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"The colorist is responsible for the critical final stage of refinement of the film and broadcast image. Using all the controls modern color correction software provides, colorists refine the mood, create style, add polish to scenes, and breathe life into the visuals. The craft of color correction can take into considerable trial and error to learn, while the art of color grading takes years to perfect. Alexis Van Hurkman draws on his wealth of industry experience to provide a thoroughly updated edition of what has become the standard guide to color correction. Using a friendly, clear teaching style and a slew of real-world examples and anecdotes, Alexis demonstrates how to achieve professional results for any project, using any number of dedicated grading applications, or even an editing program's built-in color correction tools."--Back cover.
798.75 --- postproductie --- film --- filmtechnieken --- kleurcorrectie --- kleurgebruik --- kleuren --- filmproductie --- film, filmtechniek --- Motion pictures --- Digital video --- Editing --- Data processing. --- Kleur (kleur) --- Videobewerking --- filmtechniek --- kleur --- 791.42 --- Animation. --- Colors. --- Film. --- Video.
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The Language of the Lens explores the expressive power of the camera lens and the storytelling contributions that this critical tool can make to a film project. This book offers a unique approach to learning how lenses can produce aesthetically and narratively compelling images in movies, through a close examination of the various ways lens techniques control the look of space, movement, focus, flares, distortion, and the "optical personality" of your story's visual landscape. Loaded with vivid examples from commercial, independent, and world cinema, The Language of the Lens presents dozens of insightful case studies examining their conceptual, narrative, and technical approaches to reveal how master filmmakers have harnessed the power of lenses to express the entire range of emotions, themes, tone, atmosphere, subtexts, moods, and abstract concepts. The Language of the Lens provides filmmakers, at any level or experience, with a wealth of knowledge to unleash the full expressive power of any lens at their disposal, whether they are shooting with state-of-the-art cinema lenses or a smartphone, and everything in between.
Cinematography. --- Photographic lenses. --- Motion pictures --- Aesthetics. --- Technique. --- Cinematography --- Photographic lenses --- 798.75 --- film --- filmtechnieken --- cinematografie --- lenzen --- fotografie --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Aesthetics --- Camera lenses --- Lenses, Photographic --- Cameras --- Lenses --- Photography --- Chronophotography --- Technique --- film, filmtechniek --- History and criticism --- Animated pictures
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"Experimental Filmmaking and the Motion Picture Camera is an introductory guide to experimental filmmaking, surveying the practical methods of experimental film production as well as the history, theory and aesthetics of experimental approaches. Author Joel Schlemowitz explains the basic mechanism of the camera before going on to discuss slow and fast motion filming, single frame time lapse, the long take, camera movement, workings of the lens, and the use of in-camera effects such as double-exposure. A comprehensive guide to using the 16mm Bolex camera is provided. Strategies for making films edited in camera are covered. A range of equipment beyond the basic non-sync camera is surveyed. The movie diary and film portrait are examined. The work of a range of experimental filmmakers including Stan Brakhage, Rudy Burckhardt, Paul Clipson, Christopher Harris, Peter Hutton, Takahiko Iimura, Marie Losier, Rose Lowder, Jonas Mekas, Marie Menken, Margaret Rorison, Guy Sherwin, and Tomonari Nishikawa. This is the ideal book for students interested in experimental and alternative modes of filmmaking. It provides invaluable insight into the history, methods and concepts inherent to experimental uses of the camera, allowing students with a solid foundation of techniques and practices to be expanded upon in their own filmmaking. Supplemental material, including links to films cited in the book, can be found at www.experimentalfilmmaking.com"--
Experimental films --- PERFORMING ARTS / Reference --- PERFORMING ARTS / Film & Video / Screenwriting --- Production and direction. --- History and criticism. --- 798.89 --- 798.75 --- experimentele films --- film --- geschiedenis --- filmproductie --- filmtechnieken --- camera's --- cameratechnieken --- kunst --- 20e eeuw (twintigste eeuw) --- Avant-garde films --- Experimental videos --- Personal films --- Underground films --- Motion pictures --- Video art --- Production and direction --- History and criticism --- film, overige filmvormen --- film, filmtechniek --- filmtechniek --- experimentele film --- filmcamera's --- filmgeschiedenis --- Verenigde Staten --- 791.42
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Rapidly evolving computer and communications technologies have achieved data transmission rates and data storage capacities high enough for digital video. But video involves much more than just pushing bits! Achieving the best possible image quality, accurate color, and smooth motion requires understanding many aspects of image acquisition, coding, processing, and display that are outside the usual realm of computer graphics. At the same time, video system designers are facing new demands to interface with film and computer system that require techniques outside conventional video engin
Electronics --- Telecommunication technology --- Artificial intelligence. Robotics. Simulation. Graphics --- digitale video --- Digital television --- High definition television --- Digital video --- Télévision numérique --- Vidéo numérique --- Digital television. --- High definition television. --- Digital video. --- Digital motion video --- PC video --- Video, Digital --- Computer graphics --- Digital media --- Image processing --- Multimedia systems --- HDTV (Television) --- Television --- Digital communications --- Digital techniques --- 798.2 --- 798.75 --- audio --- broadcasting --- digitale technologie --- hdtv --- interfaces --- produktieprocessen --- technologie --- televisie --- video --- film, inleiding, hand- en leerboeken --- film, filmtechniek
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