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Hitchcock, Alfred Joseph --- Knowledge --- Art
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Regissörer. --- Hitchcock, Alfred, --- Criticism and interpretation --- Chitskok, Alphrent, --- Hīchakāk, Al-Frad , --- Hitchcock, Alfred Joseph, --- Hsi-chʻü-kʻao-kʻo, --- היצ'קוק, אלפרד, --- هيچکاک، الفرد، --- Hitchcok, Alfred
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Hitchcock, Alfred --- CDL --- 791.471 HITCHCOCK --- Cinema --- Films (Motion pictures) --- Directing --- Cinema films --- Directing (Arts) --- Chitskok, Alphrent, --- Hīchakāk, Al-Frad , --- Hitchcock, Alfred Joseph, --- Hitchcock, Alfred, --- Hsi-chʻü-kʻao-kʻo, --- היצ'קוק, אלפרד, --- هيچکاک، الفرد، --- Hitchcok, Alfred
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In Hitchcock’s Appetites, Casey McKittrick offers the first book-length study of the relationship between Hitchcock’s body size and his cinema. Whereas most critics and biographers of the great director are content to consign his large figure and larger appetite to colorful anecdotes of his private life, McKittrick argues that our understanding of Hitchcock’s films, his creative process, and his artistic mind are incomplete without considering his lived experience as a fat man. Using archival research of his publicity, script collaboration, and personal communications with his producers, in tandem with close textual readings of his films, feminist critique, and theories of embodiment, Hitchcock’s Appetites produces a new and compelling profile of Hitchcock's creative life, and a fuller, more nuanced account of his auteurism..
Motion picture producers and directors --- Obesity. --- Hitchcock, Alfred, --- Health. --- Adiposity --- Corpulence --- Fatness --- Overweight --- Body weight --- Metabolism --- Nutrition disorders --- Disorders --- Chitskok, Alphrent, --- Hīchakāk, Al-Frad , --- Hitchcock, Alfred Joseph, --- Hsi-chʻü-kʻao-kʻo, --- היצ'קוק, אלפרד, --- هيچکاک، الفرد، --- Hitchcok, Alfred
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"Screenwriter and film archivist Steven DeRosa follows Hitchcock and Hayes through each film from initial discussions to completed picture and also reveals the personal story - filled with inspiration and humor, jealousy and frustration - of the initial synergy between the two men before their relationship fell apart. Writing with Hitchcock not only provides new insight into four films from a master but also sheds light on the mysterious process through which classic motion pictures are created."--Jacket.
CDL --- 791.471 HITCHCOCK --- Hitchcock, Alfred, --- Hayes, John Michael, --- Chitskok, Alphrent, --- Hīchakāk, Al-Frad , --- Hitchcock, Alfred Joseph, --- Hsi-chʻü-kʻao-kʻo, --- היצ'קוק, אלפרד, --- هيچکاک، الفرد، --- Criticism and interpretation. --- Hitchcok, Alfred --- Hitchcock, alfred (1899-1980)
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Jean Douchet fut, dans les années cinquante et soixante, l'un des premiers critiques en France à reconnaître en Alfred Hitchcock l'un des maîtres du cinéma, dont plus personne aujourd'hui ne conteste le génie. A l'époque, Hitchcock était encore largement considéré comme un artisan brillant au sein de l'industrie hollywoodienne, un simple réalisateur de " films de suspense ", genre qui n'avait pas encore conquis ses lettres de noblesse. A l'encontre de toutes les réserves émises sur son talent, dans la lignée des Cahiers du cinéma et de François Truffaut, qui publia à la même époque ses fameux entretiens avec Alfred Hitchcock, Jean Douchet démontre magistralement dans son ouvrage paru en 1967, pourquoi et comment Hitchcock est un immense auteur de cinéma : " Le titre de "maître du suspense", est volontiers décerné à Hitchcock, et il convient de l'envisager comme la principale définition de l'œuvre hitchcockienne. L'histoire de l'épée de Damoclès en est la plus célèbre illustration. Le suspense exprime la plus ancienne attitude philosophique. Il porte en lui la forme primitive de l'angoisse existentielle, car il est lié à un sentiment d'insécurité fondamentale. "
Hitchcock, Alfred --- CDL --- 791.471 HITCHCOCK --- Hitchcock, Alfred, --- Chitskok, Alphrent, --- Hīchakāk, Al-Frad , --- Hitchcock, Alfred Joseph, --- Hsi-chʻü-kʻao-kʻo, --- היצ'קוק, אלפרד, --- هيچکاک، الفرد، --- Hitchcok, Alfred
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Alfred Hitchcock's films are renowned the world over, and a mountain of literature has detailed seemingly every facet of them. Yet remarkably few studies have solely focused on the recurring motifs in Hitchcock's films. Michael Walker remedies this surprising gap in Hitchcock literature with an innovative and in-depth study of the sustained motifs and themes threaded through Hitchcock's entire body of work. Combing through all fifty-two extant feature films and representative episodes from Hitchcock's television series, Walker traces over forty motifs that emerge in recurring objects, settings, character-types, and events. Whether the loaded meaning of staircases, the symbolic status of keys and handbags, homoeroticism, guilt and confession, or the role of art, Walker analyzes such elements to reveal a complex web of cross-references in Hitchcock's art. He also gives full attention to the broader social contexts in which the motifs and themes are played out, arguing that these interwoven elements add new and richer depths to Hitchcock's oeuvre. An invaluable, encyclopedic resource for the scholar and fan, Hitchcock's Motifs is a fascinating study of one of the best-known and most admired film directors in history.
Hitchcock, Alfred --- Hitchcock, Alfred Joseph --- Themes, motives --- Hitchcock, Alfred. --- Music, Dance, Drama & Film --- Film --- Hitchcock, Alfred, --- Themes, motives. --- Chitskok, Alphrent, --- Hīchakāk, Al-Frad , --- Hitchcock, Alfred Joseph, --- Hsi-chʻü-kʻao-kʻo, --- היצ'קוק, אלפרד, --- هيچکاک، الفرد، --- Motion pictures --- PERFORMING ARTS / General. --- Plots, themes, etc. --- Motion picture plays --- Motion picture plots --- Plots (Drama, novel, etc.) --- Film genres --- Hitchcok, Alfred --- Film, TV & radio --- Individual film directors, film-makers --- motion pictures --- film
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Alfred Hitchcock's American films are not only among the most admired works in world cinema, they also offer some of our most acute responses to the changing shape of American society in the 1940s, 50s, and 60s. The authors of this anthology show how famous films such as Strangers on a Train, Vertigo, North by Northwest, and Rear Window, along with more obscure ones such as Rope, The Wrong Man, and Family Plot, register the ideologies and insurgencies, the normative assumptions and the cultural alternatives, that shaped these tumultuous decades. They argue that, just as these films occupy a vi
National characteristics, American, in motion pictures. --- Caractéristiques nationales américaines dans le cinéma --- Etats-Unis -- Au cinéma --- Etats-Unis au cinéma --- National characteristics [American ] in motion pictures --- United States -- In motion pictures --- United States in motion pictures --- Verenigde Staten -- In de film --- Verenigde Staten in de film --- Volkskarakters [Amerikaanse ] in de film --- Hitchcock, Alfred Joseph --- Criticism and interpretation --- National characteristics [American ] in literature
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Motion picture producers and directors --- Producteurs et réalisateurs de cinéma --- Hitchcock, Alfred, --- Criticism and interpretation. --- #SBIB:309H1323 --- #SBIB:011.AANKOOP --- Films met een amusementsfunctie en/of esthetische functie: auteurs --- Producteurs et réalisateurs de cinéma --- Hitchcock, Alfred Joseph, --- Hsi-chʻü-kʻao-kʻo, --- Chitskok, Alphrent, --- היצ'קוק, אלפרד, --- Hīchakāk, Al-Frad , --- هيچکاک، الفرد، --- Hitchcok, Alfred
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"This work examines themes, techniques, and the filmmaking process in 15 of Hitchcock's best known films. It explores the auteur's treatments of psychoanalysis, voyeurism, and collective fears during the Cold War. Also presented are key stories behind several Hitchcock classics. The book includes numerous photographs and an extensive bibliography"--Provided by publisher.
Suspense in motion pictures, television, etc. --- Suspense au cinéma --- Hitchcock, Alfred, --- Criticism and interpretation. --- Suspense au cinéma --- Suspense in motion pictures, television, etc --- CDL --- 791.471 HITCHCOCK --- Suspense in motion pictures --- Motion pictures --- Television programs --- Video recordings --- Chitskok, Alphrent, --- Hīchakāk, Al-Frad , --- Hitchcock, Alfred Joseph, --- Hsi-chʻü-kʻao-kʻo, --- היצ'קוק, אלפרד, --- هيچکاک، الفرد، --- Hitchcok, Alfred
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