Listing 1 - 10 of 11 | << page >> |
Sort by
|
Choose an application
muziekgeschiedenis --- Music --- anno 1800-1999 --- History and criticism --- Social aspects --- % 9611AR --- History and criticism. --- Social aspects. --- Music - 19th century - History and criticism --- Music - Social aspects
Choose an application
Musicians --- Music --- Musiciens --- Musique --- Biography --- History and criticism --- Biographies --- Histoire et critique --- 19th century --- 78.29.1 --- Musicians - Biography --- Music - 19th century - History and criticism
Choose an application
In 1795 Friedrich Schiller wrote: «Die bildende Kunst in ihrer höchsten Vollendung muss Musik werden und uns durch unmittelbare sinnliche Gegenwart rühren» (Schiller, Über die ästhetische Erziehung des Menschen, Letter XXII, 1795). This sentence underlines the fundamental aesthetic change that coincided at the onset of the nineteenth century. According to «ut musica pictura», music becomes the model for an art able to express and communicate feelings. Even as music no longer necessarily has to embody order, so does painting move away from pure imitation to encompass emotional affect. Music and painting thus converge in embodying a sensual conception of the arts: music is capable of expressing emotions and arousing them in the audience; painting can do the same through visual perception. The present volume, which brings together 21 essays, focuses on encounters between composers and painters, but also on the relationship between music, literature and the figurative arts, as well as on the concurrence of musical and artistic aesthetics. Sections of the book are devoted to iconography, to the relationship with the theatrical arts (in particular the scenic aspect) and in one instance, to Franz Liszt.
Art and music. --- Music in art --- Music --- Art, Modern --- History and criticism --- History --- Art and music --- Arts, Modern --- Music - 19th century - History and criticism --- Arts, Modern - 19th century
Choose an application
As Robert Schumann put it, 'Only few works are as clearly stamped with their author's imprint as his'. This book explores Schubert's stylistic traits in a series of chapters each discussing an individual 'fingerprint' with case-studies drawn principally from the piano and chamber music. Schubert emerges as someone exerting intellectual control over his musical material and imbuing it with poetic resonance.
Instrumental music --- Musique instrumentale --- History and criticism --- Histoire et critique --- Schubert, Franz, --- History and criticism. --- Instrumental music -- 19th century -- History and criticism. --- Schubert, Franz, 1797-1828. Instrumental music. --- Songs, German -- 19th century -- History and criticism.
Choose an application
In the nineteenth century, ideas about music flourished in fields as disparate as philophosy an natural science, dramatically shifting the relationship between music and the broader intellectual landscape. An exciting and much-needed new volume, The Oxford Handbook of Music and Intellectual Culture in the Nineteenth Century draws deserved attention to the people and institutions of this period who worked to produce these writings. Editors Paul Watt, Sarah Collins, and Michael Allis, along with an international slate of contributors, discuss music's fascinating and unexpected interactions with debates about evolution, the scientific method, psychology, exoticism, gender, and the divide between high and low culture. Part I of the handbook establishes the historical context for the intellectual world of the period, including the significant genres and disciplines of its music literature, while Part II focuses on the century's institutions and networks - from journalists to monasteries - that circulated ideas about music throughout the world. Finally, Part III assesses how the music research of the period reverberates in the present, connecting studies in aestheticism, cosmopolitanism, and intertextuality to their nineteenth-century origins. The Handbook challenges Western music history's traditionally sole focus on musical work by treating writings about music as valuable cultural artifacts in themselves. Engaging and comprehensive, The Oxford Handbook of Music and Intellectual Culture in the Nineteenth Century brings together a wealth of new interdisciplinary research into this critical area of study.
Music --- Intellectual life --- Social aspects --- History --- History and criticism --- Muziek --- Geschiedenis en kritiek --- Music - Social aspects - History - 19th century --- Music - 19th century - History and criticism --- Intellectual life - History - 19th century --- Musique --- Vie intellectuelle --- Aspect social
Choose an application
kamermuziek --- Ysaÿe, Eugène --- Musique --- Muziek --- Chamber music --- Musique de chambre --- Ysaye, Eugène, --- Ysaye, Eugène, --- 78.44.6.2 Ysaye --- 526.10 --- Monografieën componisten en uitvoerders - Biografieën, Stijl- en oeuvrebesprekingen --- Ysaÿe, Eugène --- 790 --- Belgique musique --- kunstenaars --- artistes --- Ysaÿe, Eugène, --- Chamber music - 19th century - History and criticism. --- Chamber music - 20th century - History and criticism. --- Biografieën --- Kamermuziek --- België --- 20e eeuw
Choose an application
Music --- Musique --- History and criticism --- Histoire et critique --- History and criticism. --- -Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- muziekgeschiedenis --- anno 1800-1899 --- 19th century --- Music - 19th century - History and criticism.
Choose an application
muziekkritiek --- muziekgeschiedenis --- Music --- esthetiek --- muziekfilosofie --- anno 1900-1909 --- anno 1800-1899 --- Philosophy and aesthetics --- History and criticism --- % 9611AR --- Philosophy and aesthetics. --- History and criticism. --- -Music --- -Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- -Philosophy and aesthetics --- Hermeneutics (Music) --- Musical aesthetics --- Aesthetics --- Music theory --- Philosophy --- Music - Philosophy and aesthetics --- Music - 19th century - History and criticism --- Music - 20th century - History and criticism
Choose an application
Mendelssohn Bartholdy, Felix --- Greek drama --- Incidental music --- History and criticism. --- -Incidental music --- -Music, Incidental --- Dramatic music --- Greek literature --- -History and criticism --- History and criticism --- Mendelssohn-Bartholdy, Felix. --- Mendelssohn, Felix --- Mendelssohn-Bartholdy, Jakob Ludwig Felix --- Mendelssohn Bartholdy, Felix, --- Music, Incidental --- Incidental music&delete& --- Mendelssohn-Bartholdy, Felix, --- Greek drama - Incidental music - History and criticism. --- Incidental music - 19th century - History and criticism. --- Mendelssohn-bartholdy (felix), 1809-1847 --- Tragedie grecque --- Themes, motifs
Choose an application
Les Quatre Saisons de Vivaldi imitent-elles les bruits du monde ? Peut-on penser l'histoire de la musique comme une libération progressive de la contrainte imitative, d'un ancrage naturel ou même naturaliste ? Beethoven, Berlioz, Schumann, Wagner ou Debussy constituent-ils les étapes qui aboutissent à une musique pure ? Le romantisme a fait de la musique le paradigme de l'Art en la concevant comme un langage délivré du poids du sens, un art abstrait » parce qu'autonome. Par la richesse savante des auteurs et des œuvres examinés, par les repères chronologiques et théoriques mis en lumière, l'anthologie proposée ici est une véritable histoire de la pensée sonore et de la pratique musicale du XVIIIe siècle au début du XXe siècle. Le mélomane, le musicologue, comme l'historien ou le philosophe de l'art, pourront évaluer d'un œil neuf les liens de l'imitation et de l'expression, la dispute de l'abstraction et les rapports que les arts entretiennent à la signification.
Music --- Musique --- History and criticism --- Philosophy and aesthetics --- Histoire et critique --- Philosophie et esthétique --- Philosophy and aesthetics. --- History and criticism. --- Philosophie et esthétique --- Berlioz, Hector, --- Debussy, Claude, --- Liszt, Franz, --- Stravinsky, Igor, --- Stravinsky, Igor --- Stravinski, Igor --- Strawinsky, Igor --- Strawinski, Igor --- Debi︠u︡si, Klod, --- Debi︠u︡ssi, K. --- Debi︠u︡ssi, Klod, --- Debussy, Achille Claude, --- Debussy, C. --- Debussy, Claude --- Debuxi, --- Tu-pu-hsi, --- Berlioz, Gektor, --- Berlioz, Khektor, --- Berlioz, Louis Hector, --- Berlioz, H. --- List, Frant︠s︡, --- Liszt, Ferenc, --- Liszt, F. --- Liszt, Franciszek, --- List, Ferent︠s︡, --- Liszt, Francesco, --- Lists, F., --- Criticism and interpretation. --- Stravinskij, Igor' Fëdorovič --- Liszt, Ferencz, --- Liszt, Francisco, --- Liszt, Franz --- Music - 19th century - Philosophy and aesthetics. --- Music - 20th century - Philosophy and aesthetics. --- Music - 19th century - History and criticism. --- Music - 20th century - History and criticism. --- Istrāvīnskī, Īgūr, --- Stravinski, Igor, --- Stravinskiĭ, I. F. --- Stravinskiĭ, Igorʹ Fedorovich, --- Stravinskij, Igor Fiodorovič, --- Strawiński, Igor Fiodorowicz, --- Strawinskij, Igor, --- Strawinsky, I. --- Strawinsky, Igor, --- Strawinsky, Jgor, --- Стравинский, Игорь, --- סטראווינסקי, איגור --- סטראוינסקי, איגור --- Popper, Karl R.
Listing 1 - 10 of 11 | << page >> |
Sort by
|