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Chinese lyricism : Shih poetry from the second to the twelfth century
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ISBN: 0231034644 0231034652 9780231034654 9780231034647 Year: 1971 Publisher: New York : Columbia University Press,

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In the thousand years covered by this volume th shih reached its highest level of development. A lyric form which, using a predominantly four-character line, had earlier been employed in the Confucian "Book of Odes", it rose to prominence once more in the period under discussion. the new shih, which differed from the original form only in its use of a five- or seven-character line, became the best known and most characteristic of Chinese poetic forms. Some 200 poems, illustrating the most important formal, stylistic, and thematic developments in the growth of shih poetry, are here presented in new translations by Burton Watson. The accompanying background material - critical, historical, or biographical - is given in notes to particular poems or in brief essays relating to a group of poems. After an introductory chapter that prepares the reader for some of the conventions, ambiguities, and linguistic difficulties that exist in shih poetry, Professor Watson takes up in turn the "Nineteen Old Poems" of the Han dynasty, the more realistic poetry of the Chien-an era, folk and pseudo-folk songs, poetry celebrating the life of the recluse, and love poetry. Three chapters are devoted to the T'ang dynasty, each period of which is noted for particular stylistic innovations and developments. T'ang poets include some fo the greatest names iin al Chinese literature - Li Po, Tu Fu, Wang Wei, Han-shan, Han Yü, Po Chü-i, Li Ho, and Li Shang-yin. They are represented here, but the reader will also find poems by lesser-known figures of the Early, High, Middle, and Late T'ang, such as Wei Ying-wu and Wang Chien. The author pays particular attention to the nature imagery of T'ang poetry, making an interesting analysis of images used in a representative anthology of T'ang poems. In conclusion, there is a chapter on the poetry of the Sung dynasty, Which showed little technical inventiveness, but made up for this by its broadening and enrichment of subject matter. Mei Yao-ch'en, Su Tung-p'o, Wang An-shih, Huang T'ing-chien, and Lu Yu, all major Sung poets, are represented in the translations.

Chuang Tzu : basic writings
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ISBN: 0231086067 9780231086066 0231105959 Year: 1996 Publisher: New York, NY : Columbia University Press,

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Chuang Tzu was a leading thinker representing the Taoist strain in Chinese thought. Using parable and anecdote, allegory and paradox, he set forth the early ideas of what was to become the Taoist school. Central in these is the belief that only by understanding Tao (the Way of Nature) and dwelling in its unity can man achieve true happiness and be truly free, in both life and death. Witty and imaginative, enriched by brilliant imagery, making sportive use of both mythological and historical personages (including even Confucius), the book which bearss Chuang Tzu's name has for centuries been savored by Chinese readers.


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Chinese lyricism : Shih poetry from the second to the twelfth century
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Year: 1971 Publisher: New York, NY : Bernstein,

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Book
Buddhism the First Millennium
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ISBN: 0870113216 9780870113215 Year: 1977 Publisher: Tokyo ; New York, NY ; San Francisco, CA : Kodansha International,


Book
Songs from my heart : poems and photographs
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Year: 1978 Publisher: New York, NY ; Tokyo : John Weatherhill,

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Selected writings of Nichiren
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Year: 1990 Publisher: New York : Columbia University Press,

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From the country of eight islands : an anthology of Japanese poetry
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ISBN: 0295957980 0385140304 9780295957982 Year: 1981 Publisher: Seattle : University of Washington Press,

The wild goose
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ISBN: 9780939512713 093951270X 0939512718 0472127462 0472901419 9780939512706 Year: 1996 Volume: 14 Publisher: Ann Arbor, Michigan : University of Michigan Press,

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