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De la fin du XVIe siècle jusqu'au milieu du XVIIe siècle, le nom Francken est associé au dynamisme de la création anversoise. Pas moins de cinq générations de peintres vont se succéder, établissant une véritable dynastie. Aujourd'hui ressort un nom, celui de Frans II Francken (1581-1642), artiste singulier et érudit à qui l'on doit de nouvelles représentations peintes, comme les fameuses galeries d'art. Loin des envolées lyriques et baroques de Rubens, son contemporain, il impose un style raffiné encore empreint d'une teinte maniériste aux couleurs chatoyantes. Un ravissement pour l'œil capable de séduire une clientèle nombreuse et diverse. Cette délicatesse, il l'hérite de son père, Frans I, et de ses deux oncles Hieronymus I et Ambrosius I qui surprennent à l'époque par leurs retables monumentaux aux accents italianisants. Les liens artistiques très étroits au sein du clan familial puis les collaborations impulsées par Frans II permettent une production abondante dont les modèles inondent le marché. Une réelle entreprise qui a su au fil des décennies affirmé sa marque, celle des Francken.

Francken [Family] --- Peinture --- Exhibitions --- Painting --- History of Antwerp --- painting [image-making] --- artists [visual artists] --- Francken, Frans [Younger] --- Francken, Hieronymus [Elder] --- Francken, Ambrosius, --- Francken, Frans, --- Francken, Hieronymus --- Francken (familie) --- Francken, Frans I --- Francken, Frans II --- Francken, Ambrosius --- 16de eeuw --- 17de eeuw --- Painting, Flemish --- Artist families --- Peinture flamande --- Familles d'artistes --- Family --- 1500-1699 --- Belgium --- Francken (familie). --- Francken, Hieronymus. --- Francken, Frans I. --- Francken, Frans II. --- Francken, Ambrosius. --- 16de eeuw. --- 17de eeuw.

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Occult topics have long fascinated artists, and the subject of witches their imagined bodies and fantastic rituals was a popular one for painters and printmakers in early modern Europe. Focusing on several artists in depth, Linda C. Hults probes the historical and theoretical contexts of their work to examine the ways witches were depicted and the motivations for those depictions. 
While studying the work of such artists as Dürer, Baldung, Jacques de Gheyn II, and Goya, Hults discerns patterns suggesting that the imagery of witchcraft served both as an expression of artistic license and as a tool of self-promotion for the artists. These imagined images of witches were designed to catch the attention of powerful and important patrons as witchcraft was being debated in political and intellectual centers. Dürer's early engravings of witnesses made in the wake of the Malleus maleficarum of 1487 were crucial in linking the seductive or aged female form with the dangers of witchcraft. The polarized idea of gender pervaded many aspects of early modern culture, including art theory. As the deluded female witch embodied the abuse of imagination and fantasy, so the male artist presented himself as putting those faculties to productive and reasoned use.


Witches in art --- Witchcraft in art --- Gender identity in art --- Art, European --- Witchcraft --- Sorcières dans l'art --- Sorcellerie dans l'art --- Identité sexuelle dans l'art --- Art européen --- Sorcellerie --- History --- Histoire --- Esoteric sciences --- Folklore --- gender issues --- witches --- magic --- Iconography --- Sociology of the family. Sociology of sexuality --- Dürer, Albrecht --- Francken, Frans [Younger] --- Gheyn, de, Jacques II --- Baldung Grien, Hans --- anno 1600-1699 --- anno 1500-1599 --- Europe --- Sorcières dans l'art --- Identité sexuelle dans l'art --- Art européen --- anno 1500-1799 --- gender --- magic [occult science] --- Gender --- Witches --- Images of women --- Visual arts --- Book

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Francken, Frans [Younger] --- Painted enamel --- Emaux peints --- Francken, Frans, --- Criticism and interpretation --- Catalogs. --- 7.071 FRANCKEN, FRANS, II, DE JONGERE --- -Enamel and enameling --- Creatieve en vertolkende bezigheden in verband met kunst. Activiteiten van beroepsartiesten--FRANCKEN, FRANS, II, DE JONGERE --- History --- -Francken, Frans --- -Criticism and interpretation --- Catalogs --- -Creatieve en vertolkende bezigheden in verband met kunst. Activiteiten van beroepsartiesten--FRANCKEN, FRANS, II, DE JONGERE --- 7.071 FRANCKEN, FRANS, II, DE JONGERE Creatieve en vertolkende bezigheden in verband met kunst. Activiteiten van beroepsartiesten--FRANCKEN, FRANS, II, DE JONGERE --- -7.071 FRANCKEN, FRANS, II, DE JONGERE Creatieve en vertolkende bezigheden in verband met kunst. Activiteiten van beroepsartiesten--FRANCKEN, FRANS, II, DE JONGERE --- Enamel and enameling --- Criticism and interpretation. --- Francken, Frans

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History --- Art --- drawing [image-making] --- Painting --- painting [image-making] --- Boeckhorst, Jan --- Mirou, Anton --- Valckenborch, van, Frederik --- Stalbemt, van, Adriaen --- Fyt, Jan --- Francken, Hieronymus II --- Bol, Jean --- Aertsen, Pieter --- Steenwijck, van, Hendrik [Younger] --- Es, van, Jacob Foppens --- Bril, Paul --- Govaerts, Abraham --- Peeters, Bonaventura [Elder] --- Leytens, Gijsbrecht --- Jordaens, Jacob --- Diepenbeeck, van, Abraham --- Teniers, David [Younger] --- Francken, Hieronymus [Elder] --- Balen, van, Hendrik [Elder] --- Mol, van, Peter --- Utrecht, van, Adriaen --- Keuninck, de, Christiaan --- Vos, de, Cornelis --- Wechelen, van, Jan --- Balten, Pieter --- Jordaens, Hans III --- Peeters, Clara --- Willeboirts Bosschaert, Thomas --- Francken, Ambrosius [Elder] --- Seghers, Gerard --- Seghers, Daniël --- Wildens, Jan --- Francken, Frans [Younger] --- Snyders, Frans --- Beuckelaer, Joachim --- Hoecke, van den, Jan --- Valckenborch, van, Lucas --- Coques, Gonzales --- Cleve, van, Marten [Elder] --- Ryckaert, David III --- Quellinus, Erasmus II --- Hoecke, van den, Caspar [Younger] --- Bruegel, Jan [Younger] --- Spranger, Bartholomeus --- Backer, de, Jacob --- Vos, de, Simon --- Veen, van, Otto --- Vranckx, Sebastiaan --- Beert, Osias I --- Brouwer, Adriaen --- Craesbeeck, van, Joos --- Mostaert, Gillis [Elder] --- Wolfordt, Artus --- Pourbus, Frans [Younger] --- Luyckx, Frans --- Key, Willem --- Bruegel, Pieter [Elder] --- Rubens, Peter Paul --- Thulden, van, Theodoor --- Adriaenssen, Alexander --- Vos, de, Maarten --- Schut, Cornelis --- Rijckaert, Marten --- Dyck, van, Anthony --- Neefs, Pieter [Elder] --- Floris, Frans I --- Vos, de, Paul --- Janssen, Abraham --- Gast, Michiel --- Noort, van, Adam --- Grimmer, Abel --- Bruegel, Jan [Elder] --- Keirincx, Alexander --- Coignet, Gillis I --- Uden, van, Lucas --- Teniers, David [Elder] --- Vredeman de Vries, Hans --- Rombouts, Theodoor --- Momper, de, Joos [jr.] --- anno 1600-1699 --- anno 1500-1599 --- Flanders --- Antwerp --- Painting, Flemish --- Peinture flamande --- Histoire --- schilderkunst --- tekeningen --- grafiek --- historieschilderkunst --- genrestukken --- stillevens --- kunstkabinetten --- landschappen --- Dyck, Anthony van --- Brueghel, Pieter (de Oude) --- 1550 - 1650 --- 16de eeuw --- 17de eeuw --- Vlaanderen --- Zuidelijke Nederlanden --- Antwerpen --- 75 <493> "16" --- 75.047.4 --- 75 <493-17> --- Schilderkunst--België--17e eeuw. Periode 1600-1699 --- Iconografie van de schilderkunst: stillevens --- Schilderkunst--Vlaanderen. Vlaams Gewest. Nederlandstalige Gemeenschap in België --- #A9309H --- Lochner, Stephan --- -Exhibitions --- Illumination of books and manuscripts, German --- Illumination of books and manuscripts, Gothic --- Painting, German --- Painting, Gothic --- Exhibitions. --- 75 <493-17> Schilderkunst--Vlaanderen. Vlaams Gewest. Nederlandstalige Gemeenschap in België --- 75.047.4 Iconografie van de schilderkunst: stillevens --- 75 <493> "16" Schilderkunst--België--17e eeuw. Periode 1600-1699 --- Exhibitions --- Lochner, Stefan --- Enluminure allemande --- Enluminure gothique --- Peinture allemande --- Peinture gothique --- Lochner, Stephan, --- Keulen --- 7.071 LOCHNER, STEFAN --- 75.033 <43> --- -Painting, German --- -Illumination of book and manuscripts, Gothic --- -Illumination of books and manuscripts, German --- -Illumination of books and manuscripts, Gothic --- -#GGSB: Kunst (cataloog tentoonstelling) --- Gothic illumination of books and manuscripts --- German illumination of books and manuscripts --- German painting --- Blaues Quadrat (Group of artists) --- Gothic painting --- Paintings, Gothic --- Creatieve en vertolkende bezigheden in verband met kunst. Activiteiten van beroepsartiesten--LOCHNER, STEFAN --- Schilderkunst van de Middeleeuwen--Duitsland voor 1945 en na 1989 --- 75.033 <43> Schilderkunst van de Middeleeuwen--Duitsland voor 1945 en na 1989 --- 7.071 LOCHNER, STEFAN Creatieve en vertolkende bezigheden in verband met kunst. Activiteiten van beroepsartiesten--LOCHNER, STEFAN --- Expositions --- prints [visual works] --- #GGSB: Kunst (cataloog tentoonstelling) --- Lochner, Etienne, --- Lochner, Stefan, --- Steffan, --- Stephan, --- 15de eeuw --- Painting [Renaissance ] --- Flanders (Belgium) --- Painting [Flemish ] --- Painting [Modern ] --- 17th-18th centuries --- Van Dyck, Anthony --- Belgium --- van Dyck, Anthony --- Kunst (cataloog tentoonstelling) --- historiestukken --- Painting, Gothic - Germany - Cologne - Exhibitions. --- Painting, German - Germany - Cologne - Exhibitions. --- Illumination of books and manuscripts, Gothic - Germany - Cologne - Exhibitions. --- Illumination of books and manuscripts, German - Germany - Cologne - Exhibitions. --- Lochner, Stephan, - ca. 1410-1451 - Exhibitions. --- Lochner, Stephan, - ca. 1410-1451 --- Antwerpse school --- Vlaamse school --- Lochner, Stefan. --- 15de eeuw. --- Keulen. --- Rubens, Peter Paul. --- van Dyck, Anthony. --- Jordaens, Jacob. --- Bruegel, Pieter I. --- 1550 - 1650. --- 16de eeuw. --- 17de eeuw. --- Vlaanderen. --- Zuidelijke Nederlanden. --- Antwerpen. --- Bruegel, Pieter I