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Realism in art --- Painters --- Réalisme dans l'art --- Peintres --- Hopper, Edward, --- Réalisme dans l'art
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In this international historical survey the different varieties of realism are explained in their theoretical context and categorised according to established definitions. The book is divided into three chronological sections. The first part, covering the years 1830-1917, describes the origins of the realist style in Europe and North America, the emergence of Naturalism and the origins of socialist art. The second part (1917-1960) explains the different stages of socialist realism in the USSR as well as the directions taken by realism in the West (social realism, magic realism and documentary photography) and in emergent countries (Mexican muralism and other forms of revolutionary art). In the last part (1960-1990) the influence of modernism on realism is discussed (new realism, Pop Art, photorealism, political art in Asia and Latin America, forms of critical realism in the worldwide student movements of the late 1960s).
Art styles --- anno 1800-1999 --- Realism in art --- Réalisme dans l'art --- Art --- Réalisme dans l'art
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Painters --- Painting, Canadian --- Realism in art --- Peintres --- Peinture canadienne --- Réalisme dans l'art --- Réalisme dans l'art
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Art, American --- Realism in art --- Painting, American --- Art américain --- Réalisme dans l'art --- Peinture américaine --- History --- Histoire --- Art américain --- Réalisme dans l'art --- Peinture américaine
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Aesthetics, Modern --- Art --- Realism in art --- Esthétique moderne --- Réalisme dans l'art --- Philosophy --- Philosophie --- Courbet, Gustave, --- Criticism and interpretation --- Esthétique moderne --- Réalisme dans l'art
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Manet, Edouard --- Réalisme dans l'art. --- Impressionnisme (Art) --- Manet, Édouard, --- Critique et interprétation. --- Painting, French --- Painters --- Realism in art. --- Impressionism (Art) --- Biography --- Attitudes --- Social networks --- Manet, Édouard,
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"A true historical painter ... is one who paints the life he sees about him, and so makes a record of his own epoch." This principle, voiced by the Impressionist Childe Hassam, was heeded by the artists whose contributions are the focus of this volume: the American Impressionists and the Realists of the generation that succeeded them. The authors of the book, which accompanies a major exhibition, illuminate the continuities and differences between American Impressionism and Realism, two movements that are traditionally viewed as merely opposed. They explore the roots of American Impressionism in European art, especially in the French Impressionists' engagement with the contemporary scene. Also elucidated are the evolving responses of both the American Impressionists and Realists to the changing realities of life in the United States at the turn of the century, as the nation shifted rapidly from an agrarian to an increasingly industrialized urban society. In an examination of paintin gs that represent the country, the city, and the home - the triad of subjects that engaged the artists - these responses are shown to reflect a tension between enthusiasm for the new and a sense of loss of the rural past. Studying a wide range of painters, including John Singer Sargent, William Merritt Chase, Childe Hassam, John Sloan, William Glackens, and George Bellows, the authors offer new insights into the threads of nationalism, optimism, euphemism, and nostalgia that link the two movements. They demonstrate that these painters of modern life endowed their European-rooted art with a distinctly American inflection and produced a selective register of an energetic nation, revealing a complex commitment to Robert Henri's assertion that "painting is the giving of evidence." The volume brings a new approach to this area of American art history, which has tended to be more descriptive than interpretive: it offers detailed historical and social contexts for the works and movements unde r consideration as well as penetrating stylistic analyses. Lavish illustrations of the paintings in the exhibition, comparative works and period photographs, a biography of each of the twenty-six artists in the exhibition, a selected bibliography, and an index are included.
Impressionism (Art) --- Painting, American --- Realism in art --- Impressionisme (Art) --- Peinture américaine --- Réalisme dans l'art --- Exhibitions --- Exhibitions. --- Expositions --- Peinture américaine --- Réalisme dans l'art --- CDL --- 75.036 --- Geschichte --- 1885-1915 --- United States --- 19th century --- 20th century
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Realism in art --- Arts, Modern --- Réalisme dans l'art --- Arts modernes --- Agee, James, --- Evans, Walker, --- Hopper, Edward, --- Arts, American --- Réalisme dans l'art --- United States --- Arts [Modern ] --- 20th century --- Agee, James
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Il est devenu banal de déclarer que les images virtuelles et les mondes fictifs créés par les nouvelles technologies donnent à repenser le rapport de l'homme au réel, et le rapport de l'homme à lui-même. Il conviendrait aujourd'hui de regarder les oeuvres d'art comme des dispositifs fictionnels, non pas seulement comme de pures et simples fictions, mais comme des virtualités qui aiguisent nos yeux, affûtent nos oreilles, engendrent les fantasmes que nous projetons dans le futur comme autant d'espoirs d'émancipation.
Art --- Realism in art. --- Imagination (Philosophy) --- Fictions, Theory of. --- Réalisme dans l'art --- Imaginaire (Philosophie) --- Théorie de la fiction --- Philosophy. --- Philosophie --- Realism in art --- Fictions, Theory of --- Philosophy --- Réalisme dans l'art --- Théorie de la fiction --- Art - Philosophy
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Dans les arts visuels, le sens courant du mot réalisme est celui de l'imitation à l'identique des apparences des choses. En se fondant sur le nominalisme de la Querelle des Universaux aux XIIe et XIVe siècles, et sur les conceptions de Hume, Kant, puis Marx, et en s'appuyant sur la polémique entre Baudelaire et Courbet sur le réalisme, cet essai tente de restituer à l'analyse formelle et matérielle des oeuvres, la possibilité de comprendre les mécanismes sensibles qui font qu'elles représentent ce qu'elles montrent sans que cela y soit
Realism in art. --- Mimesis in art. --- Art, Modern --- Art --- Réalisme dans l'art --- Mimêsis --- Philosophy. --- Philosophie --- Réalisme dans l'art --- Mimêsis --- Réalisme (mouvement artistique) --- Art et littérature.
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