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Applied arts. Arts and crafts --- Finland --- ryijyt. --- taidetekstiilit. --- tekstiilitaide. --- Suomi. --- 746.1 --- Textielkunst ; Finland ; 20ste eeuw --- Textielkunst ; weven
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Textile crafts --- Textile fabrics --- History. --- 745.52 --- 745.52 Kunstvoorwerpen van textiel. Textielkunst --- Kunstvoorwerpen van textiel. Textielkunst
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Textiel ; weefkunst ; tapijten ; geschiedenis --- 746(091) --- Textielkunst ; geschiedenis --- Textile fabrics --- Textiles et tissus --- History --- Histoire
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Emblematic works by the Belgian-Polish sculptor and textile artist produced in the 1970s, revealing Tapta’s attention to the tactility of her materials, the suppleness of structures, individual and collective practice, and the interaction between artwork, space, and viewer. This publication originates from the eponymous exhibition at WIELS, Brussels (2023). Through photographic views, the reader is invited to visually (re)visit the exhibition and (re)discover the “supple sculptures” by the Polish Belgian artist Tapta (1926–1997) and new works by Greet Billet, Hana Mileti, and Richard Venlet, which were inspired by Tapta’s practice and made specifically, or adapted, for the exhibition. Tapta (Maria Wierusz-Kowalski, 1926-1997) was a Belgian sculptor of Polish origin, whose influential work helped radically redefine sculpture by using textiles and other flexible materials as sculptural elements, and diversify textile creation beyond the categories of the decorative and the artisanal, paving the way for multidisciplinary research. Tapta came to Belgium as a political refugee with her husband, Christoph, after taking part in the Warsaw Uprising of 1944. She studied fine art and weaving at the National School for Advanced Visual Arts La Cambre, Brussels, from which she graduated in 1949. Shortly afterwards, the couple moved to the Belgian Congo (now the Democratic Republic of Congo), where they lived from 1950 to 1960. After returning to Belgium, Tapta swiftly established herself as one of the most important members of a new generation of artists, who sought to redefine sculpture by using textiles and other flexible materials as sculptural elements. In doing so, she simultaneously took textile art beyond the categories of ornament and craft.
Applied arts. Arts and crafts --- fiber artists --- fiber art --- textile artists --- textielkunst --- Tapta
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Anne Masson & Eric Chevalier associent leurs démarches depuis une dizaine d'années. Tous deux praticiens du textile, ils en interrogent la conception à travers une approche expérimentale de la matière, sans a priori sur les résultats.0Mus par une spontanéité et un plaisir de faire, ils abordent le textile dans différents contextes, en tant que medium lié à des enjeux culturels, intimes et collectifs, fonctionnels et réjouissants. S'appropriant avec liberté et précision différentes techniques, ils saisissent ce que la matière véhicule d'éphémère et fragile, de familier ou mystérieux, de drôle et réconfortant.0L'exposition veut éclairer l'esprit organique, mobile et élastique du travail. Car les processus investis ne sont fondamentalement jamais arrêtés mais susceptibles d'être variablement activés et colorés selon les circonstances. L'exposition présentera aussi la pratique collaborative et interdisciplinaire engagée depuis quelques années avec des architectes, designers ou chorégraphes. Autant de projets qui élargissent l'horizon de leur travail et interrogent différents statuts et dimensions du tissu. 0Exhibition: CID Grand Hornu, Hornu, Belgium (04.10.2015-10.01.2016).
Textile design --- Textile crafts --- Textiles et tissus --- Art textile --- Exhibitions --- Dessins --- Expositions --- Chevalier, Eric --- Masson, Anne --- Chevalier Masson --- 779.8 --- textielkunst --- papierkunst --- 746.07 --- 749.07 --- 746.039 --- Textielkunst ; interieur ; design ; 1999-2015 ; Chevalier Masson --- Chevalier, Eric °1974 (°Nantes) --- Masson, Anne °1969 (°Lausanne, Zwitserland) --- Textiel en/in meubeldesign --- Tentoonstellingscatalogi ; Grand-Hornu ; Musée des Arts Contemporains (Mac) --- textielkunst, overige --- Textielkunst ; textielkunstenaars --- Meubelontwerpers ; designers ; interieurarchitecten --- Textielkunst ; 2000-2050
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Written by one of the twentieth century’s leading textile artists, this splendidly illustrated book is a luminous meditation on the art of weaving, its history, its tools and techniques, and its implications for modern design. First published in 1965, On Weaving bridges the transition between handcraft and the machine-made, highlighting the essential importance of material awareness and the creative leaps that can occur when design problems are tackled by hand.With her focus on materials and handlooms, Anni Albers discusses how technology and mass production place limits on creativity and problem solving, and makes the case for a renewed embrace of human ingenuity that is particularly important today. Her lucid and engaging prose is illustrated with a wealth of rare and extraordinary images showing the history of the medium, from hand-drawn diagrams and close-ups of pre-Columbian textiles to material studies with corn, paper, and the typewriter, as well as illuminating examples of her own work.Now available for a new generation of readers, this expanded edition of On Weaving updates the book’s original black-and-white illustrations with full-color photos, and features an afterword by Nicholas Fox Weber and essays by Manuel Cirauqui and T’ai Smith that shed critical light on Albers and her career.
Albers, Anni, --- Textile design --- Weaving --- 746.7 --- Warping --- Textielkunst ; vlechtwerk --- 746.1 --- Textielkunst ; 20ste eeuw ; Anni Albers --- Weefkunst --- Albers, Anni (Annelise Else Frieda Fleischmann) 1899-1994 (°Berlijn, Duitsland) --- Textiel ; Bauhaus --- Textielkunst ; weven --- Textile design. --- Weaving. --- weaving --- weven --- textielkunst --- weavers --- Applied arts. Arts and crafts --- Albers, Anni --- Textile industry --- Decoration and ornament --- Design --- Tissage. --- Textiles et tissus --- Dessins. --- Textile --- Tissage --- Métier d'art --- ART / History / Contemporary (1945-). --- ART / Individual Artists / General. --- ART / Techniques / General. --- DESIGN / Textile & Costume. --- Albers, Anni, 1899-1994
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Textile crafts. --- Textile fabrics. --- Art textile --- Textiles et tissus --- 779.8 --- textiel --- conceptuele kunst --- textielkunst, overige --- Exhibitions
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Kente cloth --- Ashanti (African people) --- Ewe (African people) --- African Americans --- Tissus Kente --- Ashanti (Peulple d'Afrique) --- Ewe (Peuple d'Afrique) --- Noirs américains --- Exhibitions. --- Costume --- Clothing --- Exhibitions --- Expositions --- 746(6) --- Textielkunst ; weefsels ; Afrika ; Ghana ; Kente --- Etnografische textielkunst ; West-Afrika ; Akan --- Nwentoma --- Tentoonstellingscatalogi ; Los Angeles ; UCLA Fowler Museum of Cultural History --- Textielkunst ; Afrika --- West African strip weaving --- Symbolic aspects --- Noirs américains
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This work comprises more than 1000 images that highlight the beauty, subtlety, simplicity or complexity of textiles created around the world. The juxtaposition of historical and contemporary examples highlights the skill and imagination of textile designers throughout history, as well as the remarkable range of achievements.
History of civilization --- Applied arts. Arts and crafts --- Textile fabrics --- Textile design --- 746(03) --- 746(091) --- Textiel ; textielkunst ; wereldwijd ; naslagwerken --- Textiel ; als materiaal en medium in de beeldende kunst --- Cloth --- Fabrics --- Textile industry and fabrics --- Textiles --- Decorative arts --- Dry-goods --- Weaving --- Textile fibers --- Decoration and ornament --- Design --- Textile industry --- History. --- Textielkunst ; encyclopedieën --- Textielkunst ; geschiedenis --- textile materials --- textile art [visual works] --- Art --- Textiles et tissus --- Pictorial works --- Histoire --- Dessins --- Ouvrages illustrés --- Ouvrages illustrés --- History
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