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Les cinquante dessins d'Ingres et des "ingristes", issus de la collection des Beaux-Arts de Paris et présentés à l'exposition, offrent un aperçu du courant esthétique incarné par l'artiste, de ses talents graphiques et de l'influence exercée sur ses élèves. La reproduction de chaque feuille est accompagnée d'une notice scientifique et des images de comparaison. ©Electre 2017
Ingres, Jean-Auguste-Dominique --- Oeuvres -- Dessin --- Dessin --- Catalogues d'exposition --- Disciples --- Drawing --- Graphic arts --- drawings [visual works] --- prints [visual works] --- art schools [institutions] --- Ingres, Jean Auguste Dominique --- Ecole des beaux-arts [Paris] --- France --- École des Beaux-Arts (Parijs) --- kunstonderwijs --- Drawing, French --- Ingres, Jean-Auguste-Dominique, --- École des Beaux-Arts (Parijs). --- kunstonderwijs. --- Ingres, Jean Auguste Dominique.
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Une présentation des résonnances artistiques entre Gustave Moreau et son élève et disciple, Georges Rouault. Leurs thèmes communs, le paysage, le nu, la spiritualité, la matière et la couleur sont évoqués. Le rôle de l'atelier et de l'enseignement de Gustave Moreau à l'Ecole des beaux-arts est également abordé. ©Electre 2016
Artists' studios --- Painters --- Painting, French --- Ateliers d'artiste --- Peintres --- Peinture française --- Moreau, Gustave, --- Rouault, Georges, --- Exhibitions --- Exhibitions. --- Salons (Parijs) --- ateliers --- briefwisseling --- educatie --- École des Beaux-Arts (Parijs) --- Moreau, Gustave --- Rouault, Georges --- atelier --- atelier. --- educatie. --- École des Beaux-Arts (Parijs). --- Salons (Parijs). --- briefwisseling. --- Moreau, Gustave. --- Rouault, Georges.
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"In the late nineteenth and early twentieth centuries, American artists flocked to France in search of instruction, critical acclaim, and patronage. Some, including James McNeill Whistler, John Singer Sargent, and Mary Cassatt, became highly regarded in the French press, advancing their careers on both sides of the Atlantic. Others, notably William Merritt Chase, John Twachtman, Childe Hassam, and Thomas Wilmer Dewing, part of the association known as The Ten, found success working in the style of the French Impressionists, while Henry Ossawa Tanner, Cecilia Beaux, and Elizabeth Jane Gardner focused on genre and history subjects. This richly illustrated volume offers a sophisticated examination of cultural and aesthetic exchange as it highlights many figures, including artists of color and women, who were left out of previous histories. Celebrated scholars from both American and French institutions detail the complex history and diverse styles of these expatriate artists, styles ranging from conservative academic modes to Tonalism, and provide original perspectives on this fertile period of creativity, expanding our understanding of what constitutes American art."--Provided by publisher.
Painting, American --- Expatriate artists --- Artists --- Painting, American. --- 1800-1999 --- France. --- academisme --- impressionisme --- Salons (Parijs) --- École des Beaux-Arts (Parijs) --- Whistler, James Abbott McNeill --- 19de eeuw --- Amerika --- Frankrijk --- academisme. --- impressionisme. --- Salons (Parijs). --- École des Beaux-Arts (Parijs). --- Whistler, James Abbott McNeill. --- 19de eeuw. --- Amerika. --- Frankrijk.
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