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Summary: Publié à l'occasion de l'exposition présentée du 15 octobre 2011 au 28 janvier 2012 au musée de Flandre à Cassel. Les principaux domaines d'expression de l'art flamand que sont la peinture, l'architecture et la sculpture, vivent, au moment de la Contre-Réforme, une véritable explosion, effective tant sur le plan du style et de la technique que sur celui des commandes qui affluent de toutes parts. Que ce soient pour les confessionnaux, les chaires ou les jubés, le talent est mis au service de l'exaltation de la foi avec des résultats tout à fait inédits. Avec une soixantaine de sculptures, une quinzaine de dessins et six tableaux provenant de musées et d'églises français ici rassemblés, l'exposition dont le présent catalogue rend compte offre un parcours initiatique à travers le baroque flamand.
Sculpture --- anno 1600-1699 --- Flanders --- Sculpture, Baroque --- Sculpture, Flemish --- Sculpture baroque --- Sculpture flamande --- Exhibitions --- Expositions --- barok --- beeldhouwkunst --- verzamelingen --- 17de eeuw --- 18de eeuw --- Zuidelijke Nederlanden --- Frankrijk --- Catalogs --- Stonework, Decorative --- Art --- Bas-relief --- Statues --- Flemish sculpture --- Baroque sculpture --- Sculpture, Primitive --- Sculpture, Flemish - France - Catalogs --- barok. --- sculptuur. --- verzamelingen. --- 17de eeuw. --- 18de eeuw. --- Zuidelijke Nederlanden. --- Frankrijk. --- collecting, France --- beeldhouwkunst, barok --- beeldhouwkunst, Nederlanden --- sculptuur
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Borman was a virtuoso, a master but above all an innovator, who influenced many other sculptors. “The Best Sculptor” is how Jan II Borman is described in a document dating from 1513. Ever since, Borman the man and his oeuvre are shrouded in mist. This late-medieval sculptor managed a busy workshop in Brussels, with commissions pouring in from religious institutions as well as from the bourgeoisie and princely rulers. He trained his sons Jan III and Passchier to become master sculptors after his own example and to have at least as shrewd a head for business as he himself. Borman was a virtuoso, a master but above all an innovator, who influenced many other sculptors. His iconic works are kept in the world’s greatest museums and churches. The book gathers essays by leading academics and presents a summary catalogue of all works attributed to the Borman family.
Sculpture --- altarpieces --- saints --- woodcarvers [woodworkers] --- Borman [Family] --- Belgium --- Borman (Family : --- Exhibitions --- Sculpture de la Renaissance --- Catalogues d'exposition. --- Borman (famille) --- Catalogues raisonnés. --- Sculpture, Flemish --- Flemish sculpture --- Borreman, Jan, --- Borman (Family : active 15th-16th century) --- Borman, Jan, --- Altarpieces, Renaissance --- Altarpieces, Flemish --- Sculptors --- Boarman family --- Wood sculpture, Flemish --- Wood sculpture, Late Gothic --- Altarpieces --- Exhibitions. --- 7 <09> --- 7 <09> Kunstgeschiedenis. Kunsthistorie --- Kunstgeschiedenis. Kunsthistorie --- gotiek --- renaissance --- techniek --- Borman (familie) --- 15de eeuw --- 16de eeuw --- Antwerpen --- Brussel --- Leuven --- 726.3 --- Beeldsnijkunst--Brabant (hertogdom) --- Borman, Jan --- Borman --- renaissance (historisch tijdvak, doorheen de 16e eeuw) --- Sculpture [Renaissance ] --- Borman (Family : - active 15th-16th century) - Exhibitions --- Borman (Family : - active 15th-16th century) --- techniek. --- gotiek. --- Borman (familie). --- 15de eeuw. --- 16de eeuw. --- Leuven. --- Brussel. --- Antwerpen. --- Christelijke kunst --- Borreman (Family : active 15th-16th century)
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