Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

The focus of this Special Issue is language translation in the process of localizing religious musical practice. As an alternative to related concepts (such as contextualization and indigenization), musical localization is presented by ethnomusicologists Monique Ingalls, Muriel Swijghuisen Reigersberg, and Zoe Sherinian in Making Congregational Music Local in Christian Communities Worldwide (Routledge, 2018) as an effective way to account for the complex, diverse, and shifting ways in which religious communities embody what it means to be local through their musical practices: "Musical localization is the process by which Christian communities take a variety of musical practices - some considered 'indigenous, ' some 'foreign, ' some shared across spatial and cultural divides; some linked to past practice, some innovative - and make them locally meaningful and useful in the construction of Christian beliefs, theology, practice, and identity." (13) This Special Issue shows the balance of translation priorities that local congregations can weigh as they work, between externally prescribed guidelines and exclusively local realities; between translations more oriented to the source language and culture, making that reality more plain, or to the recipients, ensuring that the meaning is adequately transferred to a new context; and between even the decision to translate or not, perhaps choosing to sing the songs of another culture and language as they are while risking appropriation.

Church music. --- Church music --- Pastoral music (Sacred) --- Religious music --- Sacred vocal music --- Devotional exercises --- Liturgics --- Music --- Music in churches --- Psalmody --- History and criticism --- Religious aspects --- Christianity

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Das Jahrbuch für Liturgik und Hymnologie (JLH) wird von Jörg Neijenhuis, Daniela Wissemann-Garbe, Alexander Deeg, Michael Meyer-Blanck, Irmgard Scheitler, Matthias Schneider und Helmut Schwier in Verbindung mit der Internationalen Arbeitsgemeinschaft für Hymnologie und dem Interdisziplinären Arbeitskreis Gesangbuchforschung Mainz, dem Liturgiewissenschaftlichen Institut Leipzig und der Liturgischen Konferenz herausgegeben. 1955 wurde es von Konrad Ameln, Christhard Mahrenholz und Karl Ferdinand Müller begründet.

Church music --- Lutheran Church --- Church music. --- Liturgie. --- Pastoral music (Sacred) --- Religious music --- Sacred vocal music --- Devotional exercises --- Liturgics --- Music --- Music in churches --- Psalmody --- Lutheranism --- Christian sects --- Liturgy --- Hymns --- History and criticism --- Lutheran Church. --- Hymns. --- Liturgy. --- Religious aspects --- Christianity

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Kerle, de, Jacobus --- Composers --- Church music --- Compositeurs --- Musique d'église --- Biography. --- Catholic Church --- Biographies --- Eglise catholique --- Kerle, Jacobus de, --- Musique d'église --- Pastoral music (Sacred) --- Religious music --- Sacred vocal music --- Devotional exercises --- Liturgics --- Music --- Music in churches --- Psalmody --- History and criticism --- Religious aspects --- Christianity --- De Kerle, Jacobus, --- Kerle, Jacob de, --- Biography --- 16th century --- Kerle, Jacobus de

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Hymns --- Church music --- Hymnes --- Musique d'église --- Research --- Recherche --- Church music. --- Instruction and study. --- 245 --- -Church music --- Pastoral music (Sacred) --- Religious music --- Sacred vocal music --- Devotional exercises --- Liturgics --- Music --- Music in churches --- Psalmody --- Kerkgezang. Hymnologie --- Instruction and study --- History and criticism --- Religious aspects --- Christianity --- -Kerkgezang. Hymnologie --- Musique d'église --- Church music - Instruction and study. --- Musicologie

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

In Artistic Disobedience Claudio Bacciagaluppi shows how music practice was an occasion for cross-confessional contacts in 17th- and 18th-century Switzerland, implying religious toleration. The difference between public and private performing contexts, each with a distinct repertoire, appears to be of paramount importance. Confessional barriers were overcome in an individual, private perspective. Converted musicians provide striking examples. Also, book trade was often cross-confessional. Music by Catholic (but also Lutheran) composers was diffused in Reformed territories mainly in the private music societies of Swiss German towns (collegia musica). The political and pietist influences in the Zurich and Winterthur music societies encouraged forms of communication that are among the acknowledged common roots of European Enlightenment.

Music --- History of Switzerland --- Christian church history --- anno 1600-1699 --- anno 1700-1799 --- Church music --- Reformation --- Pastoral music (Sacred) --- Religious music --- Sacred vocal music --- Devotional exercises --- Liturgics --- Music in churches --- Psalmody --- Catholic Church. --- Protestant churches. --- History and criticism --- Religious aspects --- Christianity --- Catholic Church