Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Lieu de vie et de création, espace de rencontres et de dévoilement de l’œuvre, l’atelier de Clamart où Jean Arp et Sophie Taeuber s’installent en 1929 n’est pas seulement une demeure empreinte de la sérénité et de la simplicité des deux artistes. Voir l’œuvre dans l’intimité et la lumière de l’atelier où elle est née, repérer les traces de toute nature qui y sont conservées permet une compréhension plus fine et plus forte que de la regarder dans l’éclairage impersonnel, écrasant d’un musée. S’attacher à faire découvrir la personnalité de l’artiste qui se crée par son œuvre, montrer comment émerge une œuvre, tout en s’interrogeant sur le chef-d’œuvre, amener chaque spectateur à entrer directement, et par sa propre voie, dans la singularité du travail de l’artiste, l’incitant à s’émanciper des maîtres à penser et du filtre de la culture qui l’empêche de voir… Le présent ouvrage est une réponse à ces attentes. Déroulant la singulière aventure artistique de Jean Arp et de Sophie Taeuber, il a pour objet de faire émerger, dans une approche sensible, l’originalité de leur œuvre personnelle et l’œuvre construite en commun

Art --- studios [work spaces] --- Arp, Hans --- Taeuber-Arp, Sophie Henriette Gertrud --- Ateliers d'artistes --- Arp, Jean --- Taeuber-Arp, Sophie

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

This collection of critical essays celebrates the subversive and challenging creativity of the Dada movement, born in pacifist Zurich in 1916 in violent reaction to the First World War. It examines the collective and individual activities that took place under the name of Dada in Zurich, Cologne, Berlin, Paris, New York and Barcelona, and explores the various creative forms employed, including text, collage, photomontage, objects, dance, performance and film. The authors suggest new ways of understanding the work of the most famous Dadaists, while also casting light on the contribution of hitherto neglected figures. “Dada was a bomb”, declared Max Ernst in an interview in 1958. “Can you imagine anyone, almost half a century after the explosion of a bomb, trying to collect its fragments and stick them together in order to display them?” The aim of this volume is not to reconstitute the bomb, but to analyse some of its explosive effects and after-effects that continue to resonate nearly a century later. Far from attempting to reduce Dada to a homogeneous movement, or to define a unifying principle beneath and beyond the multiple directions taken by Dadaists, this collection aims to respect the diversity and heterogeneity of the movement’s collective activities as well as the specificity of its individual actors.

Dadaism. --- Arts, Modern --- Arts, Modern. --- Dada --- Tabu-Dadaism --- Modern arts --- 1900 - 1999 --- Avant-garde (Aesthetics) --- Aesthetics --- Modernism (Art) --- Dadaist literature --- Littérature dadaïste --- Dadaïsme --- Arts --- dadaïsme --- politiek --- modernisme --- Arp, Hans --- Nougé, Paul --- Arnauld, Céline --- Baader, Johannes --- Taeuber-Arp, Sophie --- Picabia, Francis --- Höch, Hannah --- 20ste eeuw --- dadaïsme. --- politiek. --- modernisme. --- Arp, Hans. --- Nougé, Paul. --- Arnauld, Céline. --- Baader, Johannes. --- Taeuber-Arp, Sophie. --- Picabia, Francis. --- Höch, Hannah. --- 20ste eeuw. --- Dadaïsme --- Appréciation --- Histoire et critique

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Hans Arp --- Kurt Schwitters --- 707.8 --- Dadaism --- Arp, Jean, --- Schwitters, Kurt, --- Швітэрс, Курт, --- Shvitėrs, Kurt, --- Швитерс, Курт, --- Σβίττερς, Κουρτ, --- Kourt Svitters --- שוויטרס, קורט, --- Šviterss, Kurts, --- クルト・シュヴィッタース, --- シュヴィッタース, クルト, --- Shuvittāsu, Kuruto, --- Швиттерс, Курт, --- Shvitters, Kurt, --- Šviters, Kurt, --- Arp, Hans, --- Arp, Khans, --- Arp, J.,

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

"L'exposition présentée au Centre Pompidou explore les multiples échanges entre la communauté scientifique et les artistes en associant des oeuvres phares de la création moderne et contemporaine à des fossiles, outils, sculptures et gravures préhistoriques emblématiques. Le catalogue qui l'accompagne reprend ce parcours original en y apportant les regards de spécialistes ainsi que des repères bibliographiques et chronologiques." [Source : 4e de couv.].

kunst --- Leroi-Gourhan André --- design --- film --- Smithson Robert --- Taeuber-Arp Sophie --- Arp Jean --- Delaunay Sonia --- Delanay Robert --- Bataille Georges --- Baumeister Willi --- Frobenius Leo --- Dubuffet Jean --- Oldenburg Claes --- Beuys Joseph --- Giacometti Alberto --- Picasso Pablo --- Ernst Max --- Savinio Alberto --- De Chirico Giorgio --- 7.03 --- 7.036/039 --- 7.039 --- 7.036 --- 7.031 --- prehistorie --- twintigste eeuw --- eenentwintigste eeuw --- Exhibitions --- Art préhistorique --- Antiquités préhistoriques --- Art --- Influence --- Catalogues d'exposition. --- Centre national d'art et de culture Georges Pompidou (Paris) --- Art, Prehistoric --- Prehistoric peoples in art --- Art, Modern --- Exhibitions. --- Themes, motives --- Centre national d'art et de culture Georges Pompidou --- Centre national d'art et de culture Georges-Pompidou --- avant-garde --- etnografie --- hedendaagse kunst --- moderne kunst --- Arp, Hans --- Bataille, Georges --- Baumeister, Willi --- Beuys, Joseph --- Chirico, Giorgio de --- Delaunay, Robert --- Delaunay-Terk, Sonia --- Dubuffet, Jean --- Ernst, Max --- Frobenius, Leo --- Giacometti, Alberto --- Gun, Ray --- Leroi-Gourhan, André --- Oldenburg, Claes --- Picasso, Pablo --- Savinio, Alberto --- Smithson, Robert --- Taeuber-Arp, Sophie --- Préhistoire --- Influence. --- prehistorie (historisch tijdvak) --- prehistorie (historisch tijdvak). --- moderne kunst. --- hedendaagse kunst. --- avant-garde. --- etnografie. --- Chirico, Giorgio de. --- Savinio, Alberto. --- Ernst, Max. --- Picasso, Pablo. --- Giacometti, Alberto. --- Beuys, Joseph. --- Oldenburg, Claes. --- Gun, Ray. --- Dubuffet, Jean. --- Frobenius, Leo. --- Baumeister, Willi. --- Bataille, Georges. --- Delaunay-Terk, Sonia. --- Delaunay, Robert. --- Taeuber-Arp, Sophie. --- Arp, Hans. --- Smithson, Robert. --- Leroi-Gourhan, André.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

735.8 --- Aragon, Louis --- Arp, Hans --- Ball, Hugo --- Breton, Andre --- Carrington, Leonora --- Dali, Salvador (1904-1989) --- Duchamp, Marcel (1887-1968) --- Eluard, Paul --- Ernst, Max --- Grosz, George --- Hausmann, Raoul --- Heartfield, John --- Huelsenbeck, Richard --- Höch, Hannah --- Janco, Marcel --- Kahlo, Frida --- Lam, Wifredo --- Magritte, René (1898-1967) --- Masson, Andre --- Matta --- Miller, Lee --- Miro, Joan --- Oppenheim, Meret --- Paalen, Wolfgang --- Picabia, Francis --- Ray, Man (Man Ray) --- Schwitters, Kurt --- Taeuber, Sophie --- Tanguy, Yves --- Tzara, Tristan --- dadaïsme --- kunstgeschiedenis --- surrealisme --- geschiedenis der schilder- en tekenkunst, 20e eeuw, algemene stromingen --- Surréalisme --- Matthew Gale --- Arts, Modern --- Dadaism --- Surrealism --- 7.037 --- interbellum --- kunst --- twintigste eeuw --- Superrealism --- Surrealism in art --- Dada --- Tabu-Dadaism --- Art styles --- anno 1900-1999 --- Europe --- 20ste eeuw --- Art [Modern ] --- 20th century --- 20ste eeuw.