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Architects --- Architectes --- Hollein, Hans,
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Architects --- Exhibitions. --- Hollein, Hans, --- Austria --- Architectural design --- Hollein, Hans --- 1934 --- -Hollein, Hans, --- architectuur --- twintigste eeuw --- interieurvormgeving --- design --- meubels --- Hollein Hans --- 72.071 HOLLEIN --- 747.071 HOLLEIN --- 1934-. --- 721 --- 721 Gebouwen in het algemeen --- Gebouwen in het algemeen --- Exhibitions
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Architecture, Modern --- Architects --- Architecture --- Architectes --- History --- Histoire --- Hollein, Hans,
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Architecture --- Architecture --- History --- Histoire --- Hollein, Hans, --- Vandenhove, Charles.
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Set within the broader context of post-war Austria and the re-education initiatives set up by the Allied forces, particularly the US, this book investigates the art and architecture scene in Vienna to ask how this can inform our broader understanding of architectural Postmodernism. The book focuses on the outputs of the Austrian artist and architect, Hans Hollein, and on his appropriation as a Postmodernist figure. In Vienna, the circles of radical art and architecture were not distinct, and Hollein’s claim that ‘Everything is Architecture’ was symptomatic of this intermixing of creative practices. Austria's proximity to the so-called ‘Iron Curtain’ and its post-war history of four-power occupation gave a heightened sense of menace that emerged strongly in Viennese art in the Cold War era. Seen as a collective entity, Hans Hollein’s works across architecture, art, writing, exhibition design and publishing clearly require a more diverse, complex and culturally nuanced account of architectural Postmodernism than that offered by critics at the time. Across the five chapters, Hollein's outputs are viewed not as individual projects, but as symptomatic of Austria's attempts to come to terms with its Nazi past and to establish a post-war identity.
Architecture, Postmodern --- Art, Austrian --- Architecture postmoderne --- Architecture, Postmodern. --- Art, Austrian. --- Architektur --- Kunst --- Postmoderne --- Hollein, Hans, --- Hollein, Hans --- Criticism and interpretation. --- 1900-1999 --- Austria. --- Österreich. --- Art autrichien --- History --- Histoire
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Hollein, Hans, --- Exhibitions --- Architectuur ; interieurarchitectuur ; 1964-2011 ; Hans Hollein --- Hollein, Hans °1934 (°Wenen, Oostenrijk) --- Architectuurgeschiedenis ; 1950 - 2000 --- Architectuurgeschiedenis ; 2000 - 2050 --- 72.038 --- 72.039 --- 72.07 --- 72.05 <035> --- 72.05 <035> Architecten. Algemene studies over bouwmeesters--Grote handboeken. Compendia --- Architecten. Algemene studies over bouwmeesters--Grote handboeken. Compendia --- Architecten. Stedenbouwkundigen A - Z --- Exhibitions.
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20e eeuw --- 717.8 --- Hollein, Hans --- musea --- architectuur, 20e eeuw, architecten afzonderlijk --- Musées d'architecture --- -Art museum architecture --- Stadtisches Museum Abteiberg Monchengladbach (Germany) --- Mönchengladbach (Germany). --- Hans Hollein Museum in Mönchengladbach --- Hans Holleins Museum am Abteiberg (Mönchengladbach, Germany) --- Mönchengladbacher Museum --- Museum Abteiberg (Mönchengladbach, Germany) --- Städtisches Museum Mönchengladbach --- Monchengladbach (Germany) --- -Hollein, Hans --- Hollein, Hans, --- Architecture --- Art museum architecture --- Museum architecture --- Architecture, Western (Western countries) --- Building design --- Buildings --- Construction --- Western architecture (Western countries) --- Art --- Building --- History --- Design and construction --- Criticism and interpretation. --- Städtisches Museum Abteiberg Mönchengladbach (Germany) --- Mönchengladbach (Germany) --- Mönchen-Gladbach (Germany) --- Buildings, structures, etc. --- 700.4 --- Musées d'architecture. --- Architecture, Primitive
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Cette anthologie rassemble près de quatre-vingts textes espacés sur une période qui débute avec les années soixante et se termine au milieu des années quatre-vingt-dix. Document de référence pour une histoire des idées architecturales et urbaines, ce livre permet d'avoir directement accès à une série de textes qui sont souvent cités de manière trop allusive et dont beaucoup n'étaient pas encore traduits. Il prolonge en outre l'ouvrage d'Ulrich Conrads, Programmes et Manifestes de l'architecture du XXè siècle, dont Michel Denès avait préfacé, en 1991, la première édition française. Seul un tiers des textes parle strictement de la ville; mais les villes ne sont-elles pas bâties tout autant de maisons, que d'idées ? Chacun des textes est présenté par une brève note introductive et le choix de ceux-ci, bien qu'il se veuille acritique, peut sembler parfois plus polémique que strictement scientifique, et s'il respecte les canons de la discipline, il réserve cependant surprises et découvertes.
architectuurtheorie --- Architecture --- architectural theory --- anno 1990-1999 --- Architecture, Modern --- Architectural criticism --- Critique d'architecture --- Sources. --- Philosophy --- Sources --- Philosophie --- Architecture contemporaine --- Ecrit d'architecte --- Théorie de l'architecture --- Frei, Otto --- Hollein, Hans --- Sternberg, Jacques --- Architecture, Modern - 20th century - Sources. --- ARCHITECTURE --- ECRITS D'ARCHITECTES --- 1945 - 1970 --- PHILOSOPHIE
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Follies (Architecture) --- Grotesque in architecture --- Folies (architecture) --- Grotesque en architecture --- Exhibitions --- Expositions --- -Follies --- Folly (Architecture) --- Architecture --- Pavilions --- -Exhibitions --- Abraham, Raimund --- Agrets & Gandelsonas --- Ambasz, Emilio --- Aulenti, Gae --- Batey & Mack --- Bofil, Ricardo --- Cook, Peter --- Eisenman / Robertson --- Gehry, Frank --- Graves, Michael --- Hollein, Hans --- Hubert, Christian --- Isozaki, Arata --- Machado-Silvetti --- Moneo, Rafael --- Rudolph, Paul --- Rukwert, Joseph --- Terry, Quinlan --- Tschumi, Bernard --- Follies
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Architecture today is more varied and interesting than at any other time in its history. Since the decline of the Modernism, which has dominated architectural theory and practice for most of this century, architecture has entered a new period of experimentation and change. Such divergent movments as Late-Modernism, Post-Modernism, the New Classicism, and, most recently, Deconstruction, have given architects unparalleled opportunities to create new styles and also to reassess the value of past architectural forms. The innovative, and in some cass controversial, buildings of the eighties, by extending existing stylistic and technological conventions, will play a major role in determining the architecture of our time. In this up-to-date international survey, Charles Jencks provides an incisive commentary on the crucial trends of the past two decades and defines the latest developments which will lead architecture into the next century. He discusses not only the work of well-established figures such as Ricardo Bofill, Peter Eisenman, Norman Foster, Hiromi Fujii, Mochael Graves, Hans Hollein, Arata Isozaki, Rob Krier, Richard Rogers, James Stirling, Bernard Tschumi, Mathias Ungers, and Robert Venturi, but also many more examples by a younger generation. Both highly readable and thoroughly researched, with a selected bibliography of further reading and a full index, this is an invaluable sourcebook for all those interersted in architecture today.
Architecture, Modern --- Architecture --- Modernisme --- Bofill, Ricardo --- Eisenman, Peter --- Foster, Norman --- Fujii, Hiromi --- Graves, Michael --- Hollein, Hans --- Isozaki, Arata --- Krier, Rob --- Rogers, Richard --- Stirling, James --- Tschumi, Bernard --- Ungers, Oswald Mathias --- Venturi, Robert --- Tschumi, Bernard, --- Venturi, Robert, --- Mouvement moderne --- Années 1980 --- Tour --- Eisenman, Peter, --- Rogers, Richard, --- Eisenman, Peter, 1932 --- -Foster, Norman --- Rogers, Richard, 1933 --- -Stirling, James --- Tschumi, Bernard, 1944 --- -Ungers, Oswald Mathias --- Venturi, Robert, 1925-2018
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