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One of the foremost scholars of his day, the German classicist August Böckh (1785-1867) was chosen by the Berlin Academy of Sciences as the first editor of the monumental Corpus inscriptionum graecarum. Before that he had published this groundbreaking edition of the extant works of the Greek poet Pindar (c.522-c.443 BCE) in two volumes, the second being split into two parts. The first volume, published in 1811, contains the only complete surviving works of Pindar, the victory odes (Epinikia). The first part of the second volume, published in 1819, contained the ancient Greek scholia. This final part, published in 1821, contains the editor's own Latin translations of Pindar's poems, with a Latin preface and extensive critical commentary. Pindarian fragments in Greek are also included, accompanied by further Latin translations and notes. The volume concludes with thorough indexes.
Greek poetry. --- Greek literature --- Greek poetry, Hellenistic. --- Hellenistic Greek poetry --- Greek literature, Hellenistic
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"It is a well-known and striking fact that Hellenistic Poetry is full of powerful and powerfully present women, ranging from Ptolemaic and other queens, to female (semi-)divinities and epic heroines. But the Hellenistic era is likewise remarkable for being relatively rich in female authors, specifically in the domain of epigrammatic poetry. This volume sets out to broach not only the question who the powerful women of Hellenistic poetry were, and what their power consisted of, but also, quite emphatically, in what ways they differ from or resemble previous literary representations of women in, for example, Homeric epic, archaic lyric and Athenian tragedy, and why."--Provided by vendor.
Greek poetry, Hellenistic --- Epigrams, Greek --- Women authors --- History and criticism --- Hellenistic Greek poetry --- Greek literature, Hellenistic
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Late Hellenistic Greek literature, both prose and poetry, stands out for its richness and diversity. Recent work has tended to take an author-by-author approach that underestimates the interconnectedness of the literary culture of the period. The chapters assembled here set out to change that by offering new readings of a wide range of late Hellenistic texts and genres, including historiography, geography, rhetoric and philosophy, together with many verse texts and inscriptions. In the process, they offer new insights into the various ways in which late Hellenistic literature engaged with its social, cultural and political contexts, while interrogating and revising some of the standard narratives of the relationship between late Hellenistic and imperial Greek literary culture, which are too often studied in isolation from each other. As a whole the book prompts us to rethink the place of late Hellenistic literature within the wider landscape of Greek and Roman literary history.
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Art, Hellenistic. --- Greek literature, Hellenistic. --- Mimesis in art. --- Imitation in art --- Hellenistic Greek literature --- Hellenistic art --- Art, Greek
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Elegiac poetry, Greek --- Greek poetry, Hellenistic --- Hellenistic Greek poetry --- Greek literature, Hellenistic --- Greek elegiac poetry --- Greek poetry --- Translations into Italian --- Criticism, Textual
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After many decades of neglect, the last forty years have seen a renewed scholarly appreciation of the literary value of the Greek novel. Within this renaissance of interest, four monographs have been published to date which focus on individual novels; I refer to the specialist studies of Achilles Tatius by Morales and Laplace and those of Chariton of Aphrodisias by Smith and Tilg. This book adds to this short list and takes as its singular focus Xenophon's 'Ephesiaca'. 0Among the five fully extant Greek novels, the 'Ephesiaca' occupies the position of being an anomaly, since scholars have conventionally considered it to be either a poorly written text or an epitome of a more sophisticated lost original. This monograph challenges this view by arguing that the author of the 'Ephesiaca' is a competent writer in artistic control of his text, insofar as his work has a coherent and emplotted focus on the protagonists' progression in love and also includes references to earlier texts of the classical canon, not least Homer's 'Odyssey' and the Platonic dialogues on Love.0At the same time, the 'Ephesiaca' exhibits stylistically an overall simplicity, contains many repetitions and engages with other texts via a thematic rather than a pointed type of intertextuality; these and other features make this text different from the other extant Greek novels. 0By offering a definition of the 'Ephesiaca' as a paraliterary narrative, this monograph sheds new light on this novel and its position within the Greek novelistic corpus, whilst also offering a more nuanced understanding of intertextuality and paraliterature.
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"Through the variety of its scholarly perspectives, Brill Companion to Theocritus offers a tool for the study of one of antiquity's foremost poets. Offering a thorough examination of textual transmission, ancient commentaries, literary dialect, and poetic forms, the present volume considers Theocritus' work from novel theoretical perspectives, such as gender and emotions. It expands the usual field of inquiry to include religion, and the poet's reception in Late Antiquity and early modern times. The various chapters promote Theocritus' profile as an erudite poet, who both responds to and inaugurates a rich and variegated tradition. The combination of these various perspectives places Theocritus at the crossroads of Ptolemaic patronage, contemporary society, and art. Contributors are: Benjamin Acosta-Hughes, Annemarie Ambühl, Ewen Bowie, Brian W. Breed, Dee L. Clayman, Taylor S. Coughlan, Christophe Cusset, Frederick T. Griffiths, Thomas K. Hubbard, Richard Hunter, Alexandros Kampakoglou, Evangelos Karakasis, Jacqueline Klooster, David Konstan, Jan Kwapisz, Poulheria Kyriakou, Giulio Massimilla, Claudio Meliadò, Sarah Miles, Andrew D. Morrison, Lara Pagani, Viola Palmieri, Juan C. Pellicer, Ivana Petrovic, Tom Phillips, Évelyne Prioux, Joseph D. Reed, Alexander Sens, Evina Sistakou, Karl-Heinz Stanzel, William G. Thalmann, Olga Tribulato"--
Greek poetry, Hellenistic --- Hellenistic Greek poetry --- Greek literature, Hellenistic --- History and criticism --- Theocritus --- Théocrite --- Theokritos --- Criticism and interpretation. --- History and criticism. --- Critique et interprétation --- Poésie grecque hellénistique
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Griekse letterkunde --- Littérature grecque --- Greek poetry, Hellenistic --- Epigrams, Greek --- Poésie grecque hellénistique --- Epigrammes grecques --- History and criticism --- Congresses --- Histoire et critique --- Congrès --- -Greek poetry, Hellenistic --- -Hellenistic Greek poetry --- Greek literature, Hellenistic --- Greek epigrams --- -History and criticism --- Poésie grecque hellénistique --- Congrès --- Hellenistic Greek poetry --- Greek poetry [Hellenistic ] --- Epigrams [Greek ]
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Keine ausführliche Beschreibung für "Geschichte und Theorie der Gattung Paian" verfügbar.
Praise in literature --- Greek poetry, Hellenistic --- -Hellenistic Greek poetry --- Greek literature, Hellenistic --- History and criticism --- Alexandria (Egypt) --- -Intellectual life --- -History and criticism --- Hellenistic Greek poetry --- History and criticism&delete& --- Theory, etc --- Iskandarīyah (Egypt) --- Alexandrie (Egypt) --- Aleksandriyah (Egypt) --- Alessandria (Egypt) --- Alexandreia (Egypt) --- Aleksandria (Egypt) --- Alexantreia (Egypt) --- Alesandriʼa (Egypt) --- الإسكندرية (Egypt) --- الإسكندرية (مصر) --- اسكندرية (Egypt) --- Intellectual life. --- Praise in literature. --- Theory, etc. --- History and criticism.
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