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The idea of African Otherness has occupied a central role in discourses on cultural production in Africa, whether film, literature, music or the arts.
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African American art --- Art, Black --- Ethnicity in art --- Modernism (Art) --- Race in art
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An analysis of the complex engagements with issues of identity in the performances of the artists Adrian Piper, Eleanor Antin, Anna Deavere Smith, and Nikki S. Lee.
Performance art --- Ethnicity in art. --- Gender identity in art. --- African Americans in art. --- Political aspects. --- Social aspects. --- Antin, Eleanor. --- Lee, Nikki S., --- Piper, Adrian, --- Smith, Anna Deavere. --- Ethnicity in art --- Gender identity in art --- Political aspects --- Social aspects
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African Americans in art. --- Ethnicity in art. --- African American art --- Afro-American art --- Art, African American --- Negro art --- Ethnic art --- Afro-Americans in art --- Negroes in art --- Themes, motives. --- Motley, Archibald John, --- Criticism and interpretation.
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Art. --- Cultural awareness --- Cultural awareness. --- Ethnic attitudes --- Ethnic attitudes. --- Ethnicity in art --- Ethnicity in literature --- Ethnicity. --- Exotismus. --- Kolonialismus. --- Kulturelle Identität. --- Literatur. --- Literature. --- Race awareness --- Race awareness. --- Europa. --- Rauischholzhausen <2003>.
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Ethnicity in art. --- Street art --- Mexican American mural painting and decoration --- Art, Street --- Art, Wall --- Wall art --- Art and society --- Mural painting and decoration --- Performance art --- Politics in art --- Graffiti --- Mural painting and decoration, Mexican American --- Mexican American painting --- Mural painting and decoration, American
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Ethnology. Cultural anthropology --- Sociology of culture --- exhibitions [events] --- ethnicity --- ethnocentrism --- civilization --- History of civilization --- mass media --- Europe --- Ethnicity in art --- -Cultural relativism --- Ethnic relations and mass media --- Culture and mass media --- Ethnicity in art. --- Mass media and ethnic relations. --- -Antropologie: linguïstiek, audiovisuele cultuur, antropologie van media en representatie --- -Display techniques --- #SBIB:39A8 --- #SBIB:39A5 --- #SBIB:316.7C140 --- Ethnicity --- Mass media and culture --- Mass media and ethnic relations --- Museum exhibits --- Ethnocentrism --- Displays, Museum --- Museum displays --- Museums --- Ethnic identity --- Antropologie: linguïstiek, audiovisuele cultuur, antropologie van media en representatie --- Kunst, habitat, materiële cultuur en ontspanning --- Cultuursociologie: cultuur en globale samenlevingen --- Exhibitions --- Council of Europe countries --- Relations --- -Ethnic relations. --- Civilization --- -Foreign influences. --- Ethnicity. --- Mass media and culture. --- Museum exhibits. --- Ethnic relations. --- Foreign influences. --- Display techniques --- Museum techniques --- Ethnic relations --- Culture --- Group identity --- Cultural fusion --- Multiculturalism --- Cultural pluralism --- Cultural relativism --- Ethnopsychology --- Nationalism --- Prejudices --- Race --- Eastern Hemisphere --- Eurasia --- Relations.
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Difference (Philosophy) in art --- Difference (Philosophy) in literature --- Arts, European --- Sex role in art --- Race awareness in art --- Ethnicity in art --- Différence (Philosophie) dans l'art --- Différence (Philosophie) dans la littérature --- Arts européens --- Rôle selon le sexe dans l'art --- Conscience de race --- Ethnicité dans l'art --- Congresses --- Themes, motives --- Foreign influences --- Congresses. --- Congrès --- Thèmes, motifs --- Influence étrangère --- -Arts, European --- -Difference (Philosophy) in art --- European arts --- Différence (Philosophie) dans l'art --- Différence (Philosophie) dans la littérature --- Arts européens --- Rôle selon le sexe dans l'art --- Ethnicité dans l'art --- Congrès --- Thèmes, motifs --- Influence étrangère
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Located in the heel of the Italian boot, the Salento region was home to a diverse population between the ninth and fifteenth centuries. Inhabitants spoke Latin, Greek, and various vernaculars, and their houses of worship served sizable congregations of Jews as well as Roman-rite and Orthodox Christians. Yet the Salentines of this period laid claim to a definable local identity that transcended linguistic and religious boundaries. The evidence of their collective culture is embedded in the traces they left behind: wall paintings and inscriptions, graffiti, carved tombstone decorations, belt fittings from graves, and other artifacts reveal a wide range of religious, civic, and domestic practices that helped inhabitants construct and maintain personal, group, and regional identities. The Medieval Salento allows the reader to explore the visual and material culture of a people using a database of over three hundred texts and images, indexed by site. Linda Safran draws from art history, archaeology, anthropology, and ethnohistory to reconstruct medieval Salentine customs of naming, language, appearance, and status. She pays particular attention to Jewish and nonelite residents, whose lives in southern Italy have historically received little scholarly attention. This extraordinarily detailed visual analysis reveals how ethnic and religious identities can remain distinct even as they mingle to become a regional culture.
Visual communication --- Material culture --- Arts and society --- Ethnicity --- Visual communication in art. --- Material culture in art. --- Group identity in art. --- Ethnicity in art. --- Communication visuelle --- Culture matérielle --- Arts et société --- Ethnicité --- Communication visuelle dans l'art --- Culture matérielle dans l'art --- Identité collective dans l'art --- Ethnicité dans l'art --- History --- Histoire --- Salentina Peninsula (Italy) --- Salento (Italie) --- Social life and customs --- Moeurs et coutumes --- Visual communication in art --- Material culture in art --- Group identity in art --- Ethnicity in art --- Culture matérielle --- Arts et société --- Ethnicité --- Culture matérielle dans l'art --- Identité collective dans l'art --- Ethnicité dans l'art --- Graphic communication --- Imaginal communication --- Pictorial communication --- Communication --- Culture --- Folklore --- Technology --- Art --- Ethnic identity --- Group identity --- Cultural fusion --- Multiculturalism --- Cultural pluralism --- Arts --- Arts and sociology --- Society and the arts --- Sociology and the arts --- Social aspects --- Apulian Peninsula (Italy) --- Messapian Peninsula (Italy) --- Penisola Salentina (Italy) --- Salentine Peninsula (Italy) --- Salento (Italy : Peninsula) --- Terra d'Otranto (Italy) --- Social life and customs. --- Visual communication - Italy - Salentina Peninsula - History - To 1500 --- Material culture - Italy - Salentina Peninsula - History - To 1500 --- Arts and society - Italy - Salentina Peninsula - History - To 1500 --- Ethnicity - Italy - Salentina Peninsula - History - To 1500 --- Salentina Peninsula (Italy) - Social life and customs --- History. --- Medieval and Renaissance Studies.
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"Adrian Piper has consistently produced groundbreaking work that has profoundly shaped the form and content of conceptual art since the 1960s. Strongly inflected by her longstanding involvement with philosophy and yoga, her pioneering investigations into the political, social, psychological and spiritual potential of conceptual art have had an incalculable influence on artists working today. Published in conjunction with the most comprehensive exhibition of her work to date, this catalog presents more than 280 artworks that encompass the full range of Piper's mediums: works on paper, video, multimedia installation, performance, painting, sound and photo-texts. Essays by curators and scholars examine her extensive research into altered states of consciousness; the introduction of the Mythic Being - her subversive masculine alter-ego; her media and installation works from after 1980, which reveal and challenge stereotypes of race and gender; and the global conditions that illuminate the significance of her art. Previously unpublished texts by the artist lay out significant events in her personal history and her deeply felt ideas about the relationship between viewer and art object. This publication expands our understanding of the conceptual and post-conceptual art movements and Piper's pivotal position among her peers and for later generations."--
Piper, Adrian --- conceptual artists --- video art --- identity --- Post-Conceptual --- dolls --- philosophy --- mixed media --- photography [process] --- Art --- drugs --- performance art --- race [group of people] --- ethnic groups --- newspapers --- gelatin silver prints --- typescripts --- Conceptual --- drawings [visual works] --- easel paintings [paintings by form] --- ART / General. --- African American women artists --- African American women artists. --- Art and Design. --- Art and philosophy --- Art and philosophy. --- Art, Modern --- Art, Modern. --- Conceptual art --- Conceptual art. --- Ethnicity in art --- Ethnicity in art. --- Identity (Psychology) in art --- Identity (Psychology) in art. --- Other (Philosophy) in art --- Other (Philosophy) in art. --- Race in art --- Race in art. --- Self (Philosophy) in art --- Self (Philosophy) in art. --- Themes, motives. --- Words in art --- Words in art. --- Piper, Adrian, --- Criticism and interpretation. --- 1900-2099. --- New York (State). --- United States. --- Kunst --- kranten --- typoscripten --- tekeningen --- fotografie --- filosofie --- videokunst [kunstwerken] --- Post-Conceptueel --- performances [live] --- gelatinezilverdrukken --- gemengde media --- schilderijen --- etnische groepen --- poppen --- ras [begrip] --- identiteit --- conceptueel --- dolls [figurines] --- #breakthecanon --- Femmes artistes --- Art conceptuel --- Art vidéo --- Installations (art) --- Art de performance --- Art multimédia. --- Exhibitions. --- kunst --- 7.071 PIPER --- racisme --- gender studies --- performance --- performances --- yoga --- concept art --- conceptuele kunst --- kunsttheorie --- Verenigde Staten --- Afro-American women artists --- Women artists, African American --- Women artists --- Philosophy and art --- Philosophy --- Art, Conceptual --- Concept art --- Language art (Fine arts) --- Possible art --- Post-object art --- Performance art --- Earthworks (Art) --- Sky art --- Piper, Adrian M. S., --- Exhibitions --- 705.9 --- gender --- genderexpressie --- performancekunst --- ostracisme --- sociale uitsluitingsmechanismen --- tentoonstellingscatalogus --- MoMA (Museum of Modern Art) --- kunstgeschiedenis, 21e eeuw --- paintings [visual works]
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