Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

De la fin du XVIe siècle jusqu'au milieu du XVIIe siècle, le nom Francken est associé au dynamisme de la création anversoise. Pas moins de cinq générations de peintres vont se succéder, établissant une véritable dynastie. Aujourd'hui ressort un nom, celui de Frans II Francken (1581-1642), artiste singulier et érudit à qui l'on doit de nouvelles représentations peintes, comme les fameuses galeries d'art. Loin des envolées lyriques et baroques de Rubens, son contemporain, il impose un style raffiné encore empreint d'une teinte maniériste aux couleurs chatoyantes. Un ravissement pour l'œil capable de séduire une clientèle nombreuse et diverse. Cette délicatesse, il l'hérite de son père, Frans I, et de ses deux oncles Hieronymus I et Ambrosius I qui surprennent à l'époque par leurs retables monumentaux aux accents italianisants. Les liens artistiques très étroits au sein du clan familial puis les collaborations impulsées par Frans II permettent une production abondante dont les modèles inondent le marché. Une réelle entreprise qui a su au fil des décennies affirmé sa marque, celle des Francken.

Francken [Family] --- Peinture --- Exhibitions --- Painting --- History of Antwerp --- painting [image-making] --- artists [visual artists] --- Francken, Frans [Younger] --- Francken, Hieronymus [Elder] --- Francken, Ambrosius, --- Francken, Frans, --- Francken, Hieronymus --- Francken (familie) --- Francken, Frans I --- Francken, Frans II --- Francken, Ambrosius --- 16de eeuw --- 17de eeuw --- Painting, Flemish --- Artist families --- Peinture flamande --- Familles d'artistes --- Family --- 1500-1699 --- Belgium --- Francken (familie). --- Francken, Hieronymus. --- Francken, Frans I. --- Francken, Frans II. --- Francken, Ambrosius. --- 16de eeuw. --- 17de eeuw.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

In Museum Vleeshuis maak je kennis met klavecimbels en virginalen, met unieke, beschilderde klavecimbeldeksels, en met Anthony Van Dycks portret van klaviervirtuoos Henricus Liberti. Mario Sarrechia, Bart Rodyns en Korneel Bernolet zorgen met nieuwe opnames op klavecimbel, virginaal en orgel, voor de gepaste soundtrack. In het Snijders&Rockoxhuis kan je schilderijen van onder meer Frans Floris, Jacob Jordaens, Maerten de Vos, de familie Francken, Jan Miense Molenaer, Jan Steen, Gerard Dou, Gabriël Metsu en Jacob Ochtervelt ontdekken. Al deze schilderijen hebben één ding gemeen: ze tonen orgels, klavecimbels en virginalen, vaak van Antwerpse makelij. Enkele klavierinstrumenten uit de collectie van Museum Vleeshuis vullen de tentoonstelling aan.

Applied arts. Arts and crafts --- Painting --- keyboard instruments --- anno 1500-1599 --- anno 1600-1699 --- Keyboard instruments --- Musical instrument makers --- Musical instruments in art --- History --- 78 --- 78.25 --- 78.42.0 --- 78.43.1 --- muziekinstrumenten --- iconografie --- klavecimbels --- orgels --- virginalen --- Francken, Frans II --- 16de eeuw --- 17de eeuw --- Nederlanden --- 78.04.3 --- Exhibitions --- muziekinstrumenten. --- iconografie. --- klavecimbels. --- orgels. --- virginalen. --- Francken, Frans II. --- 16de eeuw. --- 17de eeuw. --- Nederlanden. --- paintings [visual works]

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Occult topics have long fascinated artists, and the subject of witches their imagined bodies and fantastic rituals was a popular one for painters and printmakers in early modern Europe. Focusing on several artists in depth, Linda C. Hults probes the historical and theoretical contexts of their work to examine the ways witches were depicted and the motivations for those depictions. 
While studying the work of such artists as Dürer, Baldung, Jacques de Gheyn II, and Goya, Hults discerns patterns suggesting that the imagery of witchcraft served both as an expression of artistic license and as a tool of self-promotion for the artists. These imagined images of witches were designed to catch the attention of powerful and important patrons as witchcraft was being debated in political and intellectual centers. Dürer's early engravings of witnesses made in the wake of the Malleus maleficarum of 1487 were crucial in linking the seductive or aged female form with the dangers of witchcraft. The polarized idea of gender pervaded many aspects of early modern culture, including art theory. As the deluded female witch embodied the abuse of imagination and fantasy, so the male artist presented himself as putting those faculties to productive and reasoned use.


Witches in art --- Witchcraft in art --- Gender identity in art --- Art, European --- Witchcraft --- Sorcières dans l'art --- Sorcellerie dans l'art --- Identité sexuelle dans l'art --- Art européen --- Sorcellerie --- History --- Histoire --- Esoteric sciences --- Folklore --- gender issues --- witches --- magic --- Iconography --- Sociology of the family. Sociology of sexuality --- Dürer, Albrecht --- Francken, Frans [Younger] --- Gheyn, de, Jacques II --- Baldung Grien, Hans --- anno 1600-1699 --- anno 1500-1599 --- Europe --- Sorcières dans l'art --- Identité sexuelle dans l'art --- Art européen --- anno 1500-1799 --- gender --- magic [occult science] --- Gender --- Witches --- Images of women --- Visual arts --- Book

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Art --- Bayerische Staatsgemäldesammlungen [München] --- anno 1600-1699 --- Painting --- Rubens, Peter Paul --- Valckenborch, van, Lucas --- Vadder, de, Lodewijk --- Arthois, d', Jacques --- Fyt, Jan --- Siberechts, Jan --- Dyck, van, Anthony --- Vranckx, Sebastiaan --- Brouwer, Adriaen --- Crayer, de, Gaspar --- Kessel, van, Jan [Elder] --- Boel, Pieter --- Clerck, de, Hendrik --- Bruegel, Pieter [Younger] --- Bril, Paul --- Francken, Frans [Younger] --- Teniers, David [Younger] --- Snyders, Frans --- Alsloot, van, Denis --- Jordaens, Jacob --- Vinckboons, David --- Bruegel, Jan [Elder] --- Schoubroeck, Pieter --- Verhaecht, Tobias --- Savery, Roelant --- Janssen, Abraham --- Momper, de, Joos [jr.] --- Alte Pinakothek [Munich] --- Flanders --- Painting, Flemish --- Painting, Baroque --- Peinture flamande --- Peinture baroque --- Catalogs --- Catalogues --- Alte Pinakothek (Munich, Germany) --- Alte Pinakothek (München) --- barok --- 17de eeuw --- Zuidelijke Nederlanden --- Germany --- Munich (Germany) --- Painting [Flemish ] --- Painting [Baroque ] --- Europe --- Painting, Flemish - Catalogs --- Painting, Baroque - Flanders - Catalogs --- Painting - Germany - Munich - Catalogs --- Vlaamse school --- 17de eeuw. --- Zuidelijke Nederlanden. --- Jordaens, Jacques

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Painting --- polyptychs --- anno 500-1499 --- anno 1900-1999 --- painting [image-making] --- Art --- Panel painting --- Panel painting, Medieval --- Panel painting, Renaissance --- Peinture sur panneau --- Peinture sur panneau médiévale --- Peinture sur panneau de la Renaissance --- Exhibitions --- Expositions --- Diptychs --- Triptychs --- Exhibitions. --- liste des auteurs Marie-Claude Chaudonneret, Marie-Anne Dupuy, Bruno Foucart [et al.] --- kunst --- schilderkunst --- polyptieken --- veelluiken --- triptieken --- diptieken --- luiken --- Meester van Cesi --- Daddi Bernardo --- Simone dei Crocifissi --- de Carro Antonio --- Antonio de Carro --- Borassa Luis --- Sassetta --- van Eyck Jan --- van der Weyden Rogier --- Braccesco Carlo --- David Gerard --- Gossaert Jan --- van Hemessen Jan --- Cranach Lucas de Oude --- Capassini Giovanni --- Pourbus Pieter --- Vasari Giorgio --- van Steenwyck Hendrick --- Rubens Peter Paul --- Francken Frans II --- Fohr Carl Philipp --- von Schadow Wilhelm --- Orsel Victor --- Couder Auguste --- Janmot Louis --- Brown Ford Madox --- Burne-Jones Edward --- Hughes Arthur --- Lecomte de Noüy Jean Jules Antoine --- Moreau Gustave --- Khnopff Fernand --- Sérusier Paul --- Bonnard Pierre --- Denis Maurice --- Maurin Charles --- Frédéric Léon --- Cottet Charles --- Meunier Constantin --- Amiet Cuno --- Balla Giacomo --- Devambez André --- van Doesburg Theo --- Magritte René --- Léger Fernand --- Beckmann Max --- Matta Roberto --- Requichot Bernard --- Barré MArtin --- Manessier Alfred --- Poliakoff Serge --- Johns Jasper --- Kiefer Anselm --- Lüpertz Markus --- Ryman Robert --- Bacon Francis --- Asse Geneviève --- Marden Brice --- Twombly Cy --- Kelly Ellsworth --- Soulages Pierre --- 75.03 --- 7.03 --- Histoire de la peinture --- Histoire de la sculpture --- Peinture sur panneau médiévale --- Diptychs - Exhibitions. --- Painting - Exhibitions --- Triptychs - Exhibitions. --- MUSEE DU LOUVRE (PARIS) --- PEINTURE --- EXPOSITIONS