Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Analyzing the artistic patronage of famous and lesser known women of Renaissance Mantua, and introducing new patronage paradigms that existed among those women, this study sheds new light the social, cultural and religious impact of the cult of female mystics of that city in the late fifteenth and early sixteenth century.

Author Sally Hickson combines primary archival research, contextual analysis of the climate of female mysticism, and a re-examination of a number of visual objects (particularly altarpieces devoted to local beatae, saints and female founders of religious orders) to delineate ties between women both outside and inside the convent walls.

The study contests the accepted perception of Isabella d'Este as a purely secular patron, exposing her role as a religious patron as well. Hickson introduces the figure of Margherita Cantelma and documents concerning the building and decoration of her monastery on the part of Isabella d'Este; and draws attention to the cultural and political activities of nuns of the Gonzaga family, particularly Isabella's daughter Livia Gonzaga who became a powerful agent in Mantuan civic life.

Women, Art and Architectural Patronage in Renaissance Mantua provides insight into a complex and fluid world of sacred patronage, devotional practices and religious roles of secular women as well as nuns in Renaissance Mantua.

Contents: Introduction: saints and the city; Popular devotion: Isabella d'Este, the Beata Osanna Andreasi and depictions of female sanctity in Mantua; Friendship and devotion: Margherita Cantelma and Isabella d'Este; Partners in piety: Margherita Cantelma, Isabella d'Este and the monastery of Santa Maria della Presentatzione in Tempio in Mantua; Daughters of devotion: Suor Ippolita Gonzaga and Suor Paola Gonzaga in Mantua; Gonzaga family piety and sisterly affection: Margherita Paleologa, first Duchess of Mantua; Appendices; Bibliography; Index.

History of Italy --- anno 1500-1799 --- Art patronage --- Women art patrons --- Art and society --- Women --- Mécénat --- Femmes mécènes --- Art et société --- Femmes --- History --- Histoire --- History. --- Mécénat --- Femmes mécènes --- Art et société --- women [female humans] --- vrouwbeeld --- widows --- Christian clergy --- Iconography --- fatale vrouw --- patronage --- deugdzame vrouwen

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Employing an innovative range of materials from written sources to artworks, material objects, heritage sites and urban precincts, and combining historical, historiographical, museological, and touristic analysis, this study investigates how late medieval and early modern women of the Low Countries expressed themselves, how they were represented by contemporaries, and how they have been interpreted in modern academic and popular contexts.

Women --- Femmes --- Social conditions --- History --- Conditions sociales --- Histoire --- Social conditions. --- History. --- vrouwbeeld --- 396 "14/15" --- 305 --- 305 Genderstudies. Rol van de sekse. Gender. Personen vanuit interdisciplinair gezichtspunt --- Genderstudies. Rol van de sekse. Gender. Personen vanuit interdisciplinair gezichtspunt --- 396 "14/15" Feminisme. Vrouwenbeweging. Vrouw en maatschappij--?"14/15" --- Feminisme. Vrouwenbeweging. Vrouw en maatschappij--?"14/15" --- 82:396 --- Human females --- Wimmin --- Woman --- Womon --- Womyn --- Females --- Human beings --- Femininity --- 82:396 Literatuur en feminisme --- Literatuur en feminisme --- History of the Low Countries --- Iconography --- Women - Low counties - Social conditions --- Women - Low countries - History --- receptiegeschiedenis --- vrouwengeschiedenis --- Pays-Bas --- 1500-1800 --- Belgique