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Cornelia Parker's art is about destruction, resurrection and transformation. Always driven by curiosity, she reconfigures familiar objects to question our relationship with the world, and engage with the important issues of our time, be it violence, ecology or human rights. 0This landmark publication charts Cornelia Parker's career to date, from early work to the iconic installations Cold Dark Matter: An Exploded View 1991, for which she had a garden shed blown up, and Perpetual Canon 2004, made up of brass band instruments, steamrollered flat, to the immersive War Room 2015 and on to new work, such as Island and Flag, made in 2022. The book also explores the full range of her practice, from her monumental collective embroidery, as well as her films and a wealth of her innovative drawings, prints and photographs. No other contemporary artist has worked so closely with such a wide range of individuals, groups and institutions: the British Army, The Royal Mint, Abbey Road Studios, prisoners, school children, The Daughters of the Republic of Texas, whistleblowers and the UK Parliament among many others. Featuring a new, extended interview with Tate Britain Director of Exhibitions and Displays Andrea Schlieker, as well as insights and reflections from a selection of writers and collaborators, Cornelia Parker is an authoritative and captivating survey of one of Britain's best-loved and most acclaimed artists.00Exhibition: Tate Britain, London, UK (16.05.-16.10.2022).
Parker, Cornelia, --- Art, Modern --- Art, British --- Sculpture --- installation artists --- Parker, Cornelia
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Installation is arguably the most original vigorous and fertile form of art today. No large-scale survey or festival of contemporary art would be complete without examples of installations, and it is these that usually attract the greatest attention and cause the most controversy. Yet this is the first book ever to describe the tradition and explore the achievements and ambitions of the installation artist.Michael Archer's illuminating introduction traces the history of installations art from Duchamp's first readymade through the Pop tableaux of Kienholz, Oldenburg, Kapoor and Dine to more recent developments such as Land Art and Process Art. This is followed by a global range of installations presented and documented by Nicolas de Oliveira, Nicola Oxley and Michael Petry. All these works share a theatrical power and an insistence that the viewer be involved, from Christian Marclay's floor carpeted with LPs and Jenny Holzer's pulsating LED screens with their enigmatic messages, to Lothar Baumgarten's haunting memorial to Native American tribes and Hiroshi Teshigahara's tranquil tunnels of bamboo. The pieces are grouped into four sections, with more than 260 illustrations. Authoritative reference material includes a chronology which details the history of installation from its roots in the late nineteenth century to today and an extensive bibliography. Installation is a rich art form, often heroic in scale, sometimes with and subversive, usually impermanent. This pioneering volume captures fully the variety and scale of these many-layered works - the essential contemporary record of a vibrant, fast-changing discipline. Acconci, Vito ; Adams, Dennis ; Anselmo, Giovanni ; Antin, Eleanor ; Araeen, Rasheed ; Arc Group ; Armajani, Siah ; Artschwager, Richard ; Asher, Michael ; Barclay, Per ; Barlow, Phyllida ; Barney, Matthew ; Barry, Judith ; Berenhaut, Marianne ; Beuys, Joseph ; Bijl, Guillaume ; Birnbaum, Dara ; Bloom, Barbara ; Boccioni, Umberto ; Boltanski, Christian ; Borofsky, Jonathan ; Bosslet, Eberhard ; Bourgeois, Louise ; Brodsky, Alexander ; Broodthaers, Marcel ; Bruch, Klaus vom ; Bulloch, Angela ; Bunschoten, Raoul ; Burden, Chris ; Buren, Daniel ; Byars, James Lee ; Cadieux, Geneviève ; Calle, Sophie ; Calzolari, Pierpaolo ; Chadwick, Helen ; Chaimowicz, Marc Camille ; Christo ; Coleman, James ; Coleman, John ; Couper, Max ; Cragg, Tony (Anthony) ; Cranston, David ; Cranston, Meg ; Culbert, Bill ; Currah, Mark ; Delvoye, Wim ; Diamond, Jessica ; Dimitrijevic, Braco ; Dine, Jim ; Duchamp, Marcel ; Dye, David ; Eerdekens, Fred ; Egashira, Shin ; Fabro, Luciano ; Feininger, Lyonel ; Fend, Peter ; Finn-Kelcey, Rose ; Fischli & Weiss ; Fisher, Andrea ; Riverhead (New York) ; Fleming, Martha ; Fontana, Lucio ; Gallaccio, Anya ; General Idea ; Gins, Madeline ; Gober, Robert ; Goldenberg, David ; Gooden, Nat ; Gormley, Antony ; Graham, Dan ; Gran Fury ; Greaves, Andrew ; Group Material ; Gu de Xin ; Haacke, Hans ; HAHA ; Hamilton, Ann ; Hamilton-Fraser, Donald ; Hammons, David ; Haselden, Ron ; Hatoum, Mona ; Hay, Paul ; Head, Tim ; Hill, Gary ; Hiller, Susan ; Hillwood-Harris, Ben ; Hirst, Damien ; Holzer, Jenny ; Horn, Rebecca ; Hotel Pro Forma ; Ireland, David ; Jaar, Alfredo ; Jennings, Chris ; Jetelova, Magdalena ; Judd, Donald ; Kabakov, Ilya ; Kapoor, Anish ; Kaprow, Allan ; Katase, Kazuo ; Kawamata, Tadashi ; Keane, Tina ; Kelley, Mike ; Kesseler, Rob ; etc.
Art, Modern --- Installations (Art) --- Art --- Nicolas de Oliveira, Nicola Oxley, Michael Petry ; With texts by Michael Archer --- kunst --- twintigste eeuw --- installaties --- naslagwerk --- 7.038 --- Installation-art --- installations [visual works] --- Baumgarten, Lothar --- Broodthaers, Marcel --- Cragg, Tony --- Vercruysse, Jan --- Tatlin, Vladimir --- Lissitzky, Eliezer --- Tremlett, David --- Buren, Daniel --- Landy, Michael --- Phaophanit, Vong --- Paik, Nam June --- Kienholz, Edward --- Oldenburg, Claes --- Antin, Eleanor --- Armajani, Siah --- Coleman, James --- Kummer, Raimund --- Leccia, Ange --- Locher, Thomas --- Perejaume --- Simonds, Charles --- Duchamp, Marcel --- Station House Opera --- Araeen, Rasheed --- Barry, Judith --- Barclay, Per --- Barlow, Phyllida --- Berenhaut, Marianne --- Bosslet, Eberhard --- Brodsky, Alexander --- Bunschoten, Raoul --- Eerdekens, Fred --- Coleman, John --- Fabro, Luciano --- Fontana, Lucio --- Cranston, David --- Cranston, Meg --- Currah, Mark --- Adams, Dennis --- Diamond, Jessica --- Dye, David --- Egashira, Shin --- Finn-Kelcey, Rose --- Fleming, Martha --- Pistoletto, Michelangelo --- Morris, Robert --- Bourgeois, Louise --- Goldenberg, David --- Goodden, Nat --- Greaves, Andrew --- Gu Dexin --- Christo --- Jennings, Chris --- Keane, Tina --- Kesseler, Rob --- Kivland, Sharon --- Couper, Max --- Kawamata, Tadashi --- Smithson, Robert --- Kozlowski, Jaroslaw --- Laramee, Eve Andrée --- Leventon, Rosie --- Lafontaine, Marie-Jo --- Onwin, Glen --- Mabe, Joni --- Madsen, Loren --- Delvoye, Wim --- Feininger, Lyonel --- Mochetti, Maurizio --- Morgana, Aimée --- Beuys, Joseph --- Nogueira, Lucia --- Otterso, Joel --- Pallanka, Heike --- Peplow, John --- Petry, Michael --- Pirri, Alfredo --- Prendergast, Kathy --- Robbe, Wolfgang --- Schäfer, Hansjörg --- Skersis, Victor --- Stingel, Rudolf --- Sudell, Louise --- Terauchi, Yoko --- Teshigahara, Hiroshi --- Tisdale, Danny --- Torres Monsó, Francesco --- Long, Richard --- Trangmar, Susan --- Tunga --- Ukeles, Mierle Laderman --- Utkin, Ilya --- Boltanski, Christian --- Byars, James L. --- Wakeley, Shelagh --- Kabakov, Ilija Iosefovich --- Wilkinson, Caroline --- Steinbach, Haim --- Wood, Craig --- Wood, Julia --- Zimmermann, Peter --- Marinetti, Filippo Tommaso --- Stockholder, Jessica --- Arakawa, Shusaku --- Penone, Giuseppe --- Thek, Paul --- Klein, Yves --- Louis, Morris --- Manzoni, Piero --- Plessi, Fabrizio --- Cage, John --- Serra, Richard --- Fisher, Andrea --- Boccioni, Umberto --- Kiefer, Anselm --- Merz, Mario --- Viola, Bill --- Kelley, Mike --- Rauschenberg, Robert --- Schütte, Thomas --- Morellet, François --- Sonnier, Keith --- Acconci, Vito --- Venlet, Richard --- Graham, Dan --- Meireles, Cildo --- Raynaud, Jean Pierre --- Judd, Donald --- Anselmo, Giovanni --- Artschwager, Richard --- Barney, Matthew --- Turrell, James --- Birnbaum, Dara --- Cadieux, Geneviève --- Calle, Sophie --- Calzolari, Pier Paolo --- Chaimowicz, Marc Camille --- Dine, Jim --- Fischli, Peter --- Flavin, Dan --- Kapoor, Anish --- Kounellis, Jannis --- Kruger, Barbara --- Lawler, Louise --- Levine, Sherrie --- McCollum, Allan --- Nauman, Bruce --- Noland, Cady --- Sarkis --- Weiss, David --- Gober, Robert --- Parker, Cornelia --- Bulloch, Angela --- Orozco, Gabriel --- Bloom, Barbara --- Borofsky, Jonathan --- Bruch, vom, Klaus --- Burden, Chris --- Schwitters, Kurt --- Chadwick, Helen --- Culbert, Bill --- Fend, Peter --- Gormley, Antony --- Ireland, David --- Jetelová, Magdalena --- Katase, Kazuo --- Laib, Wolfgang --- Le Va, Barry --- Marclay, Christian --- Maria, de, Walter --- Muntadas, Antonio --- Nordman, Maria --- Rheinsberg, Raffael --- Rückriem, Ulrich --- Vostell, Wolf --- Welch, Roger --- Whiteread, Rachel --- Wodiczko, Krysztof --- Vilmouth, Jean-Luc --- Dimitrijević, Braco --- Jaar, Alfredo --- Miralda, Antoni --- Leibowitz, Cary S. --- Piper, Adrian --- Wilson, Richard --- Knoebel, Imi --- Bijl, Guillaume --- Matta-Clark, Gordon --- Kaprow, Allan --- Kosuth, Joseph --- Asher, Michael --- SITE [New York, N.Y.] --- General Idea --- ARC Group --- Gran Fury --- HAHA --- Hotel Pro Forma [Copenhagen] --- Studio Libeskind --- anno 1900-1999 --- Beeldende kunst ; installaties ; 20ste eeuw ; naslagwerken --- 7(03) --- Kunst ; encyclopedieën --- Gran Fury [New York, N.Y.] --- Lissitzky, El --- 7.038(03) --- Beeldende kunst ; 20ste eeuw ; installaties --- Kunstgeschiedenis ; 1950 - 2000 --- Installations (Art) - 20th century --- Installations (art ) --- 1990 --- -1945 --- -Installation-art --- -Installations (art ) --- -1945-
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