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Handwriting --- Alphabet --- Specimens
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Handwriting. --- Personality Assessment. --- Graphology --- Graphologie
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Design, Calligraphic --- Handwriting --- Lettering --- Alphabet --- Specimens
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An Anthology of Asemic Handwriting is the first book-length publication to collect the work of a community of writers on the edges of illegibility. Asemic writing is a galaxy-sized style of writing, which is everywhere yet remains largely unknown. For human observers, asemic writing may appear as lightning from a storm, a crack in the sidewalk, or the tail of a comet. But despite these observations, asemic writing is not everything: it is just an essential component, a newborn supernova dropped from a calligrapher’s hand. Asemic writing is simultaneously communicating with the past and the future of writing, from the earliest undeciphered writing systems to the xenolinguistics of the stars; it follows a peregrination from the preliterate, beyond the verbal, finally ending in a postliterate condition in which visual language has superseded words. An Anthology of Asemic Handwriting is compiled and edited by Tim Gaze from Asemic magazine and Michael Jacobson from The New Post-Literate blog.
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Writing. --- Chirography --- Handwriting --- Language and languages --- Ciphers --- Penmanship
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Writing --- Ecriture --- Encyclopedias --- Encyclopédies --- -Chirography --- Handwriting --- Language and languages --- Ciphers --- Penmanship --- Encyclopedias. --- -Encyclopedias --- Encyclopédies --- Chirography
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From the perspective of early modernity, the presence of writing is linked to its visibility and legibility. This may be a questionable assumption, and it was especially problematic for writers in the premodern era, for whom concealment and veiling played such an important role. The aim of this book is to critically examine the category of the "restricted presence of writing," from an interdisciplinary and transcultural perspective.
Philology & Linguistics --- Languages & Literatures --- Writing --- History --- Chirography --- Handwriting --- Language and languages --- Ciphers --- Penmanship --- Invisibility. --- writing.
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Why do people still write by hand today? Is typing by hand actually handwriting? And what have signatures got to do with identity? Andi Gredig explores these and many other questions about handwriting from a linguistic and cultural studies perspective. He organizes the complex terminology of writing and script, explores common notions of what handwriting is and can be, and traces current practices of handwriting on the basis of text types such as greeting cards, sketches, and notes. The systematic and precise linguistic analysis of the ideologically contested subject of handwriting reveals some surprising insights. Andi Gredig is a researcher and lecturer at the German Department of the University of Zurich. As a layouter and editor in the linguistics department, he also edits and designs texts in the humanities and deals intensively with typography. In the summer of 2020, he completed his doctorate at the University of Zurich on the topic of handwriting.
linguistics --- Communication studies --- Lettering & calligraphy --- handwriting --- writing --- script --- font --- typeface --- sketch
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The interest in Andronikos Kallistos, a leading personality among the Greek émigrés who participated in Italian Humanism, arose at the end of the nineteenth century within the frame of the studies on Byzantine scholars of the Renaissance. Researchers have only glimpsed the depth of Kallistos’ erudite personality. To date, nearly 130 manuscripts have been found bearing evidence of his work as a copyist and philologist. However, research into both his scribal and scholarly activity remains fragmented into many isolated contributions, mainly concerning specific chapters of the manuscript tradition of classical Greek authors. Adopting a synergistic approach to historical, philological, codicological, and paleographic data within this framework, this monograph study aims to fulfil the following tasks: outlining an updated biography; defining Kallistos’ scribal activity better by means of a thorough examination of all surviving manuscript sources; attempting to reconstruct the development of his book collection; acknowledging Kallistos’ scholarly activity both as a teacher and philologist; making an inventory of all the manuscripts which bear traces of his writing; and, finally, publishing Kallistos’ works.
LITERARY CRITICISM / General. --- Greek handwriting. --- Late Byzantine émigrés. --- Manuscript collections. --- Renaissance.
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