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Art --- Art and society --- Art, Modern --- Political aspects --- History --- Art et politique --- Analyse de l'art --- Art - Political aspects - History - 20th century --- Art and society - History - 20th century --- Art, Modern - 20th century

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Contents: Introduction: art and religion: then and now, Virginia Chieffo Raguin; Salvaging saints: the rescue and display of relics in Munich during the early Catholic-Reformation, Jeffrey Chipps Smith; Does religion matter? Adam Kraft's eucharistic tabernacle and Eobanus Hessus, Corine Schlief; You are what you wear (and use, and see): the form of the reform in England, Virginia Chieffo Raguin; Repackaging the past: the survival, preservation and reinterpretation of the windows in St Mary's, Fairford, Gloucestershire, Sarah Brown; Preserving antiquity in a Protestant city: the Maison Carré in 16th-century Nîmes, David Karmon; Destruction or preservation?; the meaning of graffiti on paintings in religious sites, Véronique Plesch; Inquisitorial practices past and present: artistic censorship, the Virgin Mary, and St Anne, Charlene Villaseñor Black; Index.

Counter-Reformation --- Reformation --- art history --- History of Europe --- iconoclasm --- European --- Iconography --- inquisitie --- History of civilization --- Mary [s.] --- anno 1500-1799 --- anno 1600-1699 --- anno 1500-1599 --- Christian art and symbolism --- Christianity and art --- Art and society --- Art et symbolisme chrétiens --- Christianisme et art --- Art et société --- History --- Histoire --- Art et symbolisme chrétiens --- Art et société --- Christian art and symbolism - Modern period, 1500 --- -Christianity and art - History - 16th century --- Christianity and art - History - 17th century --- Art and society - History - 16th century --- Art and society - History - 17th century

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Collection of essays by art historians and cultural theorists on what it means for art to be contemporary in the wake of postmodernism.

Art, Modern --- Modernism (Art) --- Art and society --- Art and globalization --- Visual Arts --- Art, Architecture & Applied Arts --- Visual Arts - General --- History --- Art et mondialisation --- Modernisme (art) --- Art --- Histoire --- Aspect social --- Art, Modern - 21st century --- Modernism (Art) - History - 21st century --- Art and society - History - 21st century --- Art and globalization - History - 21st century

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"De quand date la naissance de l'observateur moderne ? Pour Jonathan Crary, c’est au tournant du XIXe siècle que s’opère, non pas une mutation de l’imagerie, mais une transformation de la subjectivité, lorsque la figure de l’observateur investit le champ esthétique, la médecine et la philosophie. Bien que vieille de deux siècles, cette discrète révolution dans la culture visuelle occidentale est encore la nôtre. Elle accompagne l’essor de la société disciplinaire tout en préparant l’avènement de la société du spectacle – ainsi que de leurs prolongements actuels"

Visual perception --- Art, Modern --- Art and society --- Perception visuelle --- Art --- Art et société --- Themes, motives. --- History --- Thèmes, motifs --- Histoire --- Art et société --- Thèmes, motifs --- Visual Perception. --- France --- Intellectual life --- Social life and customs --- Art, Modern - 19th century - Themes, motives. --- Art and society - History - 19th century. --- France - Intellectual life - 19th century. --- France - Social life and customs - 19th century. --- Modernité --- Sociologie de la culture --- Philosophie --- Vision --- Optique physiologique. --- Esthétique --- Photographie.

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Jonathan Crary --- kunst --- kunsttheorie --- negentiende eeuw --- waarneming --- perceptie --- Licht --- kleurenleer --- Goethe Johann Wolfgang --- thaumatropen --- fenacisticopen --- stroboscopen --- zootropen --- kaleidoscopen --- diorama's --- stereoscopen --- 7.01 --- 7.035 --- 316.772.22 --- 82:791.43 --- 82:3 --- Art and society --- -Art, Modern --- -Visual perception --- Optics, Psychological --- Vision --- Modern art --- Art --- Art and sociology --- Society and art --- Sociology and art --- 82:3 Literatuur en maatschappijwetenschappen --- Literatuur en maatschappijwetenschappen --- 82:791.43 Literatuur en film --- Literatuur en film --- 316.772.22 Audio-visuele, visuele communicatie. Beeldcommunicatie--(communicatiesociologie) --- Audio-visuele, visuele communicatie. Beeldcommunicatie--(communicatiesociologie) --- History --- -Themes, motives --- Psychological aspects --- Social aspects --- Art, Modern --- Visual perception. --- Themes, motives. --- Visual perception --- Perception --- Visual discrimination --- Themes, motives --- Subjects --- #SBIB:309H520 --- #SBIB:316.7C170 --- Audiovisuele communicatie: algemene werken --- Cultuursociologie: culturele groei, vooruitgang, stagnatie, technologische verandering, cultuurbewegingen --- Art [Modern ] --- 19th century --- Art, Modern - 19th century - Themes, motives. --- Art and society - History - 19th century. --- Ecrit théorique --- Analyse de l'art --- Théorie de l'art --- Visual Perception --- perception --- art criticism --- moderniteit --- kunstbeschouwing --- anno 1800-1899 --- Perception visuelle --- Art et société --- Thèmes, motifs --- Histoire