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Burne-Jones, Edward Coley --- Burne-Jones, Edward

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Sir Edward Coley Burne-Jones (1833-98) emerged from a solitary, motherless childhood to form close friendships with William Morris and such other luminaries of the Victorian art world as Dante Gabriel Rossetti and John Ruskin. A second generation Pre-Raphaelite and founder member of the Morris firm, he was influential in many areas, from painting, stained glass and tapestry design to book illustration. His later work, including such iconic paintings as The Wheel of Fortune, The Golden Stairs (which caused a sensation when exhibited at the Grosvenor Gallery) and The Sleep of Arthur in Avalon, influenced and exemplified the Aesthetic Movement, and inspired the European Symbolists. His wife, Georgiana Burne-Jones (1840-1920), published this engaging two-volume biography in 1904. Volume 1 describes his formative years, important early relationships, projects such as the murals for the Oxford Union debating chamber, and his arrival at full maturity with the St George series of 1865-7.

Burne-Jones, Edward Coley, 1833-1898 --- Art

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Burne-jones, edward coley (1833-1898) --- Peinture --- Préraphaélisme --- 19e siècle --- Grande-bretagne --- Angleterre (gb)

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The nineteenth century was a period of science and imagery: when scientific theories and discoveries challenged longstanding boundaries between animal, plant, and human, and art and visual culture produced new notions about the place of the human in the natural world. Just as scientists relied on graphic representation to conceptualize their ideas, artists moved seamlessly between scientific debate and creative expression to support or contradict popular scientific theories, such as Darwin's theory of evolution and sexual selection, deliberately drawing on concepts in ways that allowed them to refute popular claims or disrupt conventional knowledges. Focusing on the close kinship between the arts and sciences during the Victorian period, the art historians contributing to this volume reveal the unique ways in which nineteenth-century British and American visual culture participated in making science, and in which science informed art at a crucial moment in the history of the development of the modern world. Together, they explore topics in geology, meteorology, medicine, anatomy, evolution, and zoology, as well as a range of media, from photography to oil painting. They remind us that science and art are not tightly compartmentalized, separate influences. Rather, these are fields that share forms, manifest as waves, layers, lines, or geometries; that invest in the idea of the evolution of form; and that generate surprisingly kindred responses, such as pain, pleasure, empathy, and sympathy.

Art victorien. --- Art et sciences --- Illustration scientifique --- Art, Victorian. --- Art and science --- Scientific illustration --- Art, Victorian --- Natural history in art --- Arts --- Medical illustration --- Culture --- Science --- Art objects --- Objectivity in literature --- Architecture --- Communication visuelle en sciences --- Illustrateurs scientifiques --- Illustration en sciences naturelles --- Objectivité. --- Sciences --- Sciences naturelles --- Art --- Objets d'art. --- Illustration médicale --- History --- Philosophy. --- Aesthetics. --- Esthétique. --- Dans la littérature --- Histoire. --- Burne-Jones, Edward Coley, --- Hughes, Arthur, --- MacDonald, George, --- Burne-Jones, Edward Coley --- MacDonald, George --- Great Britain --- Grande-Bretagne --- Scientific illustration. --- Science. --- Objectivity in literature. --- Natural history in art. --- Medical illustration. --- Culture. --- Arts. --- Art and science. --- England. --- Victorian art --- Art, Modern --- Science and art --- Illustration, Scientific --- Science illustration --- Scientific literature --- Illustration of books --- Drawing --- Technical illustration --- Arts, Fine --- Arts, Occidental --- Arts, Primitive --- Arts, Western --- Fine arts --- Humanities --- Illustration, Medical --- Medicine and art --- Cultural sociology --- Sociology of culture --- Civilization --- Popular culture --- Architectural aesthetics --- Aesthetics, Architectural --- Aesthetics --- Bric-a-brac --- Objects, Art --- Objets d'art --- Decoration and ornament --- Decorative arts --- Object (Aesthetics) --- Antiques --- Natural science --- Natural sciences --- Science of science --- Illustration --- Scientific applications --- Social aspects --- Angleterre --- Anglii︠a︡ --- Inghilterra --- Engeland --- Inglaterra --- Anglija --- England and Wales --- 1800-1899

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7.036.1 --- Behrens Peter --- Christiansen Hans --- Duitsland --- Mathildenhöhe --- Müller Albin --- [hrsg.] --- architectuur --- art nouveau --- kunst --- schilderkunst --- theater --- twintigste eeuw --- 705.8 --- Behrens, Peter --- Morris, William --- arts and crafts --- bauhaus --- bauhaus architectuur --- jugendstil --- verlichting --- kunstgeschiedenis, 20e eeuw --- Art styles --- anno 1800-1999 --- 1898 - 1914 --- Rippl-Rónai, József --- Baillie Scott, M.H. --- Hofmann, von, Ludwig --- Guimard, Hector --- Olbrich, Josef Maria --- Zwintscher, Oskar --- Bosselt, Rudolf --- Modersohn, Otto --- Bauer, Leopold --- Habich, Ludwig --- Dill, Ludwig --- Degouve de Nuncques, William --- Sérusier, Paul --- Müller, Albin --- Eckmann, Otto --- Kleukens, Friedrich W. --- bauhaus ; architectuur --- Art nouveau --- Design --- Industrial design --- Design, Industrial --- Mechanical drawing --- New products --- Creation (Literary, artistic, etc.) --- Art belle époque --- Art nouva --- Arte joven --- Belle époque art --- Jugendstil --- Modern style (Art nouveau) --- Modernisme (Art nouveau) --- Modernismo (Art nouveau) --- Nieuwe kunst --- Stile Liberty --- Style nouille (Art nouveau) --- Aesthetic movement (Art) --- Art --- Influence --- History --- architecture [discipline] --- Applied arts. Arts and crafts --- religious art --- Arts and Crafts [movement] --- Iconography --- decorative arts --- Bauhaus --- Architecture --- Art Nouveau --- Denis, Maurice --- Schiele, Egon --- Klinger, Max --- Steinlen, Théophile A. --- Klimt, Gustav --- Vogeler, Heinrich Johann --- Stuck, von, Franz --- Modersohn-Becker, Paula --- Beckmann, Max --- Munch, Edvard --- Toorop, Jan --- Burne-Jones, Edward Coley --- Lechter, Melchior --- Moser, Koloman --- Velde, Van de, Henry --- Hodler, Ferdinand --- Toulouse-Lautrec, de, Henri --- anno 1910-1919 --- anno 1930-1939 --- anno 1900-1909 --- anno 1800-1899 --- anno 1920-1929 --- Germany --- Great Britain --- Darmstadt --- Arts and Crafts --- toegepaste kunsten --- Architectuur --- Arts and crafts --- Allemagne --- decorative arts [discipline] --- Olbrich, Joseph Maria --- Scott, M.H. Baillie --- ART NOUVEAU --- EUROPE