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"Unterhaltungsmusik" als soziokulturelles Phänomen des 19. Jahrhunderts : Untersuchung über den Einfluss der musikalischen Öffentlichkeit auf die Herausbildung eines neuen Musiktypes
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ISBN: 3764921153 9783764921156 Year: 1977 Volume: 47 Publisher: Regensburg : G. Bosse,

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Les grands interprètes romantiques
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ISBN: 2213012105 9782213012100 Year: 1982 Publisher: Paris : Arthème Fayard,

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Music and the figurative arts in the nineteenth century
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ISBN: 2503589510 9782503589510 Year: 2020 Volume: 39 Publisher: Turnhout : Brepols,

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In 1795 Friedrich Schiller wrote: «Die bildende Kunst in ihrer höchsten Vollendung muss Musik werden und uns durch unmittelbare sinnliche Gegenwart rühren» (Schiller, Über die ästhetische Erziehung des Menschen, Letter XXII, 1795). This sentence underlines the fundamental aesthetic change that coincided at the onset of the nineteenth century. According to «ut musica pictura», music becomes the model for an art able to express and communicate feelings. Even as music no longer necessarily has to embody order, so does painting move away from pure imitation to encompass emotional affect. Music and painting thus converge in embodying a sensual conception of the arts: music is capable of expressing emotions and arousing them in the audience; painting can do the same through visual perception. The present volume, which brings together 21 essays, focuses on encounters between composers and painters, but also on the relationship between music, literature and the figurative arts, as well as on the concurrence of musical and artistic aesthetics. Sections of the book are devoted to iconography, to the relationship with the theatrical arts (in particular the scenic aspect) and in one instance, to Franz Liszt.


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Schubert's fingerprints : studies in the instrumental works
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ISBN: 9781409421221 1409421228 9781409434016 140943401X 9781315607726 9781317059158 9781317059165 9781138245709 Year: 2011 Publisher: Burlington, VT : Ashgate,

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As Robert Schumann put it, 'Only few works are as clearly stamped with their author's imprint as his'. This book explores Schubert's stylistic traits in a series of chapters each discussing an individual 'fingerprint' with case-studies drawn principally from the piano and chamber music. Schubert emerges as someone exerting intellectual control over his musical material and imbuing it with poetic resonance.


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The Oxford handbook of music and intellectual culture in the nineteenth century
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ISBN: 9780190616922 019061692X Year: 2020 Publisher: New York : Oxford University Press,

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In the nineteenth century, ideas about music flourished in fields as disparate as philophosy an natural science, dramatically shifting the relationship between music and the broader intellectual landscape. An exciting and much-needed new volume, The Oxford Handbook of Music and Intellectual Culture in the Nineteenth Century draws deserved attention to the people and institutions of this period who worked to produce these writings. Editors Paul Watt, Sarah Collins, and Michael Allis, along with an international slate of contributors, discuss music's fascinating and unexpected interactions with debates about evolution, the scientific method, psychology, exoticism, gender, and the divide between high and low culture. Part I of the handbook establishes the historical context for the intellectual world of the period, including the significant genres and disciplines of its music literature, while Part II focuses on the century's institutions and networks - from journalists to monasteries - that circulated ideas about music throughout the world. Finally, Part III assesses how the music research of the period reverberates in the present, connecting studies in aestheticism, cosmopolitanism, and intertextuality to their nineteenth-century origins. The Handbook challenges Western music history's traditionally sole focus on musical work by treating writings about music as valuable cultural artifacts in themselves. Engaging and comprehensive, The Oxford Handbook of Music and Intellectual Culture in the Nineteenth Century brings together a wealth of new interdisciplinary research into this critical area of study.

Eugène Ysaÿe et la musique de chambre
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ISBN: 2870093993 9782870093993 Year: 1990 Volume: vol *19 Publisher: Liège : Pierre Mardaga,

The Cambridge history of nineteenth-century music
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ISBN: 0521590175 9780521590174 9781139053440 9781107679948 Year: 2002 Publisher: Cambridge : Cambridge University Press,


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Das Fortschrittsproblem in der Musik um die Jahrhundertwende : von Richard Wagner bis Arnold Schönberg
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ISBN: 3764921536 9783764921538 Year: 1977 Volume: 53 Publisher: Regensburg : G. Bosse,

Felix Mendelssohn-Bartholdy und die griechische Tragödie : Bühnenmusik im Kontext von Politik, Kultur und Bildung
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ISBN: 3777611352 9783777611358 Year: 2001 Volume: 78/1 Publisher: Stuttgart : S. Hirzel,


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Le Sens de la Musique: 1750-1900: Vivaldi, Beethoven, Berlioz, Liszt, Debussy, Stravinski
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ISSN: 17612160 ISBN: 2728803285 2728803315 2728836914 272883704X 2728833028 9782728803316 9782728803286 Year: 2005 Publisher: [Place of publication not identified] Unknown Publisher

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Les Quatre Saisons de Vivaldi imitent-elles les bruits du monde ? Peut-on penser l'histoire de la musique comme une libération progressive de la contrainte imitative, d'un ancrage naturel ou même naturaliste ? Beethoven, Berlioz, Schumann, Wagner ou Debussy constituent-ils les étapes qui aboutissent à une musique pure ? Le romantisme a fait de la musique le paradigme de l'Art en la concevant comme un langage délivré du poids du sens, un art abstrait » parce qu'autonome. Par la richesse savante des auteurs et des œuvres examinés, par les repères chronologiques et théoriques mis en lumière, l'anthologie proposée ici est une véritable histoire de la pensée sonore et de la pratique musicale du XVIIIe siècle au début du XXe siècle. Le mélomane, le musicologue, comme l'historien ou le philosophe de l'art, pourront évaluer d'un œil neuf les liens de l'imitation et de l'expression, la dispute de l'abstraction et les rapports que les arts entretiennent à la signification.

Keywords

Music --- Musique --- History and criticism --- Philosophy and aesthetics --- Histoire et critique --- Philosophie et esthétique --- Philosophy and aesthetics. --- History and criticism. --- Philosophie et esthétique --- Berlioz, Hector, --- Debussy, Claude, --- Liszt, Franz, --- Stravinsky, Igor, --- Stravinsky, Igor --- Stravinski, Igor --- Strawinsky, Igor --- Strawinski, Igor --- Debi︠u︡si, Klod, --- Debi︠u︡ssi, K. --- Debi︠u︡ssi, Klod, --- Debussy, Achille Claude, --- Debussy, C. --- Debussy, Claude --- Debuxi, --- Tu-pu-hsi, --- Berlioz, Gektor, --- Berlioz, Khektor, --- Berlioz, Louis Hector, --- Berlioz, H. --- List, Frant︠s︡, --- Liszt, Ferenc, --- Liszt, F. --- Liszt, Franciszek, --- List, Ferent︠s︡, --- Liszt, Francesco, --- Lists, F., --- Criticism and interpretation. --- Stravinskij, Igor' Fëdorovič --- Liszt, Ferencz, --- Liszt, Francisco, --- Liszt, Franz --- Music - 19th century - Philosophy and aesthetics. --- Music - 20th century - Philosophy and aesthetics. --- Music - 19th century - History and criticism. --- Music - 20th century - History and criticism. --- Istrāvīnskī, Īgūr, --- Stravinski, Igor, --- Stravinskiĭ, I. F. --- Stravinskiĭ, Igorʹ Fedorovich, --- Stravinskij, Igor Fiodorovič, --- Strawiński, Igor Fiodorowicz, --- Strawinskij, Igor, --- Strawinsky, I. --- Strawinsky, Igor, --- Strawinsky, Jgor, --- Стравинский, Игорь, --- סטראווינסקי, איגור --- סטראוינסקי, איגור --- Popper, Karl R.

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