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7.034.1 --- Renaissancekunst --- 7.034.1 Renaissancekunst --- Renaissance --- Art --- Art de la renaissance
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Arts, British --- Arts britanniques --- 7.034.1 --- Renaissancekunst --- 7.034.1 Renaissancekunst --- Arts --- Arts - Great Britain
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drawing and drawing techniques --- Renaissance --- Painting --- Baroque --- barokkunst --- tekenkunst --- renaissancekunst --- Netherlands --- Flanders --- Nederlanden --- drawings [visual works]
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European visual arts --- ca 1400- ca 1800 --- Art, Baroque --- Art, Renaissance --- History. --- 7.034.1 --- 7.034.1 Renaissancekunst --- Renaissancekunst --- Art --- Renaissance --- Baroque --- anno 1400-1499 --- anno 1500-1599 --- anno 1600-1699
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At the beginning of the fifteenth century, painters and sculptors were seldom regarded as more than artisans and craftsmen, but within little more than a hundred years they had risen to the status of “artist.” This book explores how early Renaissance artists gained recognition for the intellectual foundations of their activities and achieved artistic autonomy from enlightened patrons. A leading authority on Renaissance art, Francis Ames-Lewis traces the ways in which the social and intellectual concerns of painters and sculptors brought about the acceptance of their work as a liberal art, alongside other arts like poetry. He charts the development of the idea of the artist as a creative genius with a distinct identity and individuality.Ames-Lewis examines the various ways that Renaissance artists like Mantegna, Leonardo da Vinci, Raphael, and Dürer, as well as many other less well known painters and sculptors, pressed for intellectual independence. By writing treatises, biographies, poetry, and other literary works, by seeking contacts with humanists and literary men, and by investigating the arts of the classical past, Renaissance artists honed their social graces and broadened their intellectual horizons. They also experienced a growing creative confidence and self-awareness that was expressed in novel self-portraits, works created solely to demonstrate pictorial skills, and monuments to commemorate themselves after death.
Art [Renaissance ] --- Art de la Renaissance --- Kunst [Renaissance] --- Renaissance art --- Renaissancekunst --- Art, Renaissance. --- Artists --- Intellectual life --- Europe --- 15th century --- 16th century
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Art, Renaissance --- Renaissance --- Art --- Architecture --- renaissancekunst --- anno 1500-1599 --- Renaissance ; Italië --- Architectuur --- Beeldhouwkunst --- Schilderkunst --- Tekenkunst --- #gsdbA --- Italië --- Archief --- Digitalisering --- Godsdienst --- Cultuur --- Muziek --- Renaissance ; Italië
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History of civilization --- anno 1400-1499 --- Italy --- 316.7 <45> "14/15" --- 930.85.44 <45> --- Cultuursociologie --(algemeen)--Italië--?"14/15" --- Cultuurgeschiedenis: Renaissance--Italië --- 930.85.44 <45> Cultuurgeschiedenis: Renaissance--Italië --- 316.7 <45> "14/15" Cultuursociologie --(algemeen)--Italië--?"14/15" --- 7.078 --- 7.034.1 <45> --- 7.078 Kunstbescherming. Kunstbevordering --- Kunstbescherming. Kunstbevordering --- 7.034.1 <45> Renaissancekunst--Italië --- Renaissancekunst--Italië
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Renaissance --- Painting --- renaissancekunst --- Vlaamse Primitieven --- painting [image-making] --- schilderkunst --- anno 1400-1499 --- anno 1500-1599 --- Flanders --- Italy --- Flandre --- Italie --- Italië --- Peinture --- Schilderkunst --- Vlaanderen --- Italië. --- Vlaanderen. --- Early Netherlandish --- invloed van Italiaanse school --- Italiaanse school
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Renaissance --- Humanists --- Humanistes --- Italy --- Italie --- Antiquities --- Antiquités --- Historiography --- Antiquities. --- Intellectual life --- Antiquités --- 7.034.1 --- 87.083 --- Renaissancekunst --- Klassieke literatuur: teksteditie --- 87.083 Klassieke literatuur: teksteditie --- 7.034.1 Renaissancekunst --- -87.083 Klassieke literatuur: teksteditie --- 7.046.1 --- 930.85.44 --- 930.85.44 Cultuurgeschiedenis: Renaissance --- Cultuurgeschiedenis: Renaissance --- 7.046.1 Iconografie: klassieke mythologie --- Iconografie: klassieke mythologie --- Historical criticism --- History --- Authorship --- Criticism --- History of civilization --- anno 1400-1499 --- anno 1500-1599 --- ANTIQUITE --- HISTORIOGRAPHIE --- 15E-16E SIECLES --- HISTOIRE
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Le maniérisme prend naissance à Florence et se répand rapidement à travers toute l'Europe. L'auteur étudie ce courant de la Renaissance maniériste non seulement au travers de l'architecture, la peinture, la sculpture mais également au travers des arts dits mineurs. Etant au service de la vie fastueuse et ostentatoire que mène le prince, l'auteur n'isole pas le maniérisme des crises politiques , religieuses et économiques.
Renaissance --- Mannerist [Renaissance-Baroque style] --- renaissancekunst --- maniërisme --- Art --- anno 1500-1599 --- Europe --- Art, Renaissance --- Manierism (art) --- Art de la Renaissance --- Maniérisme (Art) --- Art de la Renaissance. --- Manierisme (Art) --- Histoire de l'art --- Maniérisme --- 16e siècle --- Italie --- Mannerism (Art) --- Art, Renaissance. --- Mannerism (Art). --- Maniérisme (Art) --- Manierisme (Art) - Europe. --- Maniérisme (architecture) --- Architecture de la renaissance --- Art de la renaissance --- Maniérisme (art)
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