintigste eeuw --- Daney Serge --- 791.41 --- 798.3 --- Frankrijk --- Cahiers du Cinéma --- film, esthetiek en kritiek
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"Published on the occasion of the exhibition ‘Actors & Extras’ at Argos Centre for Art & Media, Brussels (September 15 – December 19, 2009). Five authors highlight the theme of characterisation from various angles. Georges Didi-Huberman’s contribution People exposed, People as Extras explores how cinema represents the masses. Sven Lütticken highlights the performance tradition in the visual arts in relation to the producing of subjectivity. On the basis of the classic cinema, in Figures of the Extra, Paul Willemsen composes a typology of the extra and subsequently gives attention to the aberrant status of the extra in modern cinema and contemporary art. Thomas Trummer’s Volonté Générale. Extras in Film and Democracy questions the responsibility of the anonymous individual. With The Passing Actor: Sketch of a Renaissance Jean-Louis Comolli analyses how the concept of acting in a documentary has a different interpretation than in a fiction film. The last part of the publication describes the selected works in the exhibition."--
Installations (Art) --- 21st century --- Exhibitions --- 798.65 --- filmtheorie --- film --- cinema --- acteurs --- figuranten --- personages --- 798.3 --- film, spel en regie --- film, esthetiek en kritiek
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This volume is comprised of new essays on a wide range of topics by both film scholars and philosophers who share the commitment to conceptual investigation, logic consistency, and clarity of argument and characterizes analytic philosophy.
Film --- Philosophy --- Motion pictures --- -Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- History and criticism --- Philosophy. --- -Philosophy --- 798.3 --- film --- theorie --- filmtheorie --- filosofie --- kunstfilosofie --- wijsbegeerte --- esthetica --- film, esthetiek en kritiek
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These seven essays on The Political Possibility of Sound present a perfectly incomplete form for a discussion on the possibility of the political that includes creativity and invention, and articulates a politics that imagines transformation and the desire to embrace a connected and collaborative world.The themes of these essays emerge from and deepen discussions started in Voegelin's previous books, Listening to Noise and Silence and Sonic Possible Worlds. Continuing the methodological juxtaposition of phenomenology and logic and writing from close sonic encounters each represents a fragment of listening to a variety of sound works, to music, the acoustic environment and to poetry, to hear their possibilities and develop words for what appears impossible.As fragments of writing they respond to ideas on geography and migration, bring into play formless subjectivities and trans-objective identities, and practice collectivity and a sonic cosmopolitanism through the hearing of shared volumes. They involve the unheard and the in-between to contribute to current discussions on new materialism, and perform vertical readings to reach the depth of sound.
Sound (Philosophy). --- Sound in art. --- Sound (Philosophy) --- Sound in art --- 798.3 --- 781.5 --- 665 --- geluid --- kunst --- muziek --- politiek --- filosofie (wijsbegeerte) --- Cultuurfilosofie --- Philosophy --- film, esthetiek en kritiek --- muziekwetenschap, psychologie der muziek --- audio-video
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This book marks a return for Laura Mulvey to questions of film theory and feminism, as well as a reconsideration of new and old film technologies. Its title, Afterimages, alludes to the dislocation of time that runs through many of the films and works in this book, and the way we view them. Structured in three main parts the book begins with a section on the theme of woman as spectacle. Part Two focuses on films drawn from different parts of the world, directed by women and about women, and all adopting radical cinematic strategies. In Part Three Mulvey considers moving image works made for art galleries and argues that the aesthetics of cinema have persisted into this environment. Afterimages also features an appendix of ten frequently asked questions on her classic feminist essay Visual Pleasure and Narrative Cinema, in which Mulvey addresses questions of spectatorship crucial to our era of #MeToo. An urgent and compelling book for anyone interested in the power and pleasures of moving images.
Feminism and motion pictures --- film --- filmtheorie --- eenentwintigste eeuw --- Verenigde Staten --- film en feminisme --- feminisme --- vrouwen --- filmregisseurs --- receptie-esthetica --- 791.41 --- Motion pictures and feminism --- Motion pictures --- 798.3 --- cinema --- male gaze --- film, esthetiek en kritiek
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Fernand Deligny (1913-1996), 'poet and ethologist', is mostly known for his work with autistic children and for his influence on the revolutions in French post-war psychiatry. Though neither director nor a theorist of the image, cinema is constantly called into his social, pedagogical, and clinical experimentations. More interested in the processes of making, he distinguishes 'camering' from filming, thus emphasizing not the finished film but a 'film to come'. This volume provides Deligny's essential corpus on cinema and the image. It shows both the role of cameras in many of his experimental 'attempts' with delinquents and autistic children and his highly speculative reflections on image.
film --- filmtheorie --- filmen --- camereren --- pedagogie --- autisme --- outsider art --- kunsttheorie --- psychopathologische kunst --- 798.3 --- 798.65 --- 416.1 --- film, esthetiek en kritiek --- film, spel en regie --- Algemene kinder- en jeugdpsychologie
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We seem to be living in hysterical times. A simple Google search reveals the sheer bottomless well of “hysterical” discussions on diverse topics such as the #metoo movement, Trumpianism, border wars, Brexit, transgender liberation, Black Lives Matter, COVID-19, and climate change, to name only a few. Against the backdrop of such recent deployments of hysteria in popular discourse––particularly as they emerge in times of material and hermeneutic crisis––Performing Hysteria re-engages the notion of “hysteria”. Performing Hysteria rigorously mines late 20th- and early 21st-century (primarily visual) culture for signs of hysteria. The various essays in this volume contribute to the multilayered and complex discussions that surround and foster this resurgent interest in hysteria––covering such areas as art, literature, theatre, film, television, dance; crossing such disciplines as cultural studies, political science, philosophy, history, media, disability, race and ethnicity, and gender studies; and analysing stereotypical images and representations of the hysteric in relation to cultural sciences and media studies. Of particular importance is the volume's insistence on taking the intersection of hysteria and performance seriously.
Hysteria (Social psychology) in literature. --- Hysteria (Social psychology) --- Mass hysteria --- National hysteria --- Fear --- Social psychology --- Hysteria (Social psychology) in literature --- 905.2 --- visuele geletterdheid --- sociologie --- media --- hysterie --- massamedia --- massahysterie --- mediastudies --- cultuurwetenschappen --- social media --- sociale --- performance --- cultuurfilosofie --- cultuursociologie --- 798.3 --- cultuurfilosofie, -psychologie en -sociologie --- film, esthetiek en kritiek
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From moving images on the Internet to giant IMAX displays: The number of screens in the public and private sphere has increased significantly during the last two decades. While this is often taken to indicate the “death of cinema,” this volume attempts to reconsider the limits and specifics of film and the traditional movie theater. It analyzes notions of spectatorship, the relationship between cinema and the “uncinematic,” the contested place of installation art in the history of experimental cinema, and the characteristics of the high definition image. Further contributions discuss the ways in which cinema interacts with other arts and media such as theater and television.
Motion pictures --- History --- Philosophy. --- 798.3 --- nieuwe media --- 791.41 --- bioscopen --- computers --- cultuurfilosofie --- experimentele film --- film --- high definition --- IMAX --- installaties --- internet --- Mann Michael --- Ophuls Max --- schermen --- screens --- tabletcomputers --- televisie --- theater --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Philosophy --- film, esthetiek en kritiek --- History and criticism
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