Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Chamber music -- 19th century -- History and criticism. --- Music --- kamermuziek --- muziekgeschiedenis --- anno 1800-1899 --- Chamber music --- History and criticism.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

kamermuziek --- Ysaÿe, Eugène --- Musique --- Muziek --- Chamber music --- Musique de chambre --- Ysaye, Eugène, --- Ysaye, Eugène, --- 78.44.6.2 Ysaye --- 526.10 --- Monografieën componisten en uitvoerders - Biografieën, Stijl- en oeuvrebesprekingen --- Ysaÿe, Eugène --- 790 --- Belgique musique --- kunstenaars --- artistes --- Ysaÿe, Eugène, --- Chamber music - 19th century - History and criticism. --- Chamber music - 20th century - History and criticism. --- Biografieën --- Kamermuziek --- België --- 20e eeuw

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Music --- Musique --- History and criticism --- Histoire et critique --- History and criticism. --- -Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- muziekgeschiedenis --- anno 1800-1899 --- 19th century --- Music - 19th century - History and criticism.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Between early 1806 and early 1807, Ludwig van Beethoven completed a remarkable series of instrumental works. But critics have struggled to reconcile the music of this banner year with Beethoven's "heroic style," the paradigm through which his middle-period works have typically been understood. Drawing on theories of mediation and a wealth of primary sources, Beethoven 1806 explores the specific contexts in which the music of this year was conceived, composed, and heard. As author Mark Ferraguto argues, understanding this music depends on appreciating the relationships that it both creates and reflects. Not only did Beethoven depend on patrons, performers, publishers, critics, and audiences to earn a living, but he also tailored his compositions to suit particular sensibilities, proclivities, and technologies.

Music --- History and criticism --- Beethoven, Ludwig van, --- Criticism and interpretation --- Bītʹhūfin, --- Beethoven, L. van --- Beethoven, Louis van, --- Beethoven, Ludvig van, --- Bethovenas, L., --- Betkhoven, Li︠u︡dvig van, --- Beṭhoṿn, Ludṿig ṿan, --- Beethoven, Ludwik van, --- Betkhoven, L. van --- Bētōven, Rūtovihhi van, --- בטהובן --- בעטהאָוון, לודוויג וואן --- ベートベン, ルートビッヒ, --- 贝多芬, --- Criticism and interpretation. --- Instrumentalmusik. --- Komposition --- Komposition. --- Music. --- 1800-1899. --- Music - 19th century - History and criticism --- Beethoven, Ludwig van, - 1770-1827 - Criticism and interpretation --- Beethoven, Ludwig van, - 1770-1827

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

History as a science --- Schuré, Edouard --- Music --- Authors, French --- Music critics --- Occultists --- Occultism --- Music and occultism --- Idealism --- History and criticism --- Biography --- Schuré, Edouard, --- Wagner, Richard, --- Appreciation --- -Idealism --- -Music and occultism --- -Music critics --- -Occultism --- -Occultists --- -Religious adherents --- Art, Black (Magic) --- Arts, Black (Magic) --- Black art (Magic) --- Black arts (Magic) --- Occult, The --- Occult sciences --- Religions --- Supernatural --- New Age movement --- Parapsychology --- Critics --- Musicians --- Music journalists --- Occultism and music --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Animism --- Monism --- Personalism --- Philosophy --- Positivism --- Dualism --- Materialism --- Realism --- Transcendentalism --- French authors --- Schure, Edouard --- Wagner, Richard --- -Appreciation --- -Theses --- Idealism. --- Biography. --- History and criticism. --- -Biography --- -Animism --- Religious adherents --- -Art, Black (Magic) --- Schuré, Eduardo, --- Schuré, Eduard, --- Theses --- Wagner, Wilhelm Richard, --- Drach, Wilhelm, --- Fājner, Rītshārd, --- Vāgners, Richards, --- Vagner, Rikhard, --- Vagner, R. --- Wagner, R. --- Wagunā, R., --- Vagneri, Rihard, --- Wagner, Riccardo, --- ואגנר, ריכארד, --- ואגנר, ריכרד, --- Music - 19th century - History and criticism --- Authors, French - 19th century - Biography --- Music critics - France - Biography --- Occultists - France - Biography --- Occultism - France --- Music and occultism - France --- Schuré, Edouard, - 1841-1929 --- Wagner, Richard, - 1813-1883 - Appreciation - France --- Wagner, Richard, - 1813-1883 --- Schuré, Édouard