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The Routledge Handbook of Reenactment Studies provides the first overview of significant concepts within reenactment studies. The volume includes a co-authored critical introduction and a comprehensive compilation of key term entries contributed by leading reenactment scholars from Europe, North America, and Australia. Well into the future, this wide-ranging reference work will inform and shape the thinking of researchers, teachers, and students of history and heritage and memory studies, as well as cultural studies, film, theater and performance studies, dance, art history, museum studies, literary criticism, musicology, and anthropology.

Historical reenactments --- Historic reenactments --- Historical re-enactments --- Historical reenactment --- History --- Re-enactments, Historical --- Reenactment of historical events --- Reenactments, Historical --- Reenactments --- E-books

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Archaeological parks --- Archaeological parks. --- Archaeology --- Archaeology --- Archäologie. --- Archäologische Stätte. --- Ausgrabung. --- Freilichtmuseum. --- Funde. --- Historical reenactments --- Historical reenactments. --- Museum. --- Social archaeology --- Social archaeology. --- Methodology. --- Methodology. --- Geschichte. --- Deutschland. --- Deutschland. --- Germany.

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Nous sommes capables de fabriquer le passé à la demande, de le façonner autour d'images, d'objets, de reconstitutions, où le passé est, précisément, « rejoué ». Ces pratiques, inspirées par des imaginaires, s'inscrivent dans ce qu'il est possible d'appeler des « cultures de l'histoire », diverses selon les époques. Cet ouvrage les replace dans la longue durée et s'efforce de comprendre leur intensification contemporaine, liée aux transformations d'ensemble des rapports au passé. Les exemples sont pris notamment dans les domaines de l'archéologie, de l'iconographie, des commémorations, des fêtes et spectacles d'histoire.

History in art --- Histoire dans l'art --- Historical reenactments --- Historic sites --- Art and history --- Interpretive programs --- Historical studies --- 930.2 --- Methoden en technieken van de geschiedwetenschap --- 930.2 Methoden en technieken van de geschiedwetenschap --- Memory --- Historic reenactments --- Historical re-enactments --- Historical reenactment --- History --- Re-enactments, Historical --- Reenactment of historical events --- Reenactments, Historical --- History and art --- Reenactments --- Historical reenactments - Congresses. --- Historic sites - Interpretive programs - Congresses. --- Art and history - Congresses. --- Memory - Congresses. --- MEMOIRE COLLECTIVE --- HISTOIRE DANS L'ART --- COMMEMORATIONS --- CONGRES

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Humphrey Jennings (1907-50) was perhaps the most gifted filmmaker of the British documentary movement. Involved in the Mass Observation project of the 1930s, Jennings' talent lay in picturing ordinary life in ways that were inventive yet authentic. 'Fires Were Started' (1943) is his major achievement. A film about a day's work for a unit of the National Fire Service at the height of the blitz, it blends observation with fictional reconstruction to achieve a particularly poignant kind of propaganda. Lindsay Anderson expressed the opinion of many commentators and viewers when he wrote in 'Sight and Sound '(in a 1954 article reprinted as an appendix to this volume) that Jennings was "the only real poet the British cinema has yet produced." But how could a documentarist also be a poet? This is one of the questions addressed by Brian Winston in his highly engaging study of 'Fires Were Started'--a question that is particularly relevant today in the wake of the massive public controversies surrounding "faked" documentaries. For Winston documentary filmmaking is always "creatively treated actuality" and must be taken as such if it's to be properly valued and understood.

Documentary films --- Historical reenactments. --- History and criticism. --- Auxiliary Fire Service (Great Britain) --- In motion pictures. --- Fires were started (Motion picture) --- London (England) --- History --- Bombardment, 1940-1941 --- Brian Winston --- film --- filmklassiekers --- filmgeschiedenis --- Fires Were Started --- -Jennings Humphrey --- documentaire --- propaganda --- 791.471 JENNINGS --- Fires were started (Motion picture). --- Historical reenactments --- Historic reenactments --- Historical re-enactments --- Historical reenactment --- Re-enactments, Historical --- Reenactment of historical events --- Reenactments, Historical --- History and criticism --- Reenactments --- Great Britain. --- AFS --- A.F.S. --- Londen (England) --- Londinium (England) --- Londres (England) --- Londýn (England) --- Lunnainn (England)

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Artists in the Archive explores the agency and materiality of the archival document through a stunning collection of critical writings and original artworks. It examines the politics and philosophy behind re-using remains, historicising this artistic practice and considering the breadth of ways in which archival materials inform, inflect and influence new works.

Taking a fresh look at the relationships between insider know-how and outsider knowledge, Artists in the Archive opens a vital dialogue between a global range of artists and scholars. It seeks to trouble the distinction between artistic practice and scholarly research, offering disciplinary perspectives from experimental theatre, performance art, choreography and dance, to visual art making, archiving and curating.

Arts --- Performing arts archives. --- Philosophy. --- Study and teaching --- Theatrical science --- Archivistics --- drama [literature] --- art history --- art criticism --- fonds [collections] --- reenactments --- philosophy of art --- art [fine art] --- dance [discipline] --- curating --- performance art --- choreography --- theater arts --- art [discipline] --- dance [performing arts genre] --- drama [discipline]