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"The definitive guide to Molière's world and his afterlife, this is an accessible contextual guide for academics, undergraduates and theatre professionals alike. Interdisciplinary and diverse in scope, each chapter offers a different perspective on the social, cultural, intellectual, and theatrical environment within which Molière operated, as well as demonstrating his subsequent impact both within France and across the world. Offering fresh insight for those working in the fields of French Studies, Theatre and Performance Studies and French History, Molière in Context is an exceptional tribute to the premier French dramatist on the 400th anniversary of his birth"--

Dramatists, French --- French drama --- Theater --- History and criticism. --- History --- Molière, --- Criticism and interpretation. --- France --- Civilization --- Molière --- Molière, J.-B. P. --- Molière, J.-B. P. de --- Poquelin de Molière, Jean Baptiste, --- Molʹer, Zhan-Batist, --- Mo-li-ai, --- Moliai, --- Molyér, --- Molière, Jean Baptiste Poquelin, --- Moliere, I. B. P. de, --- Molʹer, Zh.-B. --- Molieros, --- Moliyer, --- Molʹer, --- Mollierŭ, --- Molyer, Zshan Poḳlen, --- Мольер, --- Moriēru, --- מאליער --- מולייר --- מולייר, ב׳אן בטיסט --- מולייר, פ. --- מולייר, --- מולירה --- موليير --- 莫里哀, --- モリエール,

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This book takes the head-scratching out of human sexuality. Personal construct theory provides the foundation for a psychosocial explanation of sexuality that views everyday social interaction as key to the development of sexual identity and desires. The theory developed here accounts for stability and change in sexual identity through an understanding of the importance of experience and the importance of meaning in everyday life. The potential impact of erotica and pornography on sexual desire is discussed, as is the role of social power on sexual behaviour. The variation of sexual expression among individuals—everything from asexuality and sado-masochism to sexual assault—is examined and explained. Formal techniques for changing sexual desires are also presented. .

159.922.1 --- Seksuele psychologie --- Psychology. --- Sociology. --- Personality. --- Social psychology. --- Sexual behavior. --- Sexual psychology. --- Sex (Psychology). --- Gender expression. --- Gender identity. --- Forensic psychology. --- Self. --- Identity (Psychology). --- Sexual Behavior. --- Self and Identity. --- Personality and Social Psychology. --- Gender Studies. --- Forensic Psychology. --- 159.922.1 Seksuele psychologie --- Sex. --- Sex (Psychology) --- Sex customs. --- Identity (Psychology) --- Sex identity (Gender identity) --- Sexual identity (Gender identity) --- Personal identity --- Juridical psychology --- Juristic psychology --- Legal psychology --- Psychology, Forensic --- Mass psychology --- Psychology, Social --- Customs, Sex --- Human beings --- Sexual behavior --- Sexual practices --- Expression, Gender --- Personality theory --- Personality traits --- Personology --- Traits, Personality --- Social theory --- Behavioral sciences --- Mental philosophy --- Mind --- Science, Mental --- Gender (Sex) --- Human sexuality --- Sex (Gender) --- Sexuality --- Gender and Sexuality. --- Queer theory --- Forensic sciences --- Psychology, Applied --- Consciousness --- Individuality --- Mind and body --- Personality --- Thought and thinking --- Will --- Human ecology --- Psychology --- Social groups --- Sociology --- Sex role --- Personality psychology --- Persons --- Self --- Temperament --- Social sciences --- Human biology --- Philosophy --- Soul --- Mental health --- Ego (Psychology) --- Psychology, Sexual --- Sex --- Sexual behavior, Psychology of --- Sexual psychology --- Sensuality --- Psychological aspects --- Sexology --- Manners and customs --- Moral conditions --- Consciousness. --- Apperception --- Perception --- Spirit --- Gender dysphoria

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Thomas Corneille (1625-1709), naguère éternel « cadet » du « grand Corneille », mérite qu'on redécouvre son prolifique théâtre, qui compta parmi les plus grands succès du XVIIe siècle. Touchant à tous les genres dramatiques anciens ou nouveaux et acheminant le théâtre vers le spectacle total, Thomas Corneille veut avant tout éblouir et enchanter un public dont il étudie sans relâche le goût et l'évolution. Sa dramaturgie repose sur l'art de la surprise, mobilise la connivence galante et enjouée, le jeu des dissonances, jusqu'à l'ironisation légère de l'univers tragique. À hauteur d'homme, un regard sans acidité ouvre vers la promotion optimiste et sensible du sujet individuel, accueilli dans sa complexité. Rarement joué, le théâtre de Thomas Corneille nous invite à questionner les hiérarchies littéraires ainsi que la capacité d'une œuvre qui ne fut jamais « classique » à être ré-adressée à notre temps.

Corneille, Thomas, --- Criticism and interpretation --- French drama --- Théâtre français --- Congresses. --- Théâtre français --- Literature --- littérature française --- théâtre --- French dramas --- 17th century --- Thomas Corneille --- Congresses