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The Archivio Multimediale degli Attori Italiani (AMAtI) is an on-line computerized archive devoted to the Italian actors, dancers and singers who have practised the profession from the fifteenth to the twenty-first century. For every actor AMAtI offers a complete original and up-to-date profile, bibliography, list of sources, and a detailed selection of data on his/her career and single performances. Documents, images and multi-media material (video and audio), linked to the collected information, can be viewed in order to provide a more in-depth rundown on each actor. It is also possible to research single performances independently, how characters have been interpreted over time, as well as theatre companies and historical theatres.

Actors

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Das Hofmannsthal-Jahrbuch zur europäischen Moderne ist weltweit das wichtigste Organ der Hofmannsthal-Forschung. Darüber hinaus bietet es Beiträge namhafter Wissenschaftler zur europäischen Kultur der Moderne. Hugo von Hofmannsthal: »Das junge Skandinavien« von Ola Hansson; Hugo von Hofmannsthal: Dichter und Individuum; Hugo von Hofmannsthal - Robert und Annie von Lieben: Briefwechsel; Hugo von Hofmannsthal - Julius Meier-Graefe: Briefwechsel; Catherine Krahmer: Meier-Graefes Weg zur Kunst; Gerhard Neumann: Hofmannsthals Ästhetik des Flüchtigen; Bernhard Böschenstein: »Buch der Freunde«; Albrecht Riethmüller: »Der Rosenkavalier«: Elsbeth Dangel-Pelloquin: Fuchs und Storch; Gregor Streim: »Die richtige Moderne«; Tatsuji Iwabuchi: Ein unbekannter Brief Arthur Schnitzlers; Claudia Öhlschläger: Rainer Maria Rilkes Briefe aus Spanien.

DSB --- Actors

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Love of the theatre began at an early age for John Westland Marston (1819-90), and developed into his life's work as a playwright, critic and literary figure of the Victorian era. He fell out of fashion and into poverty in the last years of his life, though Irving and other friends helped with a gala benefit performance of his most famous play. This two-volume work, published in 1888, is a tribute to the actors, plays and performances of his youth. Victorian dramatic works ranged through a variety of styles and genres, and Marston's recollections cover the wide area of theatrical culture in which he was involved. Volume 1 includes chapters on the actors Macready, Charles and Ellen Kean and the Kemble family. Combining professional knowledge, backstage anecdotes and accounts of the emotional impact of performances upon Marston himself, the work offers an insight into the growth and development of nineteenth-century theatre.

Theater --- Actors --- Actresses --- History

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Reframing Vivien Leigh takes a new look at the laboring life one of the twentieth century's most iconic stars. Author Lisa Stead reframes the dominant narratives that have surrounded Leigh's life and career, offering a new perspective on Vivien Leigh as a distinctly archival subject. The book examines the collections and curatorial practices that have built up around her, exploring material documents collated by her own hand and by those who worked with her. The book also examines the collection practices of those who have developed deep, long-standing fandoms of her life and work. To do so, the book draws upon new oral history work with curators, archivists and fan collectives and examines a variety of archived correspondence, items of dress and costume, script annotations, photography, press clippings, props and memorabilia. It argues that such material has the potential to produce a new interpretation of Leigh as a creative laborer. As such, the book casts new light on the labor of archiving itself and the significance of archival processes and practices to contemporary feminist film historiography.

Actors --- Leigh, Vivien,

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Actors --- Acteurs --- Darrell, George,