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Monografie romanisty Záviše Šumana je výsledkem jeho dlouhodobého studia raně novověké francouzské dramatické tvorby a dobové interpretace Aristotelovy Poetiky. Cenný je zejména jeho přístup teoreticko-metodologický, tj. zhodnocení korpusu teoretických a kritických textů o poetice tragédie v dobovém kontextu, a to s důrazem na co nejpřesnější analýzu dobových koncepcí a poukazem na to, že se teoretická řešení ne vždy shodovala s praxí.Dokladované texty francouzských originálů jsou uvedeny v paralelním postavení s (převážně) autorským překladem. Publikaci doplňuje informačně obsažný poznámkový aparát, rozsáhlá bibliografie, rejstřík a resumé v anglickém a francouzském jazyce.

Painting, French. --- French painting --- Paintings, French --- Groupe Finistère (Group of artists) --- poetics --- literary criticism --- tragedy --- interpretation --- France --- 17th century

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"Que les aveugles nient nos efforts, qu'ils voient dans nos luttes les convulsions de l'agonie, lorsque ces luttes sont les premiers bégaiements de la naissance. Ce sont des aveugles. Je les hais."

French literature --- Painting, French --- Art criticism --- Peinture française --- Critique d'art --- History --- Histoire --- Zola, Emile, --- Art --- Impressionnisme --- Littérature --- -French painting --- Paintings, French --- Groupe Finistère (Group of artists) --- -Painting, French --- Peinture française --- Zola, Émile, --- Painting, French - 19th century

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In 1863 Claude Monet and Frederic Bazille left Paris for Barbizon, a small village on the edge of the Forest of Fontainebleau, forty miles south-west of Paris. They came to this district to paint from nature in the open air and to make studies for landscape paintings, far from the pressures of city life. Together with Renoir and Sisley, they were following a well-trodden path taken by painters and tourists some thirty years earlier. Jean-Baptiste-Camille Corot had been studying the fleeting effects of nature in the forest as early as 1822, and in the 1840s Charles-Emile Jacque, Gustave Courbet, Charles-Francois Daubigny and Jean-Francois Millet made frequent visits to the area, some later taking up permanent residence. Like many innovators, the Barbizon painters have attracted less attention than their followers. The names of Theodore Rousseau, Narcisse Diaz de la Pena and Georges Michel have virtually been forgotten, and the originality of their painting techniques and impulsive brush work attributed to those who later exploited them. In this first survey of the Barbizon School for twenty years, Steven Adams re-evaluates the generation of landscape painters that preceded the Impressionists and illustrates the direct relationship between the paintings of Corot and Monet, Millet and Van Gogh. He examines the development of landscape painting in nineteenth century France from the restoration of the Bourbon monarchy in 1816 to the outbreak of the Franco Prussian War in 1870, and discusses the cultural and political changes that influenced a more naturalistic painting style fifty years before the term 'Impressioniste' was first heard in Paris.

Art styles --- anno 1800-1899 --- Barbizon --- Barbizon school --- Landscape painting, French --- Painting, French --- Ecole de Barbizon --- Peinture de paysages française --- Peinture française --- -Painting, French --- -French painting --- Paintings, French --- Groupe Finistère (Group of artists) --- French landscape painting --- -Barbizon school --- Peinture de paysages française --- Peinture française --- Painting, Modern --- Landscape painting --- CDL --- 75.035 --- Paintings --- Special subjects --- Landscapes --- France

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French literature --- Art --- anno 1800-1899 --- Art criticism --- Impressionism (Art) --- Painting, French --- Critique d'art --- Impressionnisme (Art) --- Peinture française --- History --- Themes, motives --- Histoire --- Thèmes, motifs --- -Art criticism --- -Painting, French --- -French painting --- Paintings, French --- Groupe Finistère (Group of artists) --- Arts --- Criticism --- -Themes, motives --- Analysis, interpretation, appreciation --- -History --- Peinture française --- Thèmes, motifs --- French painting --- Appreciation --- France --- Art and literature --- Impressionism (Art) - France --- Painting, French - 19th century - Themes, motives --- Art criticism - France - History - 19th century

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Painting --- Art styles --- anno 1400-1499 --- anno 1300-1399 --- Avignon --- Provence --- Avignon school of painting --- Painting, Gothic --- Painting, French --- Ecole d'Avignon --- Peinture gothique --- Peinture française --- -Painting, Gothic --- -Gothic painting --- Paintings, Gothic --- Avignon, Ecole de --- School of Avignon --- -Avignon school of painting --- Peinture française --- -Avignon, Ecole de --- Gothic painting --- French painting --- Paintings, French --- Groupe Finistère (Group of artists) --- Avignon (School van). --- Avignon (Ecole d'). --- Avignon. Art. --- Avignon. Kunst. --- Peinture francaise --- Ecole d'avignon --- 14e-18e siecles