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In this provocative intellectual biography, architectural historian Mark Wigley makes the surprising claim that the thinking behind modernist architect Konrad Wachsmann’s legendary projects was dominated by the idea of television. While architecture is typically embarrassed by television, preferring to act as if it never happened, Wachsmann fully embraced it. Investigating the archives of one of the most influential designers of the twentieth century, Wigley scrutinizes Wachsmann’s design, research, and teaching, closely reading a succession of unseen drawings, models, photographs, correspondence, publications, syllabi, reports, and manuscripts to argue that Wachsmann is an anti-architect—a student of some of the most influential designers of the 1920s that dedicated thirty-five post–Second World War years to the disappearance of architecture.Wachsmann turned architecture against itself. His hypnotic projects for a new kind of space were organized around the thought that television liberates a different way of living together. Wachsmann dissolved buildings into pulsating mirages that were a huge influence on the experimental avant-gardes of the 1960s and 1970s. But Konrad Wachsmann’s Television: Post-architectural Transmissions demonstrates that this work was even more extreme than the experiments it inspired. The book offers a forensic analysis of a career to show that Wachsmann developed one of the most compelling manifestos of what architecture would need to become in the age of ubiquitous electronics.

Wachsmann, Konrad, --- Architects --- Architecture --- Criticism and interpretation. --- Architects - Germany - Biography --- Architecture - Germany - History - 20th century --- Architecture and technology - Germany - History - 20th century --- Analyse de l'architecture --- Wachsmann, Konrad, - 1901-1980 --- Wachsmann, Konrad

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Herrmann traces his life, analyzes his writings, including his major work, Der Stil, and presents translations of recently uncovered texts.Preface by Adolf Max Vogt For the generation after Karl Frederich Schinkel, Gottfried Semper (1803-1879) was the most admired architect in Germany. His buildings, such as the opera houses in Dresden and two museums in Vienna, were outstanding examples of their kind. To later generations, however, Semper is known primarily for his writings. Although Semper is arguably the 19th century's most important theoretician, the subtlety of his thought and the difficulty of his German have kept his works from being translated and his contribution from being assessed until now. Herrmann traces his life, analyzes his writings--in particular his major work, Der Stil and presents translations of recently uncovered texts. Der Stil, long a basic source of ideas for architects, had a profound impact on European modernists and proto-modernists alike. H.P. Berlage, Otto Wagner, Bruno Taut, and Walter Gropius were influenced by it, as were any number of American architects, including Bernard Maybeck and Louis Sullivan. Following the biographical chapters, which clarify the extent to which Semper's strongly held political convictions (he was forced to flee Dresden after the revolution of 1849 failed) informed his ideas about architecture, Herrmann presents the colorful genesis of Der Stil. Through his close reading of the texts, Herrmann brings to light Semper's position on iron, on Gothic and contemporary architecture, on the primitive hut, and on the ideas of the archaeologist Karl B. Cher. Among the previously unpublished manuscripts that conclude the book is material essential to a clear understanding of the ideas developed in Der Stil.Wolfgang Herrmann has spent most of his professional life in England. Political events forced his exile from Germany in 1933. Since then, he has devoted most of his scholarly career to the study of the theory of architecture and has written books on Laugier and Perrault.

architects --- Architecture --- Aesthetics of art --- Semper, Gottfried --- Architects --- Biography --- Semper, Gottfried, --- -Semper, Gottfried --- 72.01 --- architectuur --- architecten --- negentiende eeuw --- Duitsland --- Zwitserland --- Semper Gottfried --- architectuurtheorie --- Professional employees --- Architectuur (theorie) --- Architectuurtheorie --- Biography. --- Architects - Germany - Biography --- Semper, Gottfried, - 1803-1879 --- ARCHITECTURE/Architectural History/Modern Architecture