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"The beeldenstorm, or the Iconoclastic Fury, that raged throughout the Low Countries in 1566 is a key concept in the history of the Netherlands. This 'popular uprising', which was partially grafted on Protestant ideas and characterized by its iconclasm, has traditionally and unquestioningly been considered a turning point in the history of the Low Countries. It is all the more striking, therefore, that this uprising has never received the attention it deserves in art history and that with very few exceptions there has been little to no interest in the development of painting just after the beeldenstorm and before the advent of the great Baroque masters. Featuring previously unpublished materials, Antwerp Art after Iconoclasm investigates how the esteemed painters of the period - including Adriaen Thomasz Key (1544-1599), Maarten de Vos (1532-1603), Frans Pourbus the Elder (1545-1581), and Michiel Coxcie (1499-1592) - sought a new visual idiom. This study explains why this period of Netherlandish history should be considered an important turning point in the broader context of art history."--Back cover.

History of Antwerp --- Art --- anno 1500-1599 --- History of civilization --- Painting, Flemish --- Counter-Reformation in art. --- Peinture flamande --- Contre-Réforme dans l'art --- Peinture --- Iconoclasme --- Contre-Réforme dans l'art --- Counter-Reformation in art --- Painting, Netherlandish --- Netherlandish painting --- Flemish painting --- beeldenstorm --- geschiedenis --- cultuurgeschiedenis --- religieuze geschiedenis --- christelijke iconografie --- 1566 - 1585 --- 16de eeuw --- Antwerpen --- Zuidelijke Nederlanden --- Painting, Netherlandish. --- Contre-Réforme dans l'art. --- Painting, Flemish. --- 1500-1599. --- Belgium

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Inquisition. --- Contre-Reforme. --- Contre-Réforme dans l'art --- 262.136.12 --- Congregatie van het Heilig Officie (en voor de inquisitie) --- 262.136.12 Congregatie van het Heilig Officie (en voor de inquisitie) --- EGLISE CATHOLIQUE --- INQUISITION --- HISTOIRE --- 1500 --- -Inquisition. --- -EGLISE CATHOLIQUE --- 1500-

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History of Italy --- Christian church history --- anno 1600-1699 --- anno 1500-1599 --- Rome --- Contra-reformatie in de kunst --- Contre-réforme dans l'art --- Counter-Reformation in art --- Visitors, Foreign --- Counter-Reformation --- Visiteurs étrangers --- Contre-Reforme --- Rome (Italy) --- Rome (Italie) --- Rome dans l'art --- Rome dans la littérature --- Description and travel --- In art --- In literature --- Descriptions et voyages --- Rome (Italie) dans l'art --- Rome (Italie) dans la littérature --- History --- Visiteurs étrangers --- Rome dans la littérature --- Description --- 1421-1869 --- Visiteurs étrangers - Italie - Rome --- Rome (Italie) - Descriptions et voyages --- Rome (Italy) - History - 1420-1798 --- ROME (ITALIE) --- HISTOIRE --- CONTRE-REFORME --- ART DE LA RENAISSANCE

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Du concile de Trente (1545- 1563) à la Révolution française, les cathédrales de France connaissent le plus important mouvement de transformation de leurs aménagements : remplacement des autels médiévaux, démolition des jubés, bouleversement des chœurs des chanoines, tels sont les éléments les plus connus de ces «travaux et embellissements». Les œuvres nouvelles alors installées baldaquins, gloires, boiseries introduisent à la fois l'esprit post-tridentin et l'art des XVIIe et XVIIIe siècles au cœur des sanctuaires médiévaux. Répandue à travers l'Europe de la Contre-réforme, l'installation de ces dispositifs s est opérée en France dans le contexte particulier des traditions liturgiques gallicanes, farouchement défendues par les puissants chapitres des cathédrales. Lancées essentiellement au XVIIIe siècle, après une longue période de maturation, les transformations de l'espace sacré des cathédrales montrent comment le clergé de France a su proposer un cadre adapté à une Contre-réforme qui soit une expression authentique du génie national. L'étude des «travaux et embellissements» effectués dans l'ensemble des cathédrales de France, ainsi que la réunion d'une iconographie presque exhaustive sur le sujet, permettent de porter un regard nouveau sur les trois siècles souvent oubliés de l'histoire des cathédrales, «l'autre temps des cathédrales », qui sont pourtant le trait d'union essentiel entre les grands chantiers du Moyen Âge et les restaurations de l époque contemporaine.

Cathedrals --- Church architecture --- Christian art and symbolism --- Church decoration and ornament --- Counter-Reformation in art --- Cathédrales --- Architecture chrétienne --- Art et symbolisme chrétiens --- Eglises --- Contre-Réforme dans l'art --- Conservation and restoration --- History --- Conservation et restauration --- Histoire --- Décoration et ornement --- Architecture, Medieval --- Catholic church buildings --- Architecture religieuse --- Baroque --- Bâtiment culturel --- Cathédrale --- Christianisme --- Pratique architecturale --- Royaume-Uni --- Christian history - Cathedrals - 16th-18th centuries - Architecture --- Cathédrales --- Architecture chrétienne --- Art et symbolisme chrétiens --- Contre-Réforme dans l'art --- Décoration et ornement --- History. --- Cathedrals - France - History --- Cathedrals - France - Conservation and restoration - History --- Architecture, Medieval - France - Conservation and restoration - History --- Christian art and symbolism - France - Modern period, 1500 --- -Church decoration and ornament - France - History --- Catholic church buildings - France

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Counter-Reformation --- Sculpture --- Bologna, da, Giovanni --- anno 1500-1599 --- Genoa --- Contra-reformatie in de kunst --- Contre-réforme dans l'art --- Counter-Reformation in art --- Mannerism (Art) --- -Jesus Christ --- Giambologna --- -Criticism and interpretation --- Universita di Genova --- -Art collections --- Counter-Reformation in art. --- Counter-Reformation and art --- Bronze sculpture --- Visual Arts --- Art, Architecture & Applied Arts --- Private collections --- Jesus Christ --- Giambologna, --- Criticism and interpretation. --- Università di Genova --- Art collections. --- 75.046.3 --- 246.5 --- 75 GIAMBOLOGNA --- 75.034.6 --- -Art --- Religie in de schilderkunst. Heiligenbeelden --- Emblematiek. Iconologie. Christelijke iconografie. Dodendans --- Schilderkunst--GIAMBOLOGNA --- Schilderkunst--?.034.6 --- -Christ --- Cristo --- Jezus Chrystus --- Jesus Cristo --- Jesus, --- Jezus --- Christ, Jesus --- Yeh-su --- Masīḥ --- Khristos --- Gesù --- Christo --- Yeshua --- Chrystus --- Gesú Cristo --- Ježíš --- Isa, --- Nabi Isa --- Isa Al-Masih --- Al-Masih, Isa --- Masih, Isa Al --- -Jesus, --- Jesucristo --- Yesu --- Yeh-su Chi-tu --- Iēsous --- Iēsous Christos --- Iēsous, --- Kʻristos --- Hisus Kʻristos --- Christos --- Jesuo --- Yeshuʻa ben Yosef --- Yeshua ben Yoseph --- Iisus --- Iisus Khristos --- Jeschua ben Joseph --- Ieso Kriʻste --- Yesus --- Kristus --- ישו --- ישו הנוצרי --- ישו הנצרי --- ישוע --- ישוע בן יוסף --- المسيح --- مسيح --- يسوع المسيح --- 耶稣 --- 耶稣基督 --- 예수그리스도 --- Jíizis --- Yéshoua --- Iėsu̇s --- Khrist Iėsu̇s --- عيسىٰ --- Criticism and interpretation --- Art --- -Università degli studi di Genova --- Universidad de Genova --- University of Genova --- Universitas genuensium --- University of Genoa --- Université de Gênes --- R. Università di Genova --- Art collections --- Grimaldi Chapel --- -Religie in de schilderkunst. Heiligenbeelden --- 75.034.6 Schilderkunst--?.034.6 --- 75 GIAMBOLOGNA Schilderkunst--GIAMBOLOGNA --- 246.5 Emblematiek. Iconologie. Christelijke iconografie. Dodendans --- 75.046.3 Religie in de schilderkunst. Heiligenbeelden --- Bologna, Giovanni --- Bologne, Jean --- Giovanni Bologna --- -246.5 Emblematiek. Iconologie. Christelijke iconografie. Dodendans --- -Giambologna --- -Universita di Genova --- -Mannerism (Art) --- Sculpture, Bronze --- Boullongne, Jean --- Boulogne, Jean --- Boulongne, Jean --- Gianbologna --- Christ --- Università degli studi di Genova --- Universität Genua --- Bronzes --- Art. --- Università di Genova --- Art and religion --- Christian art and symbolism --- Italy --- Genoa (Italy) --- ‏عيسىٰ‏ --- van Bologna, Jan --- de Bologne, Jean --- -Bronze sculpture --- Mannerism (Art) - - Genoa - Italy --- -Counter-Reformation in art --- Jesus Christ - Art --- Giambologna - - Criticism and interpretation --- -Sculpture