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"The raw concrete buildings of the 1960s constitute the greatest flowering of architecture the world has ever seen. The biggest construction boom in history promoted unprecedented technological innovation and an explosion of competitive creativity amongst architects, engineers and concrete-workers. The Brutalist style was the result. Today, after several decades in the shadows, attitudes towards Brutalism are slowly changing, but it is a movement that is still overlooked, and grossly underrated. Raw Concrete overturns the perception of Brutalist buildings as the penny-pinching, utilitarian products of dutiful social concern. Instead it looks a little closer, uncovering the luxuriously skilled craft and daring engineering with which the best buildings of the 1960s came into being: magnificent architectural visions serving clients rich and poor, radical and conservative. Beginning in a tiny hermitage on the remote north Scottish coast, and ending up backstage at the National Theatre, Raw Concrete embarks on a wide-ranging journey through Britain over the past sixty years, stopping to examine how eight extraordinary buildings were made - from commission to construction - why they have been so vilified, and why they are beginning to be loved. In it, Barnabas Calder puts forward a powerful case: Brutalism is the best architecture there has ever been, and perhaps the best there ever will be." [Publisher]
Brutalism (Architecture) --- Architecture --- Architecture and society --- Concrete. --- History --- Brutalist --- Brutalisme (architecture) --- Béton. --- Brutalisme (Architecture) --- Architecture et société --- Béton --- Histoire --- Béton.
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Marcel Breuer (1902-81) is celebrated as a furniture designer, teacher and architect who changed the American house after his emigration from Hungary to the US in 1937. More recently historians, architects and-with the reopening in New York of the great megalith of his Whitney Museum as the Met Breuer-a larger public are gaining new insights into the cities and large-scale buildings Breuer planned. Often seen as a pioneer of a "Brutalist modernism" of reinforced concrete, Breuer might best be understood through the lens of the changing institutional structures in and for which he worked, a vantage developed in the fresh approaches gathered here in essays by a group of younger scholars. These essays draw on an abundance of newly available documents held in the Breuer Archive at Syracuse University, now accessible online.
Brutalist --- Breuer, Marcel --- Architectes --- Mouvement moderne (architecture) --- Architecture --- Architects --- Modern movement (Architecture) --- Philosophie --- Philosophy --- Architecture, Modern --- Composition, proportion, etc. --- Breuer, Marcel, --- Philosophie. --- Breuer, Marcel, 1902-1981
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Brutalism (Architecture) --- Apartment houses --- -Brutalism (Architecture) --- -Brutalist architecture --- New brutalism (Architecture) --- Architecture, Modern --- Apartment buildings --- Multi-family housing --- Multifamily housing --- Multiple dwellings --- Architecture, Domestic --- Dwellings --- Le Corbusier --- -Criticism and interpretation --- Unite d'habitation (Marseille, France) --- -Le Corbusier --- -Jeanneret, Charles-Edouard --- Le Corbusier-Saugnier --- Criticism and interpretation --- -Apartment buildings --- Brutalist architecture --- Brutalism (Architecture) - France - Marseille. --- Apartment houses - France - Marseille.
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Reyner Banham and the Paradoxes of High Tech reassesses one of the most influential voices in twentieth-century architectural history through a detailed examination of Banham’s writing on High Tech architecture and its immediate antecedents.Taking as a guide Banham’s habit of structuring his writings around dialectical tensions, Todd Gannon sheds new light on Banham’s early engagement with the New Brutalism of Alison and Peter Smithson, his measured enthusiasm for the “clip-on” approach developed by Cedric Price and the Archigram group, his advocacy of “well-tempered environments” fostered by integrated mechanical and electrical systems, and his late-career assessments of High Tech practitioners such as Norman Foster, Richard Rogers, and Renzo Piano.Gannon devotes significant attention to Banham’s late work, including fresh archival materials related to Making Architecture: The Paradoxes of High Tech, the manuscript he left unfinished at his death in 1988. For the first time, readers will have access to Banham’s previously unpublished draft introduction to that book.
72.036 --- 72.01 --- Architectural historians --- Architecture, Postmodern --- Brutalism (Architecture) --- Postmodern architecture --- Brutalist architecture --- New brutalism (Architecture) --- 20ste eeuw (architectuur) --- Twintigste eeuw (architectuur) --- Architectuur (theorie) --- Architectuurtheorie --- Banham, Reyner --- Banham, Peter Reyner --- Banham, P. Reyner --- Criticism and interpretation. --- High-Tech --- Brutalist --- architectural criticism --- Architecture, Postmodern. --- Brutalism (Architecture). --- Banham, Reyner, --- Architecture, Modern --- Postmodernism --- Historians --- Architectuur en technologie --- Architectuurtheorie ; R. Banham over High-Tech --- Architectuur ; theorie, filosofie, esthetica --- Architectural critics --- Architecture et technologie --- Banham, Reyner. --- Neo-brutalism (Architecture)
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Great Britain underwent a massive rebuilding effort in the aftermath of World War II, with a wealth of new construction that reached virtually all parts of the country and ranged from public and private housing to schools and universities, churches, museums, galleries, commercial buildings, and even entire new towns. Architects took the opportunity to experiment with innovative layouts and new materials and techniques, resulting in radical new forms and buildings of outstanding quality, which we now associate with brutalism. For more than thirty years, photographer Simon Phipps has carried out a project to document the brutalist buildings of Great Britain, amassing an extraordinary collection of photographs and historic documents that make clear the enormous contribution of architects to the transformation of the country in the postwar period. Finding Brutalism brings together 150 of these photographs. The buildings pictured date from the 1950s to the 1980s, and are striking for how they juxtapose buildings and architectural fragments, evoking the distinct atmosphere of brutalism. Rounding out the book is an essay that situates brutalism within the context of British architecture and recognizes Phipps's own contribution to its reception. Published to accompany a recent exhibition at the Museum im Bellpark near Lucerne, Switzerland, Finding Brutalism is a remarkable achievement of preservation that will appeal to anyone interested in the history of architecture, and the illustrated and detailed catalogue of featured buildings makes it a perfect travel book as well.
Architectural photography --- Brutalism (Architecture) --- Architecture --- Photographie d'architecture --- Brutalisme (Architecture) --- History --- Histoire --- 72.036 --- 77.046 --- Groot-Brittannië --- Phipps, Simon --- 20ste eeuw (architectuur) --- Twintigste eeuw (architectuur) --- Brutalisme (architectuur) --- Architectuurfotografie --- Brutalist --- anno 1900-1999 --- Great Britain --- Brutalisme (architecture) --- Modernisme --- Brutalisme --- Photographie --- Mouvement moderne --- Reconstruction --- Macintosh, Kate --- Grande-bretagne --- Angleterre --- Architecture, Modern --- Black-and-white photography --- Photography, Artistic --- Phipps, Simon, --- architectuurfotografie
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SOS Brutalism is a distress signal. Since the 1950s, eminent architects around the world have realised buildings expressing an uncompromising attitude. Predominantly, yet not exclusively, they used exposed concrete, or béton brut (hence the term 'brutalism'), for their construction. Today, many of these always-controversial buildings are in danger of demolition or, at least, of reconstruction that often may change their appearance beyond recognition. In recent years, an initiative to protect and preserve this significant global heritage of 20th-century architecture has gained momentum, mainly through the internet. Using the hashtag #SOSBrutalism, the Deutsches Architekturmuseum (DAM, German Museum of Architecture) in Frankfurt on the Main and the Wüstenrot Foundation participate in this campaign, and have developed a vast collaborative research project.The result of this research to date is a global survey of brutalist architecture of the 1950s, 1960s and 1970s, presented in an exhibition at DAM in Autumn 2017 and a coinciding and uniquely comprehensive book. Some 100 contributors document around 120 key buildings from this period, including many previously unpublished discoveries that are in acute danger of loss through neglect or intended demolition. Moreover, the book features overviews of brutalism in architecture in twelve regions around the world. Case studies of hotspots such as the Macedonian capital Skopje or New Haven, Connecticut, and essays on the history and theory of brutalism round out this lavishly illustrated book. The supplement collects papers of an international symposium on brutalism in architecture held in Berlin in 2012.
72.03 --- 72.036 --- Architectuurgeschiedenis --- Architectuur (geschiedenis) --- 20ste eeuw (architectuur) --- Twintigste eeuw (architectuur) --- Brutalisme (architectuur) --- Modernistische architectuur --- Modernisme (architectuur) --- Architecture --- Brutalism (Architecture). --- Concrete construction. --- Brutalism (Architecture) --- Brutalisme (architecture) --- Building materials. Building technology --- Brutalist --- Brutalisme (Architecture) --- Brutalisme --- 20e siècle --- Modernisme --- Construction en béton --- 72.038 --- Architectuur ; 20ste eeuw ; Brutalisme --- Architectuur ; modernisme --- Architectuurgeschiedenis ; 1950 - 2000 --- Concrete construction --- History --- Mouvement moderne --- architecture [discipline]
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L'architecte moderniste Juliaan Lampens (1926) a expérimenté l'usage du béton et créé des parois extérieures sculpturales qui donnent sur d'amples horizons. Son architecture dépasse les projets pour habitats conventionnels et ambitionne plutôt de proposer une habitation avant-gardiste à caractère utopiste et sans frontières. Cette publication a pour but de faire reconnaître et d'accorder la place qui lui revient à l'œuvre de Lampens, succincte mais unique au sein du courant moderniste. Grâce aux contributions venant de points de vue très variés, elle met en lumière les théories et la pratique multiforme de cet architecte passionnant et particulièrement créatif. http://www.bozar.be/activity.php?id=10671 (7/12/10)
architectuur --- beeldende kunst --- fantastische bouwkunst --- experimenten --- fine arts --- architecture [discipline] --- Lampens, Juliaan --- Architects. Urbanists --- anno 1900-1999 --- Belgium --- architects --- Architecture --- anno 2000-2099 --- Betonbouw --- Building [Concrete] --- Béton [Construction en ] --- Concrete construction --- Construction en béton --- Architects --- Architecture, Modern --- Architectes --- History --- Histoire --- Lampens, Juliaan, --- België --- Architecte --- Architecture contemporaine --- Dessin à main levée --- Dessin d'architecture --- Belgique --- 72.07 --- 72.038(493) --- Architectuur ; België ; 2de helft 20ste eeuw ; Juliaan Lampens --- Lampens, Juliaan °1926 (°De Pinte, België) --- Juliaan Lampens --- Belgische architecten --- 72.071(493) --- 72.036 <493> --- 72.036 <493> Moderne bouwkunst. Architectuur van de 20e eeuw--België --- Moderne bouwkunst. Architectuur van de 20e eeuw--België --- Architecten. Stedenbouwkundigen A - Z --- Architectuurgeschiedenis ; 1950 - 2000 ; België --- Belgische architecten vanaf ca. 1919 --- Brutalist --- Criticism and interpretation --- Architecture [Modern ] --- 20th century --- fine arts [discipline] --- Brutalisme --- Architectuur ; België ; 2de helft 20ste eeuw ; Juliaan Lampens --- Lampens, Juliaan °1926 (°De Pinte, België) --- België --- Architectuurgeschiedenis ; 1950 - 2000 ; België --- Moderne bouwkunst. Architectuur van de 20e eeuw--België
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Difficult to categorize and branded as "naïve"--art history had and still has a hard time with works by the great autodidacts: artists such as Henri Rousseau, André Bauchant, Morris Hirshfield, Bill Traylor, Alfred Wallis, or Séraphine Louis are far too often isolated in the light of an exotic primitivism, so to speak. Instead, the publication and the exhibition at the Museum Folkwang, since its founding the first museum worldwide devoted to modern art, surround their energy-laden works with key works from the modern era. It is not by chance that many of the autodidacts fascinated the established artists of today with their paintings and sculptures, and often sponsored them. From this perspective, even contemporaries such as Miroslav Tichy make a contribution to the development of art and are no longer merely its antagonists. Exhibition: Museum Folkwang, Essen, Germany (02.10.2015-10.01.2016).
avant-garde --- naive artists --- Brutalist --- self-taught art --- outsider art --- Art --- art [fine art] --- Ramírez, Martín --- Bödeker, Erich --- Nikifor --- Traylor, Bill --- Eilshemius, Louis M. --- Tichý, Miroslav --- Trillhaase, Adalbert --- Bauchant, André --- Hirshfield, Morris --- Wallis, Alfred --- Rousseau, Henri --- Louis, Séraphine --- Edmondson, William --- anno 1900-1999 --- Eilshemius, Louis Michel --- Krynicki, Nikifor --- 20ste eeuw --- Outsider art --- Avant-garde (Aesthetics) --- Avant-garde (Aesthetics). --- Outsider art. --- Naive art --- Exhibitions --- MAD-faculty 16 --- Kunstenaars 19e-20e eeuw --- tentoonstellingscatalogus --- Kunst. --- Tentoonstellingscatalogus. --- autodidacte kunst. --- avant-garde. --- brutalisme. --- kunst. --- naieven. --- outsiderkunst. --- Bauchant, Andre. --- Bodeker, Erich., --- Edmondson, William. --- Hirshfield, Morris. --- Louis, Seraphine. --- Nikifor. --- Ramirez, Martin. --- Rousseau, Henri. --- Tichy, Miroslav. --- Traylor, Bill, --- Trillhaase, Adalbert. --- Wallis, Alfred. --- anno 1900-1999. --- Bauchant, André. --- Bödeker, Erich. --- Eilshemius, Louis Michel. --- Louis, Séraphine. --- Krynicki, Nikifor. --- Ramírez, Martín. --- Tichý, Miroslav. --- Traylor, Bill. --- 20ste eeuw. --- art [discipline] --- Bauchant, André, --- Bodeker, Erich, --- Edmondson, William, --- Eilshemius, Louis M., --- Hirshfield, Morris, --- Louis, Seraphine, --- Nikifor, --- Ramirez, Martin, --- Rousseau, Henri, --- Tichy, Miroslav, --- Trillhaase, Adalbert, --- Wallis, Alfred,
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Brutalism (Architecture) --- -Functionalism (Architecture) --- -725.824 --- 727.7 --- 727.8 --- Functionalism in architecture --- Architecture, Modern --- International style (Architecture) --- Rationalism (Architecture) --- Brutalist architecture --- New brutalism (Architecture) --- Cinemagebouwen --- Gebouwen voor musea (museumarchitectuur). Kunstmusea --- Bibliotheekgebouwen. Gebouwen voor documentatie. Archiefgebouwen. Octrooikantoorgebouwen --- Centre Georges Pompidou --- Centre national d'art et de culture Georges Pompidou --- France. --- C.N.A.C. --- CNAC --- CNAC GP --- Centre Pompidou --- C.N.A.C.G.P. --- Georges Pompidou Centre --- Centre de culture Georges Pompidou --- Cultural Center Georges Pompidou --- Centro Georges Pompidou --- Nat︠s︡ionalʹnyĭ t︠s︡entr iskusstva i kulʹtury imeni Zhorzha Pompidu --- Kokuritsu Joruju Ponpidū Geijutsu Bunka Sentā (France) --- Ponpidū Bunka Sentā (France) --- 蓬皮杜中心 --- Pompidou Centre --- Centre Pompidou-Metz --- Centre Beaubourg --- Paris (France) --- -Paris (France) --- -Builduings, structures, etc --- Buildings, structures, etc --- Functionalism (Architecture) --- 727.8 Bibliotheekgebouwen. Gebouwen voor documentatie. Archiefgebouwen. Octrooikantoorgebouwen --- 727.7 Gebouwen voor musea (museumarchitectuur). Kunstmusea --- 725.824 --- Centre Georges Pompidou. --- Buildings, structures, etc. --- France --- Functionalism (Architecture) - France - Paris. --- Paris (France) - Builduings, structures, etc. --- France. Centre Georges Pompidou
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Archi Brut est un éloge inédit au brutalisme, style architectural qui fascine autant qu'il séduit. Au travers de réalisations brutalistes allant du début du XXe siècle à nos jours, cet ouvrage a pour ambition de faire découvrir ou redécouvrir le brutalisme afin de lui redonner toute sa popularité. Archi Brut met en lumière nombre de joyaux pratiquement inconnus de ce style architectural et met à l'honneur les chefs-d'oeuvre de célèbres architectes brutalistes comme Le Corbusier, Marcel Breuer et Paul Rudolph. Archi Brut présente aussi des architectes contemporains parmi les meilleurs au monde, comme Zaha Hadid, Jean Nouvel et Steven Holl, dont les travaux peuvent être considérés comme appartenant à la tradition brutaliste. Véritable recensement mondial de l'architecture brutaliste, Archi Brut invite à la découverte de réalisations remarquables en Allemagne, en Argentine, en Australie, en Azerbaidjan, au Canada, au Chili, en Chine, en Corée du Nord, en Géorgie, au Guatemala, en Inde, en Islande, en Israël, au Népal ; en Norvège, au Paraguay, au Pérou, en Pologne, en Serbie, à Singapour et en Suède - sans oublier, les Etats-Unis et l'Europe, de l'Est et de l'Ouest.
Brutalism (Architecture) --- Buildings, Reinforced concrete --- Concrete construction --- Architectural photography --- Brutalisme (Architecture) --- Constructions en béton armé --- Construction en béton --- Photographie d'architecture --- Brutalisme --- 20e siècle --- 21e siècle --- Béton --- Béton armé --- Pictorial works --- Ouvrages illustrés --- Constructions en béton armé --- Construction en béton --- Ouvrages illustrés --- Brutalisme (architecture) --- Architectuur ; 2de helft 20ste en 21ste eeuw --- Bouwmaterialen ; beton ; ruw beton --- Brutalist architecture --- New brutalism (Architecture) --- Architectuurgeschiedenis ; 1950 - 2000 --- Architectuurgeschiedenis ; 2000 - 2050 --- Bouwmaterialen ; gewapend beton --- Concrete in architecture --- Brutalism (Architecture). --- Architecture --- 72.038 --- 72.039 --- 691.328 --- Betonbouw --- Architecture, Modern --- Photographie d'architecture. --- Neo-brutalism (Architecture) --- Pictorial works. --- Brutalism (Architecture) - Pictorial works --- Buildings, Reinforced concrete - Pictorial works --- Concrete construction - Pictorial works --- Brutalisme (Architecture) - Ouvrages illustrés --- Constructions en béton armé - Ouvrages illustrés --- Construction en béton - Ouvrages illustrés
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