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medieval art --- medieval culture --- Middle Ages --- contemporary culture --- middle ages
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Gegenwärtig lässt sich in unterschiedlichen gesellschaftlichen Diskursfeldern eine Bezugnahme auf das Motiv der ,Vanitas' (Vergänglichkeit) feststellen.Die Beiträge dieses Band widmen sich der überraschenden Virulenz eines ursprünglich christlichen und in der Frühen Neuzeit wirkmächtigen Konzeptes in Popkultur, Literatur, Musik und bildender Kunst und verdeutlichen ferner seine Relevanz für Soziologie, Theologie, Philosophie, Psychologie und Medizin. Bedeutung erlangt Vanitas sowohl mit traditionell dem Motiv verwandten Themen wie Trauer und Mortalität als auch in Verbindung mit hochaktuellen Diskursen über Beschleunigungs- und Kontingenzerfahrungen, dystopischen Szenarien der Klimakatastrophe oder utopischen Visionen des Transhumanismus. Neben soziologischen und kulturwissenschaftlichen Perspektiven auf Vergänglichkeit, Flüchtigkeit, letale Krankheiten, Alter und Tod widmen sich die Beiträge der popkulturellen und künstlerischen Aneignung des Vanitas-Topos zwischen spielerischer Ironie und tiefsinniger Melancholie.Der interdisziplinäre Band ist ein wichtiger Beitrag zur gesellschaftlichen und kulturellen Reflexion von Gegenwart unter Bezugnahme auf einen tradierten kulturtheoretischen Topos. This interdisciplinary volume delves into the significance of the early modern vanitas motif in the present day. In the arts, pop culture, and social discourses, it is utilized to make cultural-critical diagnoses. Reflections about the mortality of human life, about decadence and conceit, or the futile pursuit of happiness are updated, but they are joined by new topics such as climate change and transhumanism.
LITERARY CRITICISM / General. --- Death. --- contemporary culture. --- cultural criticism. --- ephemerality.
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In political and media debates, questions of societal homogeneity and heterogeneity are discussed using the keyword "parallel societies." The open concept of "parasocieties" in this volume sets itself in opposition to this reductionist gesture, thereby enabling a differentiated understanding of media reflections upon socio-political and societal interactions with diversity in the present day. In politischen und medialen Debatten werden unter dem häufig stigmatisierend gebrauchten Schlagwort ,Parallelgesellschaft' Fragen sozialer Homogenität und Heterogenität kontrovers diskutiert. Diesem reduktionistischen Gestus setzt der Band das offene Konzept der ,Paragesellschaft' entgegen und ermöglicht dadurch eine differenzierte Annäherung an mediale Reflexionen des soziopolitischen und gesellschaftlichen Umgangs mit Diversität in verschiedenen Dispositiven der Gegenwart.
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'Realism' is a pervasive term in discussions of contemporary developments in the cultural sphere. By drawing on different theories of realism, the authors explore how the term may be used as a helpful concept in order to analyse and evaluate current trends in cultural production and, in turn, how cultural production changes our understanding of what counts as 'realism'. The contributions deal with realism in narrative fiction, drama and audiovisual media (film, television news) within the context of national traditions: examples drawn on in the case studies range from Africa, Britain, Germany, Iceland, Russia, Turkey to the United States. While the authors take their cues from media-specific 'realisms', focusing especially on narrative fiction, the volume also highlights continuities and intersections between notions of realism in different genres and media. With its original essays, this collection invigorates the transdisciplinary engagement with forms and socio-political functions of realism in contemporary culture.
Knowledge, Theory of. --- Realism in literature. --- Realism in motion pictures. --- Realism in the press. --- Reality in mass media. --- Press --- Realism in moving-pictures --- Motion pictures --- Neorealism (Literature) --- Magic realism (Literature) --- Mimesis in literature --- Epistemology --- Theory of knowledge --- Philosophy --- Psychology --- Mass media --- Reality in motion pictures. --- Contemporary Culture. --- Drama. --- Novel. --- Realism.
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Examines the ideology of sacrifice in Soviet and post-Soviet culture, analyzing a range of fictional and real-life figures who became part of a pantheon of heroes 'primarily because of their victimhood.'
Political culture --- Idealism --- Heroes --- Social aspects --- Mythology --- Soviet Union --- Russia (Federation) --- Intellectual life. --- Heroism --- Persons --- Antiheroes --- Apotheosis --- Courage --- Animism --- Monism --- Personalism --- Philosophy --- Positivism --- Dualism --- Materialism --- Realism --- Transcendentalism --- Intellectual life --- Russian culture. --- Russian media. --- Soviet culture. --- Soviet ideology. --- contemporary culture. --- cultural analysis. --- cultural influence. --- cultural symbolism. --- cultural transformation. --- martyrdom. --- nationalist nostalgia. --- political discourse. --- post-Soviet culture. --- post-Soviet discourses. --- sacrifice ideology. --- sacrificial language. --- victimhood.
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Devoted to research and scholarship in Theology, Philosophy and Ethics and Culture.
christian apologetics --- theology --- philosophy --- contemporary culture --- worldview studies --- ethics --- Social Sciences --- Humanities --- Theology --- Philosophy --- Culture --- Periodicals --- Norway --- theology --- Cultural sociology --- Sociology of culture --- Civilization --- Popular culture --- Mental philosophy --- Christian theology --- Theology, Christian --- Christianity --- Religion --- Social aspects --- Kingdom of Norway --- Kongeriket Noreg --- Kongeriket Norge --- Noreg --- Norga --- Norge --- Norgga gonagasriika --- Norja --- Noruw --- Norvège --- Norvegia --- Norveška --- Norwegen --- Norwegia
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"Artificial Generation: Photogenic French Literature and the Prehistory of Cinematic Modernity looks at nineteenth-century literary representation and film theory, arguing that the depth of amalgamation that occurred within literary representation during this era is a key aesthetic tradition that continues to inform movies and contemporary culture today. A key part of this evolution in representation, a wide-scale artistic subjectivity around the re-emergence of the "artificial woman"-a notion that harkens back to longstanding expressions of mythological masculine subjectivity through the figure of the woman, refashioning important female figures that symbolize or problematize man's origins, including Eve and the Venus de Milo. This quest for masculine artistic subjectivity becomes a photographic and filmic drive by the turn of the century. The book explores the perpetuation of the myth of Pygmalion and Galatea in nineteenth-century literature. It then begins at the beginning of film history, with Georges Méliès in the 1890s and other "silent" filmmakers, moving through Alfred Hitchcock's Vertigo (1958) and Bladerunner 2049 (2017), analyzing these twentieth-century films to illustrate how these film texts are structured around mythic and literary principles from the prior century that serve as the basis for film as medium-a phantom form for life's representation. The book provides a crucial reassessment of the longstanding, mutual exchange between cinematic and literary representation, offering a fresh perspective on the proto-cinematic imperative of simulation within nineteenth-century literary symbolism"--
French literature --- Motion pictures and literature. --- Motion pictures --- Representation (Philosophy). --- Modernism (Art). --- History and criticism. --- Philosophy. --- French literature, cinema, film studies, media, media studies, film, film theory, artificial woman, Vertigo, Bladerunner 2049, literary representation, literary symbolism, Oscar Wilde, art, culture, contemporary culture.
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