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Impressionism (Art) --- -Painting, French --- -French painting --- Paintings, French --- Groupe Finistère (Group of artists) --- Painting, French --- -Impressionism (Art) --- Painting, Modern
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Monografie romanisty Záviše Šumana je výsledkem jeho dlouhodobého studia raně novověké francouzské dramatické tvorby a dobové interpretace Aristotelovy Poetiky. Cenný je zejména jeho přístup teoreticko-metodologický, tj. zhodnocení korpusu teoretických a kritických textů o poetice tragédie v dobovém kontextu, a to s důrazem na co nejpřesnější analýzu dobových koncepcí a poukazem na to, že se teoretická řešení ne vždy shodovala s praxí.Dokladované texty francouzských originálů jsou uvedeny v paralelním postavení s (převážně) autorským překladem. Publikaci doplňuje informačně obsažný poznámkový aparát, rozsáhlá bibliografie, rejstřík a resumé v anglickém a francouzském jazyce.
Painting, French. --- French painting --- Paintings, French --- Groupe Finistère (Group of artists) --- poetics --- literary criticism --- tragedy --- interpretation --- France --- 17th century
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Painting, French --- Painting, French y. --- Painting, French. --- Painting, French y --- Painting --- 75.03 --- CDL --- Painting, Modern --- French painting --- Paintings, French --- Groupe Finistère (Group of artists) --- History
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Painting --- anno 1600-1699 --- France --- Peinture française --- Expositions. --- Painting, French --- Painting, Baroque --- Classicism in art --- Exhibitions --- Exhibitions. --- Peinture française --- CDL --- 75.034 --- French painting --- Paintings, French --- Groupe Finistère (Group of artists) --- Art --- Baroque painting --- Paintings, Baroque
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Impressionism (Art) --- -Painting, French --- -French painting --- Paintings, French --- Groupe Finistère (Group of artists) --- Painting, French --- -Impressionism (Art) --- Painting, Modern --- 75.036.2 --- Schilderkunst ; Impressionisme ; ontstaan --- Schilderkunst ; impressionnisme ; luminisme
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Narrative painting --- -Painting, French --- Painting, Modern --- -Modern painting --- Paintings, Modern --- French painting --- Paintings, French --- Groupe Finistère (Group of artists) --- Genre painting --- Painting --- Painting, French. --- -Narrative painting --- -French painting --- Modern painting --- Painting, French
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Painting --- anno 1900-1999 --- Painting, French --- Fauvism --- -Painting, French --- -French painting --- Paintings, French --- Groupe Finistère (Group of artists) --- Fauves (School of art) --- Art, Modern --- Modernism (Art) --- Post-impressionism (Art) --- -Fauvism --- Vivelapeinture (Group of artists) --- Ziniars (Group of artists) --- 730 --- peinture XXe siècle --- fauvisme --- France peinture --- schilder- en tekenkunst --- peinture et dessin --- Painting, French - 20th century --- Fauvism - France --- Fauvisme
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Painting --- France --- Spain --- Alte Pinakothek (München) --- schilderkunst --- Frankrijk --- Spanje --- -Painting, French --- -Painting, Spanish --- -French painting --- Paintings, French --- Groupe Finistère (Group of artists) --- Oil painting --- Painting, Primitive --- Paintings --- Graphic arts --- Painting, French --- Painting, Spanish --- -Painting --- French painting --- Alte Pinakothek (München). --- schilderkunst. --- Frankrijk. --- Spanje.
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In einer Gesamtdarstellung der Perzeption und Repräsentation des Orients in der französischen Literatur und Malerei vom 17. Jh. bis zum ‚fin de siècle' werden Konstruktion und Entwicklung des französischen Orientbildes, welches das europäische entscheidend mit geformt hat, auf Grundlage der zentralen Texte und Bilder im Kontext der politischen und kulturellen Ereignisse und der relevanten Diskurse analysiert. Anstelle des Orientalismus-Diskurses existiert vielmehr ein hochkomplexer Orient-Diskurs, in dem der Orient ausgehend von der als konstitutiv verstandenen Dichotomie Orient/Okzident durch die Jahrhunderte auf ästhetischer, philosophischer und politischer Ebene durchaus antithetisch definiert, repräsentiert und evaluiert wird. Untersucht werden das Orientbild im Theater des 17. Jh., die Geburt des Orientalismus Anfang des 18. Jh., das Orientbild der Aufklärung, der Ägyptenfeldzug und seine ideologischen Grundlagen, das Orientbild der Romantik, die großen ‚écrivains-voyageurs' und orientalistischen Maler des 19. Jh. sowie zuletzt das Orientbild des ‚fin de siècle'.
French literature --- Orientalism in art --- Orientalism in literature. --- Orientalism --- Painting, French. --- History and criticism. --- Orientalism in literature --- Painting, French --- French painting --- Paintings, French --- Groupe Finistère (Group of artists) --- East and West --- History and criticism --- Iconography --- Painting --- Thematology --- anno 1600-1699 --- anno 1700-1799 --- anno 1800-1899
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Poussin's Women: Sex and Gender in the Artist's Works examines the paintings and drawings of the well-known seventeenth-century French painter Nicolas Poussin (1594-1665) from a gender studies perspective, focusing on a critical analysis of his representations of women. The book's thematic chapters investigate Poussin's women in their roles as predators, as lustful or the objects of lust, as lovers, killers, victims, heroines, or models of virtue. Poussin's paintings reflect issues of gender within his social situation as he consciously or unconsciously articulated its conflicts and assumptions. A gender studies approach brings to light new critical insights that illuminate how the artist represented women, both positively and negatively, within the framework in his seventeenth-century culture. This book covers the artist's works from Classical mythology, Roman history, Tasso, and the Bible. It serves as a good overview of Poussin as an artist, discussing the latest research and including new interpretations of his major works.
Women in art. --- Painting, French --- Gender identity in art. --- Sex in art. --- French painting --- Paintings, French --- Groupe Finistère (Group of artists) --- Sex in the arts --- Sexuality in art --- Poussin, Nicolas, --- Poussin, Nicolas --- Pusan, Niḳolah, --- Pussen, Nikola, --- Criticism and interpretation. --- Nicolas Poussin, Poussin, Women, Gender, Paintings, History of Art.
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